mirror of
https://github.com/autc04/Retro68.git
synced 2024-11-28 21:49:33 +00:00
8859 lines
398 KiB
Plaintext
8859 lines
398 KiB
Plaintext
The Project Gutenberg EBook of The Adventures of Tom Sawyer, Complete
|
|
by Mark Twain (Samuel Clemens)
|
|
|
|
This eBook is for the use of anyone anywhere at no cost and with
|
|
almost no restrictions whatsoever. You may copy it, give it away or
|
|
re-use it under the terms of the Project Gutenberg License included
|
|
with this eBook or online at www.gutenberg.net
|
|
|
|
|
|
Title: The Adventures of Tom Sawyer, Complete
|
|
|
|
Author: Mark Twain (Samuel Clemens)
|
|
|
|
Release Date: August 20, 2006 [EBook #74]
|
|
[Last updated: May 3, 2011]
|
|
|
|
Language: English
|
|
|
|
|
|
*** START OF THIS PROJECT GUTENBERG EBOOK TOM SAWYER ***
|
|
|
|
|
|
|
|
|
|
Produced by David Widger. The previous edition was updated by Jose
|
|
Menendez.
|
|
|
|
|
|
|
|
|
|
|
|
THE ADVENTURES OF TOM SAWYER
|
|
BY
|
|
MARK TWAIN
|
|
(Samuel Langhorne Clemens)
|
|
|
|
|
|
|
|
|
|
P R E F A C E
|
|
|
|
MOST of the adventures recorded in this book really occurred; one or
|
|
two were experiences of my own, the rest those of boys who were
|
|
schoolmates of mine. Huck Finn is drawn from life; Tom Sawyer also, but
|
|
not from an individual--he is a combination of the characteristics of
|
|
three boys whom I knew, and therefore belongs to the composite order of
|
|
architecture.
|
|
|
|
The odd superstitions touched upon were all prevalent among children
|
|
and slaves in the West at the period of this story--that is to say,
|
|
thirty or forty years ago.
|
|
|
|
Although my book is intended mainly for the entertainment of boys and
|
|
girls, I hope it will not be shunned by men and women on that account,
|
|
for part of my plan has been to try to pleasantly remind adults of what
|
|
they once were themselves, and of how they felt and thought and talked,
|
|
and what queer enterprises they sometimes engaged in.
|
|
|
|
THE AUTHOR.
|
|
|
|
HARTFORD, 1876.
|
|
|
|
|
|
|
|
T O M S A W Y E R
|
|
|
|
|
|
|
|
CHAPTER I
|
|
|
|
"TOM!"
|
|
|
|
No answer.
|
|
|
|
"TOM!"
|
|
|
|
No answer.
|
|
|
|
"What's gone with that boy, I wonder? You TOM!"
|
|
|
|
No answer.
|
|
|
|
The old lady pulled her spectacles down and looked over them about the
|
|
room; then she put them up and looked out under them. She seldom or
|
|
never looked THROUGH them for so small a thing as a boy; they were her
|
|
state pair, the pride of her heart, and were built for "style," not
|
|
service--she could have seen through a pair of stove-lids just as well.
|
|
She looked perplexed for a moment, and then said, not fiercely, but
|
|
still loud enough for the furniture to hear:
|
|
|
|
"Well, I lay if I get hold of you I'll--"
|
|
|
|
She did not finish, for by this time she was bending down and punching
|
|
under the bed with the broom, and so she needed breath to punctuate the
|
|
punches with. She resurrected nothing but the cat.
|
|
|
|
"I never did see the beat of that boy!"
|
|
|
|
She went to the open door and stood in it and looked out among the
|
|
tomato vines and "jimpson" weeds that constituted the garden. No Tom.
|
|
So she lifted up her voice at an angle calculated for distance and
|
|
shouted:
|
|
|
|
"Y-o-u-u TOM!"
|
|
|
|
There was a slight noise behind her and she turned just in time to
|
|
seize a small boy by the slack of his roundabout and arrest his flight.
|
|
|
|
"There! I might 'a' thought of that closet. What you been doing in
|
|
there?"
|
|
|
|
"Nothing."
|
|
|
|
"Nothing! Look at your hands. And look at your mouth. What IS that
|
|
truck?"
|
|
|
|
"I don't know, aunt."
|
|
|
|
"Well, I know. It's jam--that's what it is. Forty times I've said if
|
|
you didn't let that jam alone I'd skin you. Hand me that switch."
|
|
|
|
The switch hovered in the air--the peril was desperate--
|
|
|
|
"My! Look behind you, aunt!"
|
|
|
|
The old lady whirled round, and snatched her skirts out of danger. The
|
|
lad fled on the instant, scrambled up the high board-fence, and
|
|
disappeared over it.
|
|
|
|
His aunt Polly stood surprised a moment, and then broke into a gentle
|
|
laugh.
|
|
|
|
"Hang the boy, can't I never learn anything? Ain't he played me tricks
|
|
enough like that for me to be looking out for him by this time? But old
|
|
fools is the biggest fools there is. Can't learn an old dog new tricks,
|
|
as the saying is. But my goodness, he never plays them alike, two days,
|
|
and how is a body to know what's coming? He 'pears to know just how
|
|
long he can torment me before I get my dander up, and he knows if he
|
|
can make out to put me off for a minute or make me laugh, it's all down
|
|
again and I can't hit him a lick. I ain't doing my duty by that boy,
|
|
and that's the Lord's truth, goodness knows. Spare the rod and spile
|
|
the child, as the Good Book says. I'm a laying up sin and suffering for
|
|
us both, I know. He's full of the Old Scratch, but laws-a-me! he's my
|
|
own dead sister's boy, poor thing, and I ain't got the heart to lash
|
|
him, somehow. Every time I let him off, my conscience does hurt me so,
|
|
and every time I hit him my old heart most breaks. Well-a-well, man
|
|
that is born of woman is of few days and full of trouble, as the
|
|
Scripture says, and I reckon it's so. He'll play hookey this evening, *
|
|
and [* Southwestern for "afternoon"] I'll just be obleeged to make him
|
|
work, to-morrow, to punish him. It's mighty hard to make him work
|
|
Saturdays, when all the boys is having holiday, but he hates work more
|
|
than he hates anything else, and I've GOT to do some of my duty by him,
|
|
or I'll be the ruination of the child."
|
|
|
|
Tom did play hookey, and he had a very good time. He got back home
|
|
barely in season to help Jim, the small colored boy, saw next-day's
|
|
wood and split the kindlings before supper--at least he was there in
|
|
time to tell his adventures to Jim while Jim did three-fourths of the
|
|
work. Tom's younger brother (or rather half-brother) Sid was already
|
|
through with his part of the work (picking up chips), for he was a
|
|
quiet boy, and had no adventurous, troublesome ways.
|
|
|
|
While Tom was eating his supper, and stealing sugar as opportunity
|
|
offered, Aunt Polly asked him questions that were full of guile, and
|
|
very deep--for she wanted to trap him into damaging revealments. Like
|
|
many other simple-hearted souls, it was her pet vanity to believe she
|
|
was endowed with a talent for dark and mysterious diplomacy, and she
|
|
loved to contemplate her most transparent devices as marvels of low
|
|
cunning. Said she:
|
|
|
|
"Tom, it was middling warm in school, warn't it?"
|
|
|
|
"Yes'm."
|
|
|
|
"Powerful warm, warn't it?"
|
|
|
|
"Yes'm."
|
|
|
|
"Didn't you want to go in a-swimming, Tom?"
|
|
|
|
A bit of a scare shot through Tom--a touch of uncomfortable suspicion.
|
|
He searched Aunt Polly's face, but it told him nothing. So he said:
|
|
|
|
"No'm--well, not very much."
|
|
|
|
The old lady reached out her hand and felt Tom's shirt, and said:
|
|
|
|
"But you ain't too warm now, though." And it flattered her to reflect
|
|
that she had discovered that the shirt was dry without anybody knowing
|
|
that that was what she had in her mind. But in spite of her, Tom knew
|
|
where the wind lay, now. So he forestalled what might be the next move:
|
|
|
|
"Some of us pumped on our heads--mine's damp yet. See?"
|
|
|
|
Aunt Polly was vexed to think she had overlooked that bit of
|
|
circumstantial evidence, and missed a trick. Then she had a new
|
|
inspiration:
|
|
|
|
"Tom, you didn't have to undo your shirt collar where I sewed it, to
|
|
pump on your head, did you? Unbutton your jacket!"
|
|
|
|
The trouble vanished out of Tom's face. He opened his jacket. His
|
|
shirt collar was securely sewed.
|
|
|
|
"Bother! Well, go 'long with you. I'd made sure you'd played hookey
|
|
and been a-swimming. But I forgive ye, Tom. I reckon you're a kind of a
|
|
singed cat, as the saying is--better'n you look. THIS time."
|
|
|
|
She was half sorry her sagacity had miscarried, and half glad that Tom
|
|
had stumbled into obedient conduct for once.
|
|
|
|
But Sidney said:
|
|
|
|
"Well, now, if I didn't think you sewed his collar with white thread,
|
|
but it's black."
|
|
|
|
"Why, I did sew it with white! Tom!"
|
|
|
|
But Tom did not wait for the rest. As he went out at the door he said:
|
|
|
|
"Siddy, I'll lick you for that."
|
|
|
|
In a safe place Tom examined two large needles which were thrust into
|
|
the lapels of his jacket, and had thread bound about them--one needle
|
|
carried white thread and the other black. He said:
|
|
|
|
"She'd never noticed if it hadn't been for Sid. Confound it! sometimes
|
|
she sews it with white, and sometimes she sews it with black. I wish to
|
|
geeminy she'd stick to one or t'other--I can't keep the run of 'em. But
|
|
I bet you I'll lam Sid for that. I'll learn him!"
|
|
|
|
He was not the Model Boy of the village. He knew the model boy very
|
|
well though--and loathed him.
|
|
|
|
Within two minutes, or even less, he had forgotten all his troubles.
|
|
Not because his troubles were one whit less heavy and bitter to him
|
|
than a man's are to a man, but because a new and powerful interest bore
|
|
them down and drove them out of his mind for the time--just as men's
|
|
misfortunes are forgotten in the excitement of new enterprises. This
|
|
new interest was a valued novelty in whistling, which he had just
|
|
acquired from a negro, and he was suffering to practise it undisturbed.
|
|
It consisted in a peculiar bird-like turn, a sort of liquid warble,
|
|
produced by touching the tongue to the roof of the mouth at short
|
|
intervals in the midst of the music--the reader probably remembers how
|
|
to do it, if he has ever been a boy. Diligence and attention soon gave
|
|
him the knack of it, and he strode down the street with his mouth full
|
|
of harmony and his soul full of gratitude. He felt much as an
|
|
astronomer feels who has discovered a new planet--no doubt, as far as
|
|
strong, deep, unalloyed pleasure is concerned, the advantage was with
|
|
the boy, not the astronomer.
|
|
|
|
The summer evenings were long. It was not dark, yet. Presently Tom
|
|
checked his whistle. A stranger was before him--a boy a shade larger
|
|
than himself. A new-comer of any age or either sex was an impressive
|
|
curiosity in the poor little shabby village of St. Petersburg. This boy
|
|
was well dressed, too--well dressed on a week-day. This was simply
|
|
astounding. His cap was a dainty thing, his close-buttoned blue cloth
|
|
roundabout was new and natty, and so were his pantaloons. He had shoes
|
|
on--and it was only Friday. He even wore a necktie, a bright bit of
|
|
ribbon. He had a citified air about him that ate into Tom's vitals. The
|
|
more Tom stared at the splendid marvel, the higher he turned up his
|
|
nose at his finery and the shabbier and shabbier his own outfit seemed
|
|
to him to grow. Neither boy spoke. If one moved, the other moved--but
|
|
only sidewise, in a circle; they kept face to face and eye to eye all
|
|
the time. Finally Tom said:
|
|
|
|
"I can lick you!"
|
|
|
|
"I'd like to see you try it."
|
|
|
|
"Well, I can do it."
|
|
|
|
"No you can't, either."
|
|
|
|
"Yes I can."
|
|
|
|
"No you can't."
|
|
|
|
"I can."
|
|
|
|
"You can't."
|
|
|
|
"Can!"
|
|
|
|
"Can't!"
|
|
|
|
An uncomfortable pause. Then Tom said:
|
|
|
|
"What's your name?"
|
|
|
|
"'Tisn't any of your business, maybe."
|
|
|
|
"Well I 'low I'll MAKE it my business."
|
|
|
|
"Well why don't you?"
|
|
|
|
"If you say much, I will."
|
|
|
|
"Much--much--MUCH. There now."
|
|
|
|
"Oh, you think you're mighty smart, DON'T you? I could lick you with
|
|
one hand tied behind me, if I wanted to."
|
|
|
|
"Well why don't you DO it? You SAY you can do it."
|
|
|
|
"Well I WILL, if you fool with me."
|
|
|
|
"Oh yes--I've seen whole families in the same fix."
|
|
|
|
"Smarty! You think you're SOME, now, DON'T you? Oh, what a hat!"
|
|
|
|
"You can lump that hat if you don't like it. I dare you to knock it
|
|
off--and anybody that'll take a dare will suck eggs."
|
|
|
|
"You're a liar!"
|
|
|
|
"You're another."
|
|
|
|
"You're a fighting liar and dasn't take it up."
|
|
|
|
"Aw--take a walk!"
|
|
|
|
"Say--if you give me much more of your sass I'll take and bounce a
|
|
rock off'n your head."
|
|
|
|
"Oh, of COURSE you will."
|
|
|
|
"Well I WILL."
|
|
|
|
"Well why don't you DO it then? What do you keep SAYING you will for?
|
|
Why don't you DO it? It's because you're afraid."
|
|
|
|
"I AIN'T afraid."
|
|
|
|
"You are."
|
|
|
|
"I ain't."
|
|
|
|
"You are."
|
|
|
|
Another pause, and more eying and sidling around each other. Presently
|
|
they were shoulder to shoulder. Tom said:
|
|
|
|
"Get away from here!"
|
|
|
|
"Go away yourself!"
|
|
|
|
"I won't."
|
|
|
|
"I won't either."
|
|
|
|
So they stood, each with a foot placed at an angle as a brace, and
|
|
both shoving with might and main, and glowering at each other with
|
|
hate. But neither could get an advantage. After struggling till both
|
|
were hot and flushed, each relaxed his strain with watchful caution,
|
|
and Tom said:
|
|
|
|
"You're a coward and a pup. I'll tell my big brother on you, and he
|
|
can thrash you with his little finger, and I'll make him do it, too."
|
|
|
|
"What do I care for your big brother? I've got a brother that's bigger
|
|
than he is--and what's more, he can throw him over that fence, too."
|
|
[Both brothers were imaginary.]
|
|
|
|
"That's a lie."
|
|
|
|
"YOUR saying so don't make it so."
|
|
|
|
Tom drew a line in the dust with his big toe, and said:
|
|
|
|
"I dare you to step over that, and I'll lick you till you can't stand
|
|
up. Anybody that'll take a dare will steal sheep."
|
|
|
|
The new boy stepped over promptly, and said:
|
|
|
|
"Now you said you'd do it, now let's see you do it."
|
|
|
|
"Don't you crowd me now; you better look out."
|
|
|
|
"Well, you SAID you'd do it--why don't you do it?"
|
|
|
|
"By jingo! for two cents I WILL do it."
|
|
|
|
The new boy took two broad coppers out of his pocket and held them out
|
|
with derision. Tom struck them to the ground. In an instant both boys
|
|
were rolling and tumbling in the dirt, gripped together like cats; and
|
|
for the space of a minute they tugged and tore at each other's hair and
|
|
clothes, punched and scratched each other's nose, and covered
|
|
themselves with dust and glory. Presently the confusion took form, and
|
|
through the fog of battle Tom appeared, seated astride the new boy, and
|
|
pounding him with his fists. "Holler 'nuff!" said he.
|
|
|
|
The boy only struggled to free himself. He was crying--mainly from rage.
|
|
|
|
"Holler 'nuff!"--and the pounding went on.
|
|
|
|
At last the stranger got out a smothered "'Nuff!" and Tom let him up
|
|
and said:
|
|
|
|
"Now that'll learn you. Better look out who you're fooling with next
|
|
time."
|
|
|
|
The new boy went off brushing the dust from his clothes, sobbing,
|
|
snuffling, and occasionally looking back and shaking his head and
|
|
threatening what he would do to Tom the "next time he caught him out."
|
|
To which Tom responded with jeers, and started off in high feather, and
|
|
as soon as his back was turned the new boy snatched up a stone, threw
|
|
it and hit him between the shoulders and then turned tail and ran like
|
|
an antelope. Tom chased the traitor home, and thus found out where he
|
|
lived. He then held a position at the gate for some time, daring the
|
|
enemy to come outside, but the enemy only made faces at him through the
|
|
window and declined. At last the enemy's mother appeared, and called
|
|
Tom a bad, vicious, vulgar child, and ordered him away. So he went
|
|
away; but he said he "'lowed" to "lay" for that boy.
|
|
|
|
He got home pretty late that night, and when he climbed cautiously in
|
|
at the window, he uncovered an ambuscade, in the person of his aunt;
|
|
and when she saw the state his clothes were in her resolution to turn
|
|
his Saturday holiday into captivity at hard labor became adamantine in
|
|
its firmness.
|
|
|
|
|
|
|
|
CHAPTER II
|
|
|
|
SATURDAY morning was come, and all the summer world was bright and
|
|
fresh, and brimming with life. There was a song in every heart; and if
|
|
the heart was young the music issued at the lips. There was cheer in
|
|
every face and a spring in every step. The locust-trees were in bloom
|
|
and the fragrance of the blossoms filled the air. Cardiff Hill, beyond
|
|
the village and above it, was green with vegetation and it lay just far
|
|
enough away to seem a Delectable Land, dreamy, reposeful, and inviting.
|
|
|
|
Tom appeared on the sidewalk with a bucket of whitewash and a
|
|
long-handled brush. He surveyed the fence, and all gladness left him and
|
|
a deep melancholy settled down upon his spirit. Thirty yards of board
|
|
fence nine feet high. Life to him seemed hollow, and existence but a
|
|
burden. Sighing, he dipped his brush and passed it along the topmost
|
|
plank; repeated the operation; did it again; compared the insignificant
|
|
whitewashed streak with the far-reaching continent of unwhitewashed
|
|
fence, and sat down on a tree-box discouraged. Jim came skipping out at
|
|
the gate with a tin pail, and singing Buffalo Gals. Bringing water from
|
|
the town pump had always been hateful work in Tom's eyes, before, but
|
|
now it did not strike him so. He remembered that there was company at
|
|
the pump. White, mulatto, and negro boys and girls were always there
|
|
waiting their turns, resting, trading playthings, quarrelling,
|
|
fighting, skylarking. And he remembered that although the pump was only
|
|
a hundred and fifty yards off, Jim never got back with a bucket of
|
|
water under an hour--and even then somebody generally had to go after
|
|
him. Tom said:
|
|
|
|
"Say, Jim, I'll fetch the water if you'll whitewash some."
|
|
|
|
Jim shook his head and said:
|
|
|
|
"Can't, Mars Tom. Ole missis, she tole me I got to go an' git dis
|
|
water an' not stop foolin' roun' wid anybody. She say she spec' Mars
|
|
Tom gwine to ax me to whitewash, an' so she tole me go 'long an' 'tend
|
|
to my own business--she 'lowed SHE'D 'tend to de whitewashin'."
|
|
|
|
"Oh, never you mind what she said, Jim. That's the way she always
|
|
talks. Gimme the bucket--I won't be gone only a a minute. SHE won't
|
|
ever know."
|
|
|
|
"Oh, I dasn't, Mars Tom. Ole missis she'd take an' tar de head off'n
|
|
me. 'Deed she would."
|
|
|
|
"SHE! She never licks anybody--whacks 'em over the head with her
|
|
thimble--and who cares for that, I'd like to know. She talks awful, but
|
|
talk don't hurt--anyways it don't if she don't cry. Jim, I'll give you
|
|
a marvel. I'll give you a white alley!"
|
|
|
|
Jim began to waver.
|
|
|
|
"White alley, Jim! And it's a bully taw."
|
|
|
|
"My! Dat's a mighty gay marvel, I tell you! But Mars Tom I's powerful
|
|
'fraid ole missis--"
|
|
|
|
"And besides, if you will I'll show you my sore toe."
|
|
|
|
Jim was only human--this attraction was too much for him. He put down
|
|
his pail, took the white alley, and bent over the toe with absorbing
|
|
interest while the bandage was being unwound. In another moment he was
|
|
flying down the street with his pail and a tingling rear, Tom was
|
|
whitewashing with vigor, and Aunt Polly was retiring from the field
|
|
with a slipper in her hand and triumph in her eye.
|
|
|
|
But Tom's energy did not last. He began to think of the fun he had
|
|
planned for this day, and his sorrows multiplied. Soon the free boys
|
|
would come tripping along on all sorts of delicious expeditions, and
|
|
they would make a world of fun of him for having to work--the very
|
|
thought of it burnt him like fire. He got out his worldly wealth and
|
|
examined it--bits of toys, marbles, and trash; enough to buy an
|
|
exchange of WORK, maybe, but not half enough to buy so much as half an
|
|
hour of pure freedom. So he returned his straitened means to his
|
|
pocket, and gave up the idea of trying to buy the boys. At this dark
|
|
and hopeless moment an inspiration burst upon him! Nothing less than a
|
|
great, magnificent inspiration.
|
|
|
|
He took up his brush and went tranquilly to work. Ben Rogers hove in
|
|
sight presently--the very boy, of all boys, whose ridicule he had been
|
|
dreading. Ben's gait was the hop-skip-and-jump--proof enough that his
|
|
heart was light and his anticipations high. He was eating an apple, and
|
|
giving a long, melodious whoop, at intervals, followed by a deep-toned
|
|
ding-dong-dong, ding-dong-dong, for he was personating a steamboat. As
|
|
he drew near, he slackened speed, took the middle of the street, leaned
|
|
far over to starboard and rounded to ponderously and with laborious
|
|
pomp and circumstance--for he was personating the Big Missouri, and
|
|
considered himself to be drawing nine feet of water. He was boat and
|
|
captain and engine-bells combined, so he had to imagine himself
|
|
standing on his own hurricane-deck giving the orders and executing them:
|
|
|
|
"Stop her, sir! Ting-a-ling-ling!" The headway ran almost out, and he
|
|
drew up slowly toward the sidewalk.
|
|
|
|
"Ship up to back! Ting-a-ling-ling!" His arms straightened and
|
|
stiffened down his sides.
|
|
|
|
"Set her back on the stabboard! Ting-a-ling-ling! Chow! ch-chow-wow!
|
|
Chow!" His right hand, meantime, describing stately circles--for it was
|
|
representing a forty-foot wheel.
|
|
|
|
"Let her go back on the labboard! Ting-a-lingling! Chow-ch-chow-chow!"
|
|
The left hand began to describe circles.
|
|
|
|
"Stop the stabboard! Ting-a-ling-ling! Stop the labboard! Come ahead
|
|
on the stabboard! Stop her! Let your outside turn over slow!
|
|
Ting-a-ling-ling! Chow-ow-ow! Get out that head-line! LIVELY now!
|
|
Come--out with your spring-line--what're you about there! Take a turn
|
|
round that stump with the bight of it! Stand by that stage, now--let her
|
|
go! Done with the engines, sir! Ting-a-ling-ling! SH'T! S'H'T! SH'T!"
|
|
(trying the gauge-cocks).
|
|
|
|
Tom went on whitewashing--paid no attention to the steamboat. Ben
|
|
stared a moment and then said: "Hi-YI! YOU'RE up a stump, ain't you!"
|
|
|
|
No answer. Tom surveyed his last touch with the eye of an artist, then
|
|
he gave his brush another gentle sweep and surveyed the result, as
|
|
before. Ben ranged up alongside of him. Tom's mouth watered for the
|
|
apple, but he stuck to his work. Ben said:
|
|
|
|
"Hello, old chap, you got to work, hey?"
|
|
|
|
Tom wheeled suddenly and said:
|
|
|
|
"Why, it's you, Ben! I warn't noticing."
|
|
|
|
"Say--I'm going in a-swimming, I am. Don't you wish you could? But of
|
|
course you'd druther WORK--wouldn't you? Course you would!"
|
|
|
|
Tom contemplated the boy a bit, and said:
|
|
|
|
"What do you call work?"
|
|
|
|
"Why, ain't THAT work?"
|
|
|
|
Tom resumed his whitewashing, and answered carelessly:
|
|
|
|
"Well, maybe it is, and maybe it ain't. All I know, is, it suits Tom
|
|
Sawyer."
|
|
|
|
"Oh come, now, you don't mean to let on that you LIKE it?"
|
|
|
|
The brush continued to move.
|
|
|
|
"Like it? Well, I don't see why I oughtn't to like it. Does a boy get
|
|
a chance to whitewash a fence every day?"
|
|
|
|
That put the thing in a new light. Ben stopped nibbling his apple. Tom
|
|
swept his brush daintily back and forth--stepped back to note the
|
|
effect--added a touch here and there--criticised the effect again--Ben
|
|
watching every move and getting more and more interested, more and more
|
|
absorbed. Presently he said:
|
|
|
|
"Say, Tom, let ME whitewash a little."
|
|
|
|
Tom considered, was about to consent; but he altered his mind:
|
|
|
|
"No--no--I reckon it wouldn't hardly do, Ben. You see, Aunt Polly's
|
|
awful particular about this fence--right here on the street, you know
|
|
--but if it was the back fence I wouldn't mind and SHE wouldn't. Yes,
|
|
she's awful particular about this fence; it's got to be done very
|
|
careful; I reckon there ain't one boy in a thousand, maybe two
|
|
thousand, that can do it the way it's got to be done."
|
|
|
|
"No--is that so? Oh come, now--lemme just try. Only just a little--I'd
|
|
let YOU, if you was me, Tom."
|
|
|
|
"Ben, I'd like to, honest injun; but Aunt Polly--well, Jim wanted to
|
|
do it, but she wouldn't let him; Sid wanted to do it, and she wouldn't
|
|
let Sid. Now don't you see how I'm fixed? If you was to tackle this
|
|
fence and anything was to happen to it--"
|
|
|
|
"Oh, shucks, I'll be just as careful. Now lemme try. Say--I'll give
|
|
you the core of my apple."
|
|
|
|
"Well, here--No, Ben, now don't. I'm afeard--"
|
|
|
|
"I'll give you ALL of it!"
|
|
|
|
Tom gave up the brush with reluctance in his face, but alacrity in his
|
|
heart. And while the late steamer Big Missouri worked and sweated in
|
|
the sun, the retired artist sat on a barrel in the shade close by,
|
|
dangled his legs, munched his apple, and planned the slaughter of more
|
|
innocents. There was no lack of material; boys happened along every
|
|
little while; they came to jeer, but remained to whitewash. By the time
|
|
Ben was fagged out, Tom had traded the next chance to Billy Fisher for
|
|
a kite, in good repair; and when he played out, Johnny Miller bought in
|
|
for a dead rat and a string to swing it with--and so on, and so on,
|
|
hour after hour. And when the middle of the afternoon came, from being
|
|
a poor poverty-stricken boy in the morning, Tom was literally rolling
|
|
in wealth. He had besides the things before mentioned, twelve marbles,
|
|
part of a jews-harp, a piece of blue bottle-glass to look through, a
|
|
spool cannon, a key that wouldn't unlock anything, a fragment of chalk,
|
|
a glass stopper of a decanter, a tin soldier, a couple of tadpoles, six
|
|
fire-crackers, a kitten with only one eye, a brass doorknob, a
|
|
dog-collar--but no dog--the handle of a knife, four pieces of
|
|
orange-peel, and a dilapidated old window sash.
|
|
|
|
He had had a nice, good, idle time all the while--plenty of company
|
|
--and the fence had three coats of whitewash on it! If he hadn't run out
|
|
of whitewash he would have bankrupted every boy in the village.
|
|
|
|
Tom said to himself that it was not such a hollow world, after all. He
|
|
had discovered a great law of human action, without knowing it--namely,
|
|
that in order to make a man or a boy covet a thing, it is only
|
|
necessary to make the thing difficult to attain. If he had been a great
|
|
and wise philosopher, like the writer of this book, he would now have
|
|
comprehended that Work consists of whatever a body is OBLIGED to do,
|
|
and that Play consists of whatever a body is not obliged to do. And
|
|
this would help him to understand why constructing artificial flowers
|
|
or performing on a tread-mill is work, while rolling ten-pins or
|
|
climbing Mont Blanc is only amusement. There are wealthy gentlemen in
|
|
England who drive four-horse passenger-coaches twenty or thirty miles
|
|
on a daily line, in the summer, because the privilege costs them
|
|
considerable money; but if they were offered wages for the service,
|
|
that would turn it into work and then they would resign.
|
|
|
|
The boy mused awhile over the substantial change which had taken place
|
|
in his worldly circumstances, and then wended toward headquarters to
|
|
report.
|
|
|
|
|
|
|
|
CHAPTER III
|
|
|
|
TOM presented himself before Aunt Polly, who was sitting by an open
|
|
window in a pleasant rearward apartment, which was bedroom,
|
|
breakfast-room, dining-room, and library, combined. The balmy summer
|
|
air, the restful quiet, the odor of the flowers, and the drowsing murmur
|
|
of the bees had had their effect, and she was nodding over her knitting
|
|
--for she had no company but the cat, and it was asleep in her lap. Her
|
|
spectacles were propped up on her gray head for safety. She had thought
|
|
that of course Tom had deserted long ago, and she wondered at seeing him
|
|
place himself in her power again in this intrepid way. He said: "Mayn't
|
|
I go and play now, aunt?"
|
|
|
|
"What, a'ready? How much have you done?"
|
|
|
|
"It's all done, aunt."
|
|
|
|
"Tom, don't lie to me--I can't bear it."
|
|
|
|
"I ain't, aunt; it IS all done."
|
|
|
|
Aunt Polly placed small trust in such evidence. She went out to see
|
|
for herself; and she would have been content to find twenty per cent.
|
|
of Tom's statement true. When she found the entire fence whitewashed,
|
|
and not only whitewashed but elaborately coated and recoated, and even
|
|
a streak added to the ground, her astonishment was almost unspeakable.
|
|
She said:
|
|
|
|
"Well, I never! There's no getting round it, you can work when you're
|
|
a mind to, Tom." And then she diluted the compliment by adding, "But
|
|
it's powerful seldom you're a mind to, I'm bound to say. Well, go 'long
|
|
and play; but mind you get back some time in a week, or I'll tan you."
|
|
|
|
She was so overcome by the splendor of his achievement that she took
|
|
him into the closet and selected a choice apple and delivered it to
|
|
him, along with an improving lecture upon the added value and flavor a
|
|
treat took to itself when it came without sin through virtuous effort.
|
|
And while she closed with a happy Scriptural flourish, he "hooked" a
|
|
doughnut.
|
|
|
|
Then he skipped out, and saw Sid just starting up the outside stairway
|
|
that led to the back rooms on the second floor. Clods were handy and
|
|
the air was full of them in a twinkling. They raged around Sid like a
|
|
hail-storm; and before Aunt Polly could collect her surprised faculties
|
|
and sally to the rescue, six or seven clods had taken personal effect,
|
|
and Tom was over the fence and gone. There was a gate, but as a general
|
|
thing he was too crowded for time to make use of it. His soul was at
|
|
peace, now that he had settled with Sid for calling attention to his
|
|
black thread and getting him into trouble.
|
|
|
|
Tom skirted the block, and came round into a muddy alley that led by
|
|
the back of his aunt's cow-stable. He presently got safely beyond the
|
|
reach of capture and punishment, and hastened toward the public square
|
|
of the village, where two "military" companies of boys had met for
|
|
conflict, according to previous appointment. Tom was General of one of
|
|
these armies, Joe Harper (a bosom friend) General of the other. These
|
|
two great commanders did not condescend to fight in person--that being
|
|
better suited to the still smaller fry--but sat together on an eminence
|
|
and conducted the field operations by orders delivered through
|
|
aides-de-camp. Tom's army won a great victory, after a long and
|
|
hard-fought battle. Then the dead were counted, prisoners exchanged,
|
|
the terms of the next disagreement agreed upon, and the day for the
|
|
necessary battle appointed; after which the armies fell into line and
|
|
marched away, and Tom turned homeward alone.
|
|
|
|
As he was passing by the house where Jeff Thatcher lived, he saw a new
|
|
girl in the garden--a lovely little blue-eyed creature with yellow hair
|
|
plaited into two long-tails, white summer frock and embroidered
|
|
pantalettes. The fresh-crowned hero fell without firing a shot. A
|
|
certain Amy Lawrence vanished out of his heart and left not even a
|
|
memory of herself behind. He had thought he loved her to distraction;
|
|
he had regarded his passion as adoration; and behold it was only a poor
|
|
little evanescent partiality. He had been months winning her; she had
|
|
confessed hardly a week ago; he had been the happiest and the proudest
|
|
boy in the world only seven short days, and here in one instant of time
|
|
she had gone out of his heart like a casual stranger whose visit is
|
|
done.
|
|
|
|
He worshipped this new angel with furtive eye, till he saw that she
|
|
had discovered him; then he pretended he did not know she was present,
|
|
and began to "show off" in all sorts of absurd boyish ways, in order to
|
|
win her admiration. He kept up this grotesque foolishness for some
|
|
time; but by-and-by, while he was in the midst of some dangerous
|
|
gymnastic performances, he glanced aside and saw that the little girl
|
|
was wending her way toward the house. Tom came up to the fence and
|
|
leaned on it, grieving, and hoping she would tarry yet awhile longer.
|
|
She halted a moment on the steps and then moved toward the door. Tom
|
|
heaved a great sigh as she put her foot on the threshold. But his face
|
|
lit up, right away, for she tossed a pansy over the fence a moment
|
|
before she disappeared.
|
|
|
|
The boy ran around and stopped within a foot or two of the flower, and
|
|
then shaded his eyes with his hand and began to look down street as if
|
|
he had discovered something of interest going on in that direction.
|
|
Presently he picked up a straw and began trying to balance it on his
|
|
nose, with his head tilted far back; and as he moved from side to side,
|
|
in his efforts, he edged nearer and nearer toward the pansy; finally
|
|
his bare foot rested upon it, his pliant toes closed upon it, and he
|
|
hopped away with the treasure and disappeared round the corner. But
|
|
only for a minute--only while he could button the flower inside his
|
|
jacket, next his heart--or next his stomach, possibly, for he was not
|
|
much posted in anatomy, and not hypercritical, anyway.
|
|
|
|
He returned, now, and hung about the fence till nightfall, "showing
|
|
off," as before; but the girl never exhibited herself again, though Tom
|
|
comforted himself a little with the hope that she had been near some
|
|
window, meantime, and been aware of his attentions. Finally he strode
|
|
home reluctantly, with his poor head full of visions.
|
|
|
|
All through supper his spirits were so high that his aunt wondered
|
|
"what had got into the child." He took a good scolding about clodding
|
|
Sid, and did not seem to mind it in the least. He tried to steal sugar
|
|
under his aunt's very nose, and got his knuckles rapped for it. He said:
|
|
|
|
"Aunt, you don't whack Sid when he takes it."
|
|
|
|
"Well, Sid don't torment a body the way you do. You'd be always into
|
|
that sugar if I warn't watching you."
|
|
|
|
Presently she stepped into the kitchen, and Sid, happy in his
|
|
immunity, reached for the sugar-bowl--a sort of glorying over Tom which
|
|
was wellnigh unbearable. But Sid's fingers slipped and the bowl dropped
|
|
and broke. Tom was in ecstasies. In such ecstasies that he even
|
|
controlled his tongue and was silent. He said to himself that he would
|
|
not speak a word, even when his aunt came in, but would sit perfectly
|
|
still till she asked who did the mischief; and then he would tell, and
|
|
there would be nothing so good in the world as to see that pet model
|
|
"catch it." He was so brimful of exultation that he could hardly hold
|
|
himself when the old lady came back and stood above the wreck
|
|
discharging lightnings of wrath from over her spectacles. He said to
|
|
himself, "Now it's coming!" And the next instant he was sprawling on
|
|
the floor! The potent palm was uplifted to strike again when Tom cried
|
|
out:
|
|
|
|
"Hold on, now, what 'er you belting ME for?--Sid broke it!"
|
|
|
|
Aunt Polly paused, perplexed, and Tom looked for healing pity. But
|
|
when she got her tongue again, she only said:
|
|
|
|
"Umf! Well, you didn't get a lick amiss, I reckon. You been into some
|
|
other audacious mischief when I wasn't around, like enough."
|
|
|
|
Then her conscience reproached her, and she yearned to say something
|
|
kind and loving; but she judged that this would be construed into a
|
|
confession that she had been in the wrong, and discipline forbade that.
|
|
So she kept silence, and went about her affairs with a troubled heart.
|
|
Tom sulked in a corner and exalted his woes. He knew that in her heart
|
|
his aunt was on her knees to him, and he was morosely gratified by the
|
|
consciousness of it. He would hang out no signals, he would take notice
|
|
of none. He knew that a yearning glance fell upon him, now and then,
|
|
through a film of tears, but he refused recognition of it. He pictured
|
|
himself lying sick unto death and his aunt bending over him beseeching
|
|
one little forgiving word, but he would turn his face to the wall, and
|
|
die with that word unsaid. Ah, how would she feel then? And he pictured
|
|
himself brought home from the river, dead, with his curls all wet, and
|
|
his sore heart at rest. How she would throw herself upon him, and how
|
|
her tears would fall like rain, and her lips pray God to give her back
|
|
her boy and she would never, never abuse him any more! But he would lie
|
|
there cold and white and make no sign--a poor little sufferer, whose
|
|
griefs were at an end. He so worked upon his feelings with the pathos
|
|
of these dreams, that he had to keep swallowing, he was so like to
|
|
choke; and his eyes swam in a blur of water, which overflowed when he
|
|
winked, and ran down and trickled from the end of his nose. And such a
|
|
luxury to him was this petting of his sorrows, that he could not bear
|
|
to have any worldly cheeriness or any grating delight intrude upon it;
|
|
it was too sacred for such contact; and so, presently, when his cousin
|
|
Mary danced in, all alive with the joy of seeing home again after an
|
|
age-long visit of one week to the country, he got up and moved in
|
|
clouds and darkness out at one door as she brought song and sunshine in
|
|
at the other.
|
|
|
|
He wandered far from the accustomed haunts of boys, and sought
|
|
desolate places that were in harmony with his spirit. A log raft in the
|
|
river invited him, and he seated himself on its outer edge and
|
|
contemplated the dreary vastness of the stream, wishing, the while,
|
|
that he could only be drowned, all at once and unconsciously, without
|
|
undergoing the uncomfortable routine devised by nature. Then he thought
|
|
of his flower. He got it out, rumpled and wilted, and it mightily
|
|
increased his dismal felicity. He wondered if she would pity him if she
|
|
knew? Would she cry, and wish that she had a right to put her arms
|
|
around his neck and comfort him? Or would she turn coldly away like all
|
|
the hollow world? This picture brought such an agony of pleasurable
|
|
suffering that he worked it over and over again in his mind and set it
|
|
up in new and varied lights, till he wore it threadbare. At last he
|
|
rose up sighing and departed in the darkness.
|
|
|
|
About half-past nine or ten o'clock he came along the deserted street
|
|
to where the Adored Unknown lived; he paused a moment; no sound fell
|
|
upon his listening ear; a candle was casting a dull glow upon the
|
|
curtain of a second-story window. Was the sacred presence there? He
|
|
climbed the fence, threaded his stealthy way through the plants, till
|
|
he stood under that window; he looked up at it long, and with emotion;
|
|
then he laid him down on the ground under it, disposing himself upon
|
|
his back, with his hands clasped upon his breast and holding his poor
|
|
wilted flower. And thus he would die--out in the cold world, with no
|
|
shelter over his homeless head, no friendly hand to wipe the
|
|
death-damps from his brow, no loving face to bend pityingly over him
|
|
when the great agony came. And thus SHE would see him when she looked
|
|
out upon the glad morning, and oh! would she drop one little tear upon
|
|
his poor, lifeless form, would she heave one little sigh to see a bright
|
|
young life so rudely blighted, so untimely cut down?
|
|
|
|
The window went up, a maid-servant's discordant voice profaned the
|
|
holy calm, and a deluge of water drenched the prone martyr's remains!
|
|
|
|
The strangling hero sprang up with a relieving snort. There was a whiz
|
|
as of a missile in the air, mingled with the murmur of a curse, a sound
|
|
as of shivering glass followed, and a small, vague form went over the
|
|
fence and shot away in the gloom.
|
|
|
|
Not long after, as Tom, all undressed for bed, was surveying his
|
|
drenched garments by the light of a tallow dip, Sid woke up; but if he
|
|
had any dim idea of making any "references to allusions," he thought
|
|
better of it and held his peace, for there was danger in Tom's eye.
|
|
|
|
Tom turned in without the added vexation of prayers, and Sid made
|
|
mental note of the omission.
|
|
|
|
|
|
|
|
CHAPTER IV
|
|
|
|
THE sun rose upon a tranquil world, and beamed down upon the peaceful
|
|
village like a benediction. Breakfast over, Aunt Polly had family
|
|
worship: it began with a prayer built from the ground up of solid
|
|
courses of Scriptural quotations, welded together with a thin mortar of
|
|
originality; and from the summit of this she delivered a grim chapter
|
|
of the Mosaic Law, as from Sinai.
|
|
|
|
Then Tom girded up his loins, so to speak, and went to work to "get
|
|
his verses." Sid had learned his lesson days before. Tom bent all his
|
|
energies to the memorizing of five verses, and he chose part of the
|
|
Sermon on the Mount, because he could find no verses that were shorter.
|
|
At the end of half an hour Tom had a vague general idea of his lesson,
|
|
but no more, for his mind was traversing the whole field of human
|
|
thought, and his hands were busy with distracting recreations. Mary
|
|
took his book to hear him recite, and he tried to find his way through
|
|
the fog:
|
|
|
|
"Blessed are the--a--a--"
|
|
|
|
"Poor"--
|
|
|
|
"Yes--poor; blessed are the poor--a--a--"
|
|
|
|
"In spirit--"
|
|
|
|
"In spirit; blessed are the poor in spirit, for they--they--"
|
|
|
|
"THEIRS--"
|
|
|
|
"For THEIRS. Blessed are the poor in spirit, for theirs is the kingdom
|
|
of heaven. Blessed are they that mourn, for they--they--"
|
|
|
|
"Sh--"
|
|
|
|
"For they--a--"
|
|
|
|
"S, H, A--"
|
|
|
|
"For they S, H--Oh, I don't know what it is!"
|
|
|
|
"SHALL!"
|
|
|
|
"Oh, SHALL! for they shall--for they shall--a--a--shall mourn--a--a--
|
|
blessed are they that shall--they that--a--they that shall mourn, for
|
|
they shall--a--shall WHAT? Why don't you tell me, Mary?--what do you
|
|
want to be so mean for?"
|
|
|
|
"Oh, Tom, you poor thick-headed thing, I'm not teasing you. I wouldn't
|
|
do that. You must go and learn it again. Don't you be discouraged, Tom,
|
|
you'll manage it--and if you do, I'll give you something ever so nice.
|
|
There, now, that's a good boy."
|
|
|
|
"All right! What is it, Mary, tell me what it is."
|
|
|
|
"Never you mind, Tom. You know if I say it's nice, it is nice."
|
|
|
|
"You bet you that's so, Mary. All right, I'll tackle it again."
|
|
|
|
And he did "tackle it again"--and under the double pressure of
|
|
curiosity and prospective gain he did it with such spirit that he
|
|
accomplished a shining success. Mary gave him a brand-new "Barlow"
|
|
knife worth twelve and a half cents; and the convulsion of delight that
|
|
swept his system shook him to his foundations. True, the knife would
|
|
not cut anything, but it was a "sure-enough" Barlow, and there was
|
|
inconceivable grandeur in that--though where the Western boys ever got
|
|
the idea that such a weapon could possibly be counterfeited to its
|
|
injury is an imposing mystery and will always remain so, perhaps. Tom
|
|
contrived to scarify the cupboard with it, and was arranging to begin
|
|
on the bureau, when he was called off to dress for Sunday-school.
|
|
|
|
Mary gave him a tin basin of water and a piece of soap, and he went
|
|
outside the door and set the basin on a little bench there; then he
|
|
dipped the soap in the water and laid it down; turned up his sleeves;
|
|
poured out the water on the ground, gently, and then entered the
|
|
kitchen and began to wipe his face diligently on the towel behind the
|
|
door. But Mary removed the towel and said:
|
|
|
|
"Now ain't you ashamed, Tom. You mustn't be so bad. Water won't hurt
|
|
you."
|
|
|
|
Tom was a trifle disconcerted. The basin was refilled, and this time
|
|
he stood over it a little while, gathering resolution; took in a big
|
|
breath and began. When he entered the kitchen presently, with both eyes
|
|
shut and groping for the towel with his hands, an honorable testimony
|
|
of suds and water was dripping from his face. But when he emerged from
|
|
the towel, he was not yet satisfactory, for the clean territory stopped
|
|
short at his chin and his jaws, like a mask; below and beyond this line
|
|
there was a dark expanse of unirrigated soil that spread downward in
|
|
front and backward around his neck. Mary took him in hand, and when she
|
|
was done with him he was a man and a brother, without distinction of
|
|
color, and his saturated hair was neatly brushed, and its short curls
|
|
wrought into a dainty and symmetrical general effect. [He privately
|
|
smoothed out the curls, with labor and difficulty, and plastered his
|
|
hair close down to his head; for he held curls to be effeminate, and
|
|
his own filled his life with bitterness.] Then Mary got out a suit of
|
|
his clothing that had been used only on Sundays during two years--they
|
|
were simply called his "other clothes"--and so by that we know the
|
|
size of his wardrobe. The girl "put him to rights" after he had dressed
|
|
himself; she buttoned his neat roundabout up to his chin, turned his
|
|
vast shirt collar down over his shoulders, brushed him off and crowned
|
|
him with his speckled straw hat. He now looked exceedingly improved and
|
|
uncomfortable. He was fully as uncomfortable as he looked; for there
|
|
was a restraint about whole clothes and cleanliness that galled him. He
|
|
hoped that Mary would forget his shoes, but the hope was blighted; she
|
|
coated them thoroughly with tallow, as was the custom, and brought them
|
|
out. He lost his temper and said he was always being made to do
|
|
everything he didn't want to do. But Mary said, persuasively:
|
|
|
|
"Please, Tom--that's a good boy."
|
|
|
|
So he got into the shoes snarling. Mary was soon ready, and the three
|
|
children set out for Sunday-school--a place that Tom hated with his
|
|
whole heart; but Sid and Mary were fond of it.
|
|
|
|
Sabbath-school hours were from nine to half-past ten; and then church
|
|
service. Two of the children always remained for the sermon
|
|
voluntarily, and the other always remained too--for stronger reasons.
|
|
The church's high-backed, uncushioned pews would seat about three
|
|
hundred persons; the edifice was but a small, plain affair, with a sort
|
|
of pine board tree-box on top of it for a steeple. At the door Tom
|
|
dropped back a step and accosted a Sunday-dressed comrade:
|
|
|
|
"Say, Billy, got a yaller ticket?"
|
|
|
|
"Yes."
|
|
|
|
"What'll you take for her?"
|
|
|
|
"What'll you give?"
|
|
|
|
"Piece of lickrish and a fish-hook."
|
|
|
|
"Less see 'em."
|
|
|
|
Tom exhibited. They were satisfactory, and the property changed hands.
|
|
Then Tom traded a couple of white alleys for three red tickets, and
|
|
some small trifle or other for a couple of blue ones. He waylaid other
|
|
boys as they came, and went on buying tickets of various colors ten or
|
|
fifteen minutes longer. He entered the church, now, with a swarm of
|
|
clean and noisy boys and girls, proceeded to his seat and started a
|
|
quarrel with the first boy that came handy. The teacher, a grave,
|
|
elderly man, interfered; then turned his back a moment and Tom pulled a
|
|
boy's hair in the next bench, and was absorbed in his book when the boy
|
|
turned around; stuck a pin in another boy, presently, in order to hear
|
|
him say "Ouch!" and got a new reprimand from his teacher. Tom's whole
|
|
class were of a pattern--restless, noisy, and troublesome. When they
|
|
came to recite their lessons, not one of them knew his verses
|
|
perfectly, but had to be prompted all along. However, they worried
|
|
through, and each got his reward--in small blue tickets, each with a
|
|
passage of Scripture on it; each blue ticket was pay for two verses of
|
|
the recitation. Ten blue tickets equalled a red one, and could be
|
|
exchanged for it; ten red tickets equalled a yellow one; for ten yellow
|
|
tickets the superintendent gave a very plainly bound Bible (worth forty
|
|
cents in those easy times) to the pupil. How many of my readers would
|
|
have the industry and application to memorize two thousand verses, even
|
|
for a Dore Bible? And yet Mary had acquired two Bibles in this way--it
|
|
was the patient work of two years--and a boy of German parentage had
|
|
won four or five. He once recited three thousand verses without
|
|
stopping; but the strain upon his mental faculties was too great, and
|
|
he was little better than an idiot from that day forth--a grievous
|
|
misfortune for the school, for on great occasions, before company, the
|
|
superintendent (as Tom expressed it) had always made this boy come out
|
|
and "spread himself." Only the older pupils managed to keep their
|
|
tickets and stick to their tedious work long enough to get a Bible, and
|
|
so the delivery of one of these prizes was a rare and noteworthy
|
|
circumstance; the successful pupil was so great and conspicuous for
|
|
that day that on the spot every scholar's heart was fired with a fresh
|
|
ambition that often lasted a couple of weeks. It is possible that Tom's
|
|
mental stomach had never really hungered for one of those prizes, but
|
|
unquestionably his entire being had for many a day longed for the glory
|
|
and the eclat that came with it.
|
|
|
|
In due course the superintendent stood up in front of the pulpit, with
|
|
a closed hymn-book in his hand and his forefinger inserted between its
|
|
leaves, and commanded attention. When a Sunday-school superintendent
|
|
makes his customary little speech, a hymn-book in the hand is as
|
|
necessary as is the inevitable sheet of music in the hand of a singer
|
|
who stands forward on the platform and sings a solo at a concert
|
|
--though why, is a mystery: for neither the hymn-book nor the sheet of
|
|
music is ever referred to by the sufferer. This superintendent was a
|
|
slim creature of thirty-five, with a sandy goatee and short sandy hair;
|
|
he wore a stiff standing-collar whose upper edge almost reached his
|
|
ears and whose sharp points curved forward abreast the corners of his
|
|
mouth--a fence that compelled a straight lookout ahead, and a turning
|
|
of the whole body when a side view was required; his chin was propped
|
|
on a spreading cravat which was as broad and as long as a bank-note,
|
|
and had fringed ends; his boot toes were turned sharply up, in the
|
|
fashion of the day, like sleigh-runners--an effect patiently and
|
|
laboriously produced by the young men by sitting with their toes
|
|
pressed against a wall for hours together. Mr. Walters was very earnest
|
|
of mien, and very sincere and honest at heart; and he held sacred
|
|
things and places in such reverence, and so separated them from worldly
|
|
matters, that unconsciously to himself his Sunday-school voice had
|
|
acquired a peculiar intonation which was wholly absent on week-days. He
|
|
began after this fashion:
|
|
|
|
"Now, children, I want you all to sit up just as straight and pretty
|
|
as you can and give me all your attention for a minute or two. There
|
|
--that is it. That is the way good little boys and girls should do. I see
|
|
one little girl who is looking out of the window--I am afraid she
|
|
thinks I am out there somewhere--perhaps up in one of the trees making
|
|
a speech to the little birds. [Applausive titter.] I want to tell you
|
|
how good it makes me feel to see so many bright, clean little faces
|
|
assembled in a place like this, learning to do right and be good." And
|
|
so forth and so on. It is not necessary to set down the rest of the
|
|
oration. It was of a pattern which does not vary, and so it is familiar
|
|
to us all.
|
|
|
|
The latter third of the speech was marred by the resumption of fights
|
|
and other recreations among certain of the bad boys, and by fidgetings
|
|
and whisperings that extended far and wide, washing even to the bases
|
|
of isolated and incorruptible rocks like Sid and Mary. But now every
|
|
sound ceased suddenly, with the subsidence of Mr. Walters' voice, and
|
|
the conclusion of the speech was received with a burst of silent
|
|
gratitude.
|
|
|
|
A good part of the whispering had been occasioned by an event which
|
|
was more or less rare--the entrance of visitors: lawyer Thatcher,
|
|
accompanied by a very feeble and aged man; a fine, portly, middle-aged
|
|
gentleman with iron-gray hair; and a dignified lady who was doubtless
|
|
the latter's wife. The lady was leading a child. Tom had been restless
|
|
and full of chafings and repinings; conscience-smitten, too--he could
|
|
not meet Amy Lawrence's eye, he could not brook her loving gaze. But
|
|
when he saw this small new-comer his soul was all ablaze with bliss in
|
|
a moment. The next moment he was "showing off" with all his might
|
|
--cuffing boys, pulling hair, making faces--in a word, using every art
|
|
that seemed likely to fascinate a girl and win her applause. His
|
|
exaltation had but one alloy--the memory of his humiliation in this
|
|
angel's garden--and that record in sand was fast washing out, under
|
|
the waves of happiness that were sweeping over it now.
|
|
|
|
The visitors were given the highest seat of honor, and as soon as Mr.
|
|
Walters' speech was finished, he introduced them to the school. The
|
|
middle-aged man turned out to be a prodigious personage--no less a one
|
|
than the county judge--altogether the most august creation these
|
|
children had ever looked upon--and they wondered what kind of material
|
|
he was made of--and they half wanted to hear him roar, and were half
|
|
afraid he might, too. He was from Constantinople, twelve miles away--so
|
|
he had travelled, and seen the world--these very eyes had looked upon
|
|
the county court-house--which was said to have a tin roof. The awe
|
|
which these reflections inspired was attested by the impressive silence
|
|
and the ranks of staring eyes. This was the great Judge Thatcher,
|
|
brother of their own lawyer. Jeff Thatcher immediately went forward, to
|
|
be familiar with the great man and be envied by the school. It would
|
|
have been music to his soul to hear the whisperings:
|
|
|
|
"Look at him, Jim! He's a going up there. Say--look! he's a going to
|
|
shake hands with him--he IS shaking hands with him! By jings, don't you
|
|
wish you was Jeff?"
|
|
|
|
Mr. Walters fell to "showing off," with all sorts of official
|
|
bustlings and activities, giving orders, delivering judgments,
|
|
discharging directions here, there, everywhere that he could find a
|
|
target. The librarian "showed off"--running hither and thither with his
|
|
arms full of books and making a deal of the splutter and fuss that
|
|
insect authority delights in. The young lady teachers "showed off"
|
|
--bending sweetly over pupils that were lately being boxed, lifting
|
|
pretty warning fingers at bad little boys and patting good ones
|
|
lovingly. The young gentlemen teachers "showed off" with small
|
|
scoldings and other little displays of authority and fine attention to
|
|
discipline--and most of the teachers, of both sexes, found business up
|
|
at the library, by the pulpit; and it was business that frequently had
|
|
to be done over again two or three times (with much seeming vexation).
|
|
The little girls "showed off" in various ways, and the little boys
|
|
"showed off" with such diligence that the air was thick with paper wads
|
|
and the murmur of scufflings. And above it all the great man sat and
|
|
beamed a majestic judicial smile upon all the house, and warmed himself
|
|
in the sun of his own grandeur--for he was "showing off," too.
|
|
|
|
There was only one thing wanting to make Mr. Walters' ecstasy
|
|
complete, and that was a chance to deliver a Bible-prize and exhibit a
|
|
prodigy. Several pupils had a few yellow tickets, but none had enough
|
|
--he had been around among the star pupils inquiring. He would have given
|
|
worlds, now, to have that German lad back again with a sound mind.
|
|
|
|
And now at this moment, when hope was dead, Tom Sawyer came forward
|
|
with nine yellow tickets, nine red tickets, and ten blue ones, and
|
|
demanded a Bible. This was a thunderbolt out of a clear sky. Walters
|
|
was not expecting an application from this source for the next ten
|
|
years. But there was no getting around it--here were the certified
|
|
checks, and they were good for their face. Tom was therefore elevated
|
|
to a place with the Judge and the other elect, and the great news was
|
|
announced from headquarters. It was the most stunning surprise of the
|
|
decade, and so profound was the sensation that it lifted the new hero
|
|
up to the judicial one's altitude, and the school had two marvels to
|
|
gaze upon in place of one. The boys were all eaten up with envy--but
|
|
those that suffered the bitterest pangs were those who perceived too
|
|
late that they themselves had contributed to this hated splendor by
|
|
trading tickets to Tom for the wealth he had amassed in selling
|
|
whitewashing privileges. These despised themselves, as being the dupes
|
|
of a wily fraud, a guileful snake in the grass.
|
|
|
|
The prize was delivered to Tom with as much effusion as the
|
|
superintendent could pump up under the circumstances; but it lacked
|
|
somewhat of the true gush, for the poor fellow's instinct taught him
|
|
that there was a mystery here that could not well bear the light,
|
|
perhaps; it was simply preposterous that this boy had warehoused two
|
|
thousand sheaves of Scriptural wisdom on his premises--a dozen would
|
|
strain his capacity, without a doubt.
|
|
|
|
Amy Lawrence was proud and glad, and she tried to make Tom see it in
|
|
her face--but he wouldn't look. She wondered; then she was just a grain
|
|
troubled; next a dim suspicion came and went--came again; she watched;
|
|
a furtive glance told her worlds--and then her heart broke, and she was
|
|
jealous, and angry, and the tears came and she hated everybody. Tom
|
|
most of all (she thought).
|
|
|
|
Tom was introduced to the Judge; but his tongue was tied, his breath
|
|
would hardly come, his heart quaked--partly because of the awful
|
|
greatness of the man, but mainly because he was her parent. He would
|
|
have liked to fall down and worship him, if it were in the dark. The
|
|
Judge put his hand on Tom's head and called him a fine little man, and
|
|
asked him what his name was. The boy stammered, gasped, and got it out:
|
|
|
|
"Tom."
|
|
|
|
"Oh, no, not Tom--it is--"
|
|
|
|
"Thomas."
|
|
|
|
"Ah, that's it. I thought there was more to it, maybe. That's very
|
|
well. But you've another one I daresay, and you'll tell it to me, won't
|
|
you?"
|
|
|
|
"Tell the gentleman your other name, Thomas," said Walters, "and say
|
|
sir. You mustn't forget your manners."
|
|
|
|
"Thomas Sawyer--sir."
|
|
|
|
"That's it! That's a good boy. Fine boy. Fine, manly little fellow.
|
|
Two thousand verses is a great many--very, very great many. And you
|
|
never can be sorry for the trouble you took to learn them; for
|
|
knowledge is worth more than anything there is in the world; it's what
|
|
makes great men and good men; you'll be a great man and a good man
|
|
yourself, some day, Thomas, and then you'll look back and say, It's all
|
|
owing to the precious Sunday-school privileges of my boyhood--it's all
|
|
owing to my dear teachers that taught me to learn--it's all owing to
|
|
the good superintendent, who encouraged me, and watched over me, and
|
|
gave me a beautiful Bible--a splendid elegant Bible--to keep and have
|
|
it all for my own, always--it's all owing to right bringing up! That is
|
|
what you will say, Thomas--and you wouldn't take any money for those
|
|
two thousand verses--no indeed you wouldn't. And now you wouldn't mind
|
|
telling me and this lady some of the things you've learned--no, I know
|
|
you wouldn't--for we are proud of little boys that learn. Now, no
|
|
doubt you know the names of all the twelve disciples. Won't you tell us
|
|
the names of the first two that were appointed?"
|
|
|
|
Tom was tugging at a button-hole and looking sheepish. He blushed,
|
|
now, and his eyes fell. Mr. Walters' heart sank within him. He said to
|
|
himself, it is not possible that the boy can answer the simplest
|
|
question--why DID the Judge ask him? Yet he felt obliged to speak up
|
|
and say:
|
|
|
|
"Answer the gentleman, Thomas--don't be afraid."
|
|
|
|
Tom still hung fire.
|
|
|
|
"Now I know you'll tell me," said the lady. "The names of the first
|
|
two disciples were--"
|
|
|
|
"DAVID AND GOLIAH!"
|
|
|
|
Let us draw the curtain of charity over the rest of the scene.
|
|
|
|
|
|
|
|
CHAPTER V
|
|
|
|
ABOUT half-past ten the cracked bell of the small church began to
|
|
ring, and presently the people began to gather for the morning sermon.
|
|
The Sunday-school children distributed themselves about the house and
|
|
occupied pews with their parents, so as to be under supervision. Aunt
|
|
Polly came, and Tom and Sid and Mary sat with her--Tom being placed
|
|
next the aisle, in order that he might be as far away from the open
|
|
window and the seductive outside summer scenes as possible. The crowd
|
|
filed up the aisles: the aged and needy postmaster, who had seen better
|
|
days; the mayor and his wife--for they had a mayor there, among other
|
|
unnecessaries; the justice of the peace; the widow Douglass, fair,
|
|
smart, and forty, a generous, good-hearted soul and well-to-do, her
|
|
hill mansion the only palace in the town, and the most hospitable and
|
|
much the most lavish in the matter of festivities that St. Petersburg
|
|
could boast; the bent and venerable Major and Mrs. Ward; lawyer
|
|
Riverson, the new notable from a distance; next the belle of the
|
|
village, followed by a troop of lawn-clad and ribbon-decked young
|
|
heart-breakers; then all the young clerks in town in a body--for they
|
|
had stood in the vestibule sucking their cane-heads, a circling wall of
|
|
oiled and simpering admirers, till the last girl had run their gantlet;
|
|
and last of all came the Model Boy, Willie Mufferson, taking as heedful
|
|
care of his mother as if she were cut glass. He always brought his
|
|
mother to church, and was the pride of all the matrons. The boys all
|
|
hated him, he was so good. And besides, he had been "thrown up to them"
|
|
so much. His white handkerchief was hanging out of his pocket behind, as
|
|
usual on Sundays--accidentally. Tom had no handkerchief, and he looked
|
|
upon boys who had as snobs.
|
|
|
|
The congregation being fully assembled, now, the bell rang once more,
|
|
to warn laggards and stragglers, and then a solemn hush fell upon the
|
|
church which was only broken by the tittering and whispering of the
|
|
choir in the gallery. The choir always tittered and whispered all
|
|
through service. There was once a church choir that was not ill-bred,
|
|
but I have forgotten where it was, now. It was a great many years ago,
|
|
and I can scarcely remember anything about it, but I think it was in
|
|
some foreign country.
|
|
|
|
The minister gave out the hymn, and read it through with a relish, in
|
|
a peculiar style which was much admired in that part of the country.
|
|
His voice began on a medium key and climbed steadily up till it reached
|
|
a certain point, where it bore with strong emphasis upon the topmost
|
|
word and then plunged down as if from a spring-board:
|
|
|
|
Shall I be car-ri-ed toe the skies, on flow'ry BEDS of ease,
|
|
|
|
Whilst others fight to win the prize, and sail thro' BLOODY seas?
|
|
|
|
He was regarded as a wonderful reader. At church "sociables" he was
|
|
always called upon to read poetry; and when he was through, the ladies
|
|
would lift up their hands and let them fall helplessly in their laps,
|
|
and "wall" their eyes, and shake their heads, as much as to say, "Words
|
|
cannot express it; it is too beautiful, TOO beautiful for this mortal
|
|
earth."
|
|
|
|
After the hymn had been sung, the Rev. Mr. Sprague turned himself into
|
|
a bulletin-board, and read off "notices" of meetings and societies and
|
|
things till it seemed that the list would stretch out to the crack of
|
|
doom--a queer custom which is still kept up in America, even in cities,
|
|
away here in this age of abundant newspapers. Often, the less there is
|
|
to justify a traditional custom, the harder it is to get rid of it.
|
|
|
|
And now the minister prayed. A good, generous prayer it was, and went
|
|
into details: it pleaded for the church, and the little children of the
|
|
church; for the other churches of the village; for the village itself;
|
|
for the county; for the State; for the State officers; for the United
|
|
States; for the churches of the United States; for Congress; for the
|
|
President; for the officers of the Government; for poor sailors, tossed
|
|
by stormy seas; for the oppressed millions groaning under the heel of
|
|
European monarchies and Oriental despotisms; for such as have the light
|
|
and the good tidings, and yet have not eyes to see nor ears to hear
|
|
withal; for the heathen in the far islands of the sea; and closed with
|
|
a supplication that the words he was about to speak might find grace
|
|
and favor, and be as seed sown in fertile ground, yielding in time a
|
|
grateful harvest of good. Amen.
|
|
|
|
There was a rustling of dresses, and the standing congregation sat
|
|
down. The boy whose history this book relates did not enjoy the prayer,
|
|
he only endured it--if he even did that much. He was restive all
|
|
through it; he kept tally of the details of the prayer, unconsciously
|
|
--for he was not listening, but he knew the ground of old, and the
|
|
clergyman's regular route over it--and when a little trifle of new
|
|
matter was interlarded, his ear detected it and his whole nature
|
|
resented it; he considered additions unfair, and scoundrelly. In the
|
|
midst of the prayer a fly had lit on the back of the pew in front of
|
|
him and tortured his spirit by calmly rubbing its hands together,
|
|
embracing its head with its arms, and polishing it so vigorously that
|
|
it seemed to almost part company with the body, and the slender thread
|
|
of a neck was exposed to view; scraping its wings with its hind legs
|
|
and smoothing them to its body as if they had been coat-tails; going
|
|
through its whole toilet as tranquilly as if it knew it was perfectly
|
|
safe. As indeed it was; for as sorely as Tom's hands itched to grab for
|
|
it they did not dare--he believed his soul would be instantly destroyed
|
|
if he did such a thing while the prayer was going on. But with the
|
|
closing sentence his hand began to curve and steal forward; and the
|
|
instant the "Amen" was out the fly was a prisoner of war. His aunt
|
|
detected the act and made him let it go.
|
|
|
|
The minister gave out his text and droned along monotonously through
|
|
an argument that was so prosy that many a head by and by began to nod
|
|
--and yet it was an argument that dealt in limitless fire and brimstone
|
|
and thinned the predestined elect down to a company so small as to be
|
|
hardly worth the saving. Tom counted the pages of the sermon; after
|
|
church he always knew how many pages there had been, but he seldom knew
|
|
anything else about the discourse. However, this time he was really
|
|
interested for a little while. The minister made a grand and moving
|
|
picture of the assembling together of the world's hosts at the
|
|
millennium when the lion and the lamb should lie down together and a
|
|
little child should lead them. But the pathos, the lesson, the moral of
|
|
the great spectacle were lost upon the boy; he only thought of the
|
|
conspicuousness of the principal character before the on-looking
|
|
nations; his face lit with the thought, and he said to himself that he
|
|
wished he could be that child, if it was a tame lion.
|
|
|
|
Now he lapsed into suffering again, as the dry argument was resumed.
|
|
Presently he bethought him of a treasure he had and got it out. It was
|
|
a large black beetle with formidable jaws--a "pinchbug," he called it.
|
|
It was in a percussion-cap box. The first thing the beetle did was to
|
|
take him by the finger. A natural fillip followed, the beetle went
|
|
floundering into the aisle and lit on its back, and the hurt finger
|
|
went into the boy's mouth. The beetle lay there working its helpless
|
|
legs, unable to turn over. Tom eyed it, and longed for it; but it was
|
|
safe out of his reach. Other people uninterested in the sermon found
|
|
relief in the beetle, and they eyed it too. Presently a vagrant poodle
|
|
dog came idling along, sad at heart, lazy with the summer softness and
|
|
the quiet, weary of captivity, sighing for change. He spied the beetle;
|
|
the drooping tail lifted and wagged. He surveyed the prize; walked
|
|
around it; smelt at it from a safe distance; walked around it again;
|
|
grew bolder, and took a closer smell; then lifted his lip and made a
|
|
gingerly snatch at it, just missing it; made another, and another;
|
|
began to enjoy the diversion; subsided to his stomach with the beetle
|
|
between his paws, and continued his experiments; grew weary at last,
|
|
and then indifferent and absent-minded. His head nodded, and little by
|
|
little his chin descended and touched the enemy, who seized it. There
|
|
was a sharp yelp, a flirt of the poodle's head, and the beetle fell a
|
|
couple of yards away, and lit on its back once more. The neighboring
|
|
spectators shook with a gentle inward joy, several faces went behind
|
|
fans and handkerchiefs, and Tom was entirely happy. The dog looked
|
|
foolish, and probably felt so; but there was resentment in his heart,
|
|
too, and a craving for revenge. So he went to the beetle and began a
|
|
wary attack on it again; jumping at it from every point of a circle,
|
|
lighting with his fore-paws within an inch of the creature, making even
|
|
closer snatches at it with his teeth, and jerking his head till his
|
|
ears flapped again. But he grew tired once more, after a while; tried
|
|
to amuse himself with a fly but found no relief; followed an ant
|
|
around, with his nose close to the floor, and quickly wearied of that;
|
|
yawned, sighed, forgot the beetle entirely, and sat down on it. Then
|
|
there was a wild yelp of agony and the poodle went sailing up the
|
|
aisle; the yelps continued, and so did the dog; he crossed the house in
|
|
front of the altar; he flew down the other aisle; he crossed before the
|
|
doors; he clamored up the home-stretch; his anguish grew with his
|
|
progress, till presently he was but a woolly comet moving in its orbit
|
|
with the gleam and the speed of light. At last the frantic sufferer
|
|
sheered from its course, and sprang into its master's lap; he flung it
|
|
out of the window, and the voice of distress quickly thinned away and
|
|
died in the distance.
|
|
|
|
By this time the whole church was red-faced and suffocating with
|
|
suppressed laughter, and the sermon had come to a dead standstill. The
|
|
discourse was resumed presently, but it went lame and halting, all
|
|
possibility of impressiveness being at an end; for even the gravest
|
|
sentiments were constantly being received with a smothered burst of
|
|
unholy mirth, under cover of some remote pew-back, as if the poor
|
|
parson had said a rarely facetious thing. It was a genuine relief to
|
|
the whole congregation when the ordeal was over and the benediction
|
|
pronounced.
|
|
|
|
Tom Sawyer went home quite cheerful, thinking to himself that there
|
|
was some satisfaction about divine service when there was a bit of
|
|
variety in it. He had but one marring thought; he was willing that the
|
|
dog should play with his pinchbug, but he did not think it was upright
|
|
in him to carry it off.
|
|
|
|
|
|
|
|
CHAPTER VI
|
|
|
|
MONDAY morning found Tom Sawyer miserable. Monday morning always found
|
|
him so--because it began another week's slow suffering in school. He
|
|
generally began that day with wishing he had had no intervening
|
|
holiday, it made the going into captivity and fetters again so much
|
|
more odious.
|
|
|
|
Tom lay thinking. Presently it occurred to him that he wished he was
|
|
sick; then he could stay home from school. Here was a vague
|
|
possibility. He canvassed his system. No ailment was found, and he
|
|
investigated again. This time he thought he could detect colicky
|
|
symptoms, and he began to encourage them with considerable hope. But
|
|
they soon grew feeble, and presently died wholly away. He reflected
|
|
further. Suddenly he discovered something. One of his upper front teeth
|
|
was loose. This was lucky; he was about to begin to groan, as a
|
|
"starter," as he called it, when it occurred to him that if he came
|
|
into court with that argument, his aunt would pull it out, and that
|
|
would hurt. So he thought he would hold the tooth in reserve for the
|
|
present, and seek further. Nothing offered for some little time, and
|
|
then he remembered hearing the doctor tell about a certain thing that
|
|
laid up a patient for two or three weeks and threatened to make him
|
|
lose a finger. So the boy eagerly drew his sore toe from under the
|
|
sheet and held it up for inspection. But now he did not know the
|
|
necessary symptoms. However, it seemed well worth while to chance it,
|
|
so he fell to groaning with considerable spirit.
|
|
|
|
But Sid slept on unconscious.
|
|
|
|
Tom groaned louder, and fancied that he began to feel pain in the toe.
|
|
|
|
No result from Sid.
|
|
|
|
Tom was panting with his exertions by this time. He took a rest and
|
|
then swelled himself up and fetched a succession of admirable groans.
|
|
|
|
Sid snored on.
|
|
|
|
Tom was aggravated. He said, "Sid, Sid!" and shook him. This course
|
|
worked well, and Tom began to groan again. Sid yawned, stretched, then
|
|
brought himself up on his elbow with a snort, and began to stare at
|
|
Tom. Tom went on groaning. Sid said:
|
|
|
|
"Tom! Say, Tom!" [No response.] "Here, Tom! TOM! What is the matter,
|
|
Tom?" And he shook him and looked in his face anxiously.
|
|
|
|
Tom moaned out:
|
|
|
|
"Oh, don't, Sid. Don't joggle me."
|
|
|
|
"Why, what's the matter, Tom? I must call auntie."
|
|
|
|
"No--never mind. It'll be over by and by, maybe. Don't call anybody."
|
|
|
|
"But I must! DON'T groan so, Tom, it's awful. How long you been this
|
|
way?"
|
|
|
|
"Hours. Ouch! Oh, don't stir so, Sid, you'll kill me."
|
|
|
|
"Tom, why didn't you wake me sooner? Oh, Tom, DON'T! It makes my
|
|
flesh crawl to hear you. Tom, what is the matter?"
|
|
|
|
"I forgive you everything, Sid. [Groan.] Everything you've ever done
|
|
to me. When I'm gone--"
|
|
|
|
"Oh, Tom, you ain't dying, are you? Don't, Tom--oh, don't. Maybe--"
|
|
|
|
"I forgive everybody, Sid. [Groan.] Tell 'em so, Sid. And Sid, you
|
|
give my window-sash and my cat with one eye to that new girl that's
|
|
come to town, and tell her--"
|
|
|
|
But Sid had snatched his clothes and gone. Tom was suffering in
|
|
reality, now, so handsomely was his imagination working, and so his
|
|
groans had gathered quite a genuine tone.
|
|
|
|
Sid flew down-stairs and said:
|
|
|
|
"Oh, Aunt Polly, come! Tom's dying!"
|
|
|
|
"Dying!"
|
|
|
|
"Yes'm. Don't wait--come quick!"
|
|
|
|
"Rubbage! I don't believe it!"
|
|
|
|
But she fled up-stairs, nevertheless, with Sid and Mary at her heels.
|
|
And her face grew white, too, and her lip trembled. When she reached
|
|
the bedside she gasped out:
|
|
|
|
"You, Tom! Tom, what's the matter with you?"
|
|
|
|
"Oh, auntie, I'm--"
|
|
|
|
"What's the matter with you--what is the matter with you, child?"
|
|
|
|
"Oh, auntie, my sore toe's mortified!"
|
|
|
|
The old lady sank down into a chair and laughed a little, then cried a
|
|
little, then did both together. This restored her and she said:
|
|
|
|
"Tom, what a turn you did give me. Now you shut up that nonsense and
|
|
climb out of this."
|
|
|
|
The groans ceased and the pain vanished from the toe. The boy felt a
|
|
little foolish, and he said:
|
|
|
|
"Aunt Polly, it SEEMED mortified, and it hurt so I never minded my
|
|
tooth at all."
|
|
|
|
"Your tooth, indeed! What's the matter with your tooth?"
|
|
|
|
"One of them's loose, and it aches perfectly awful."
|
|
|
|
"There, there, now, don't begin that groaning again. Open your mouth.
|
|
Well--your tooth IS loose, but you're not going to die about that.
|
|
Mary, get me a silk thread, and a chunk of fire out of the kitchen."
|
|
|
|
Tom said:
|
|
|
|
"Oh, please, auntie, don't pull it out. It don't hurt any more. I wish
|
|
I may never stir if it does. Please don't, auntie. I don't want to stay
|
|
home from school."
|
|
|
|
"Oh, you don't, don't you? So all this row was because you thought
|
|
you'd get to stay home from school and go a-fishing? Tom, Tom, I love
|
|
you so, and you seem to try every way you can to break my old heart
|
|
with your outrageousness." By this time the dental instruments were
|
|
ready. The old lady made one end of the silk thread fast to Tom's tooth
|
|
with a loop and tied the other to the bedpost. Then she seized the
|
|
chunk of fire and suddenly thrust it almost into the boy's face. The
|
|
tooth hung dangling by the bedpost, now.
|
|
|
|
But all trials bring their compensations. As Tom wended to school
|
|
after breakfast, he was the envy of every boy he met because the gap in
|
|
his upper row of teeth enabled him to expectorate in a new and
|
|
admirable way. He gathered quite a following of lads interested in the
|
|
exhibition; and one that had cut his finger and had been a centre of
|
|
fascination and homage up to this time, now found himself suddenly
|
|
without an adherent, and shorn of his glory. His heart was heavy, and
|
|
he said with a disdain which he did not feel that it wasn't anything to
|
|
spit like Tom Sawyer; but another boy said, "Sour grapes!" and he
|
|
wandered away a dismantled hero.
|
|
|
|
Shortly Tom came upon the juvenile pariah of the village, Huckleberry
|
|
Finn, son of the town drunkard. Huckleberry was cordially hated and
|
|
dreaded by all the mothers of the town, because he was idle and lawless
|
|
and vulgar and bad--and because all their children admired him so, and
|
|
delighted in his forbidden society, and wished they dared to be like
|
|
him. Tom was like the rest of the respectable boys, in that he envied
|
|
Huckleberry his gaudy outcast condition, and was under strict orders
|
|
not to play with him. So he played with him every time he got a chance.
|
|
Huckleberry was always dressed in the cast-off clothes of full-grown
|
|
men, and they were in perennial bloom and fluttering with rags. His hat
|
|
was a vast ruin with a wide crescent lopped out of its brim; his coat,
|
|
when he wore one, hung nearly to his heels and had the rearward buttons
|
|
far down the back; but one suspender supported his trousers; the seat
|
|
of the trousers bagged low and contained nothing, the fringed legs
|
|
dragged in the dirt when not rolled up.
|
|
|
|
Huckleberry came and went, at his own free will. He slept on doorsteps
|
|
in fine weather and in empty hogsheads in wet; he did not have to go to
|
|
school or to church, or call any being master or obey anybody; he could
|
|
go fishing or swimming when and where he chose, and stay as long as it
|
|
suited him; nobody forbade him to fight; he could sit up as late as he
|
|
pleased; he was always the first boy that went barefoot in the spring
|
|
and the last to resume leather in the fall; he never had to wash, nor
|
|
put on clean clothes; he could swear wonderfully. In a word, everything
|
|
that goes to make life precious that boy had. So thought every
|
|
harassed, hampered, respectable boy in St. Petersburg.
|
|
|
|
Tom hailed the romantic outcast:
|
|
|
|
"Hello, Huckleberry!"
|
|
|
|
"Hello yourself, and see how you like it."
|
|
|
|
"What's that you got?"
|
|
|
|
"Dead cat."
|
|
|
|
"Lemme see him, Huck. My, he's pretty stiff. Where'd you get him?"
|
|
|
|
"Bought him off'n a boy."
|
|
|
|
"What did you give?"
|
|
|
|
"I give a blue ticket and a bladder that I got at the slaughter-house."
|
|
|
|
"Where'd you get the blue ticket?"
|
|
|
|
"Bought it off'n Ben Rogers two weeks ago for a hoop-stick."
|
|
|
|
"Say--what is dead cats good for, Huck?"
|
|
|
|
"Good for? Cure warts with."
|
|
|
|
"No! Is that so? I know something that's better."
|
|
|
|
"I bet you don't. What is it?"
|
|
|
|
"Why, spunk-water."
|
|
|
|
"Spunk-water! I wouldn't give a dern for spunk-water."
|
|
|
|
"You wouldn't, wouldn't you? D'you ever try it?"
|
|
|
|
"No, I hain't. But Bob Tanner did."
|
|
|
|
"Who told you so!"
|
|
|
|
"Why, he told Jeff Thatcher, and Jeff told Johnny Baker, and Johnny
|
|
told Jim Hollis, and Jim told Ben Rogers, and Ben told a nigger, and
|
|
the nigger told me. There now!"
|
|
|
|
"Well, what of it? They'll all lie. Leastways all but the nigger. I
|
|
don't know HIM. But I never see a nigger that WOULDN'T lie. Shucks! Now
|
|
you tell me how Bob Tanner done it, Huck."
|
|
|
|
"Why, he took and dipped his hand in a rotten stump where the
|
|
rain-water was."
|
|
|
|
"In the daytime?"
|
|
|
|
"Certainly."
|
|
|
|
"With his face to the stump?"
|
|
|
|
"Yes. Least I reckon so."
|
|
|
|
"Did he say anything?"
|
|
|
|
"I don't reckon he did. I don't know."
|
|
|
|
"Aha! Talk about trying to cure warts with spunk-water such a blame
|
|
fool way as that! Why, that ain't a-going to do any good. You got to go
|
|
all by yourself, to the middle of the woods, where you know there's a
|
|
spunk-water stump, and just as it's midnight you back up against the
|
|
stump and jam your hand in and say:
|
|
|
|
'Barley-corn, barley-corn, injun-meal shorts,
|
|
Spunk-water, spunk-water, swaller these warts,'
|
|
|
|
and then walk away quick, eleven steps, with your eyes shut, and then
|
|
turn around three times and walk home without speaking to anybody.
|
|
Because if you speak the charm's busted."
|
|
|
|
"Well, that sounds like a good way; but that ain't the way Bob Tanner
|
|
done."
|
|
|
|
"No, sir, you can bet he didn't, becuz he's the wartiest boy in this
|
|
town; and he wouldn't have a wart on him if he'd knowed how to work
|
|
spunk-water. I've took off thousands of warts off of my hands that way,
|
|
Huck. I play with frogs so much that I've always got considerable many
|
|
warts. Sometimes I take 'em off with a bean."
|
|
|
|
"Yes, bean's good. I've done that."
|
|
|
|
"Have you? What's your way?"
|
|
|
|
"You take and split the bean, and cut the wart so as to get some
|
|
blood, and then you put the blood on one piece of the bean and take and
|
|
dig a hole and bury it 'bout midnight at the crossroads in the dark of
|
|
the moon, and then you burn up the rest of the bean. You see that piece
|
|
that's got the blood on it will keep drawing and drawing, trying to
|
|
fetch the other piece to it, and so that helps the blood to draw the
|
|
wart, and pretty soon off she comes."
|
|
|
|
"Yes, that's it, Huck--that's it; though when you're burying it if you
|
|
say 'Down bean; off wart; come no more to bother me!' it's better.
|
|
That's the way Joe Harper does, and he's been nearly to Coonville and
|
|
most everywheres. But say--how do you cure 'em with dead cats?"
|
|
|
|
"Why, you take your cat and go and get in the graveyard 'long about
|
|
midnight when somebody that was wicked has been buried; and when it's
|
|
midnight a devil will come, or maybe two or three, but you can't see
|
|
'em, you can only hear something like the wind, or maybe hear 'em talk;
|
|
and when they're taking that feller away, you heave your cat after 'em
|
|
and say, 'Devil follow corpse, cat follow devil, warts follow cat, I'm
|
|
done with ye!' That'll fetch ANY wart."
|
|
|
|
"Sounds right. D'you ever try it, Huck?"
|
|
|
|
"No, but old Mother Hopkins told me."
|
|
|
|
"Well, I reckon it's so, then. Becuz they say she's a witch."
|
|
|
|
"Say! Why, Tom, I KNOW she is. She witched pap. Pap says so his own
|
|
self. He come along one day, and he see she was a-witching him, so he
|
|
took up a rock, and if she hadn't dodged, he'd a got her. Well, that
|
|
very night he rolled off'n a shed wher' he was a layin drunk, and broke
|
|
his arm."
|
|
|
|
"Why, that's awful. How did he know she was a-witching him?"
|
|
|
|
"Lord, pap can tell, easy. Pap says when they keep looking at you
|
|
right stiddy, they're a-witching you. Specially if they mumble. Becuz
|
|
when they mumble they're saying the Lord's Prayer backards."
|
|
|
|
"Say, Hucky, when you going to try the cat?"
|
|
|
|
"To-night. I reckon they'll come after old Hoss Williams to-night."
|
|
|
|
"But they buried him Saturday. Didn't they get him Saturday night?"
|
|
|
|
"Why, how you talk! How could their charms work till midnight?--and
|
|
THEN it's Sunday. Devils don't slosh around much of a Sunday, I don't
|
|
reckon."
|
|
|
|
"I never thought of that. That's so. Lemme go with you?"
|
|
|
|
"Of course--if you ain't afeard."
|
|
|
|
"Afeard! 'Tain't likely. Will you meow?"
|
|
|
|
"Yes--and you meow back, if you get a chance. Last time, you kep' me
|
|
a-meowing around till old Hays went to throwing rocks at me and says
|
|
'Dern that cat!' and so I hove a brick through his window--but don't
|
|
you tell."
|
|
|
|
"I won't. I couldn't meow that night, becuz auntie was watching me,
|
|
but I'll meow this time. Say--what's that?"
|
|
|
|
"Nothing but a tick."
|
|
|
|
"Where'd you get him?"
|
|
|
|
"Out in the woods."
|
|
|
|
"What'll you take for him?"
|
|
|
|
"I don't know. I don't want to sell him."
|
|
|
|
"All right. It's a mighty small tick, anyway."
|
|
|
|
"Oh, anybody can run a tick down that don't belong to them. I'm
|
|
satisfied with it. It's a good enough tick for me."
|
|
|
|
"Sho, there's ticks a plenty. I could have a thousand of 'em if I
|
|
wanted to."
|
|
|
|
"Well, why don't you? Becuz you know mighty well you can't. This is a
|
|
pretty early tick, I reckon. It's the first one I've seen this year."
|
|
|
|
"Say, Huck--I'll give you my tooth for him."
|
|
|
|
"Less see it."
|
|
|
|
Tom got out a bit of paper and carefully unrolled it. Huckleberry
|
|
viewed it wistfully. The temptation was very strong. At last he said:
|
|
|
|
"Is it genuwyne?"
|
|
|
|
Tom lifted his lip and showed the vacancy.
|
|
|
|
"Well, all right," said Huckleberry, "it's a trade."
|
|
|
|
Tom enclosed the tick in the percussion-cap box that had lately been
|
|
the pinchbug's prison, and the boys separated, each feeling wealthier
|
|
than before.
|
|
|
|
When Tom reached the little isolated frame schoolhouse, he strode in
|
|
briskly, with the manner of one who had come with all honest speed.
|
|
He hung his hat on a peg and flung himself into his seat with
|
|
business-like alacrity. The master, throned on high in his great
|
|
splint-bottom arm-chair, was dozing, lulled by the drowsy hum of study.
|
|
The interruption roused him.
|
|
|
|
"Thomas Sawyer!"
|
|
|
|
Tom knew that when his name was pronounced in full, it meant trouble.
|
|
|
|
"Sir!"
|
|
|
|
"Come up here. Now, sir, why are you late again, as usual?"
|
|
|
|
Tom was about to take refuge in a lie, when he saw two long tails of
|
|
yellow hair hanging down a back that he recognized by the electric
|
|
sympathy of love; and by that form was THE ONLY VACANT PLACE on the
|
|
girls' side of the schoolhouse. He instantly said:
|
|
|
|
"I STOPPED TO TALK WITH HUCKLEBERRY FINN!"
|
|
|
|
The master's pulse stood still, and he stared helplessly. The buzz of
|
|
study ceased. The pupils wondered if this foolhardy boy had lost his
|
|
mind. The master said:
|
|
|
|
"You--you did what?"
|
|
|
|
"Stopped to talk with Huckleberry Finn."
|
|
|
|
There was no mistaking the words.
|
|
|
|
"Thomas Sawyer, this is the most astounding confession I have ever
|
|
listened to. No mere ferule will answer for this offence. Take off your
|
|
jacket."
|
|
|
|
The master's arm performed until it was tired and the stock of
|
|
switches notably diminished. Then the order followed:
|
|
|
|
"Now, sir, go and sit with the girls! And let this be a warning to you."
|
|
|
|
The titter that rippled around the room appeared to abash the boy, but
|
|
in reality that result was caused rather more by his worshipful awe of
|
|
his unknown idol and the dread pleasure that lay in his high good
|
|
fortune. He sat down upon the end of the pine bench and the girl
|
|
hitched herself away from him with a toss of her head. Nudges and winks
|
|
and whispers traversed the room, but Tom sat still, with his arms upon
|
|
the long, low desk before him, and seemed to study his book.
|
|
|
|
By and by attention ceased from him, and the accustomed school murmur
|
|
rose upon the dull air once more. Presently the boy began to steal
|
|
furtive glances at the girl. She observed it, "made a mouth" at him and
|
|
gave him the back of her head for the space of a minute. When she
|
|
cautiously faced around again, a peach lay before her. She thrust it
|
|
away. Tom gently put it back. She thrust it away again, but with less
|
|
animosity. Tom patiently returned it to its place. Then she let it
|
|
remain. Tom scrawled on his slate, "Please take it--I got more." The
|
|
girl glanced at the words, but made no sign. Now the boy began to draw
|
|
something on the slate, hiding his work with his left hand. For a time
|
|
the girl refused to notice; but her human curiosity presently began to
|
|
manifest itself by hardly perceptible signs. The boy worked on,
|
|
apparently unconscious. The girl made a sort of noncommittal attempt to
|
|
see, but the boy did not betray that he was aware of it. At last she
|
|
gave in and hesitatingly whispered:
|
|
|
|
"Let me see it."
|
|
|
|
Tom partly uncovered a dismal caricature of a house with two gable
|
|
ends to it and a corkscrew of smoke issuing from the chimney. Then the
|
|
girl's interest began to fasten itself upon the work and she forgot
|
|
everything else. When it was finished, she gazed a moment, then
|
|
whispered:
|
|
|
|
"It's nice--make a man."
|
|
|
|
The artist erected a man in the front yard, that resembled a derrick.
|
|
He could have stepped over the house; but the girl was not
|
|
hypercritical; she was satisfied with the monster, and whispered:
|
|
|
|
"It's a beautiful man--now make me coming along."
|
|
|
|
Tom drew an hour-glass with a full moon and straw limbs to it and
|
|
armed the spreading fingers with a portentous fan. The girl said:
|
|
|
|
"It's ever so nice--I wish I could draw."
|
|
|
|
"It's easy," whispered Tom, "I'll learn you."
|
|
|
|
"Oh, will you? When?"
|
|
|
|
"At noon. Do you go home to dinner?"
|
|
|
|
"I'll stay if you will."
|
|
|
|
"Good--that's a whack. What's your name?"
|
|
|
|
"Becky Thatcher. What's yours? Oh, I know. It's Thomas Sawyer."
|
|
|
|
"That's the name they lick me by. I'm Tom when I'm good. You call me
|
|
Tom, will you?"
|
|
|
|
"Yes."
|
|
|
|
Now Tom began to scrawl something on the slate, hiding the words from
|
|
the girl. But she was not backward this time. She begged to see. Tom
|
|
said:
|
|
|
|
"Oh, it ain't anything."
|
|
|
|
"Yes it is."
|
|
|
|
"No it ain't. You don't want to see."
|
|
|
|
"Yes I do, indeed I do. Please let me."
|
|
|
|
"You'll tell."
|
|
|
|
"No I won't--deed and deed and double deed won't."
|
|
|
|
"You won't tell anybody at all? Ever, as long as you live?"
|
|
|
|
"No, I won't ever tell ANYbody. Now let me."
|
|
|
|
"Oh, YOU don't want to see!"
|
|
|
|
"Now that you treat me so, I WILL see." And she put her small hand
|
|
upon his and a little scuffle ensued, Tom pretending to resist in
|
|
earnest but letting his hand slip by degrees till these words were
|
|
revealed: "I LOVE YOU."
|
|
|
|
"Oh, you bad thing!" And she hit his hand a smart rap, but reddened
|
|
and looked pleased, nevertheless.
|
|
|
|
Just at this juncture the boy felt a slow, fateful grip closing on his
|
|
ear, and a steady lifting impulse. In that wise he was borne across the
|
|
house and deposited in his own seat, under a peppering fire of giggles
|
|
from the whole school. Then the master stood over him during a few
|
|
awful moments, and finally moved away to his throne without saying a
|
|
word. But although Tom's ear tingled, his heart was jubilant.
|
|
|
|
As the school quieted down Tom made an honest effort to study, but the
|
|
turmoil within him was too great. In turn he took his place in the
|
|
reading class and made a botch of it; then in the geography class and
|
|
turned lakes into mountains, mountains into rivers, and rivers into
|
|
continents, till chaos was come again; then in the spelling class, and
|
|
got "turned down," by a succession of mere baby words, till he brought
|
|
up at the foot and yielded up the pewter medal which he had worn with
|
|
ostentation for months.
|
|
|
|
|
|
|
|
CHAPTER VII
|
|
|
|
THE harder Tom tried to fasten his mind on his book, the more his
|
|
ideas wandered. So at last, with a sigh and a yawn, he gave it up. It
|
|
seemed to him that the noon recess would never come. The air was
|
|
utterly dead. There was not a breath stirring. It was the sleepiest of
|
|
sleepy days. The drowsing murmur of the five and twenty studying
|
|
scholars soothed the soul like the spell that is in the murmur of bees.
|
|
Away off in the flaming sunshine, Cardiff Hill lifted its soft green
|
|
sides through a shimmering veil of heat, tinted with the purple of
|
|
distance; a few birds floated on lazy wing high in the air; no other
|
|
living thing was visible but some cows, and they were asleep. Tom's
|
|
heart ached to be free, or else to have something of interest to do to
|
|
pass the dreary time. His hand wandered into his pocket and his face
|
|
lit up with a glow of gratitude that was prayer, though he did not know
|
|
it. Then furtively the percussion-cap box came out. He released the
|
|
tick and put him on the long flat desk. The creature probably glowed
|
|
with a gratitude that amounted to prayer, too, at this moment, but it
|
|
was premature: for when he started thankfully to travel off, Tom turned
|
|
him aside with a pin and made him take a new direction.
|
|
|
|
Tom's bosom friend sat next him, suffering just as Tom had been, and
|
|
now he was deeply and gratefully interested in this entertainment in an
|
|
instant. This bosom friend was Joe Harper. The two boys were sworn
|
|
friends all the week, and embattled enemies on Saturdays. Joe took a
|
|
pin out of his lapel and began to assist in exercising the prisoner.
|
|
The sport grew in interest momently. Soon Tom said that they were
|
|
interfering with each other, and neither getting the fullest benefit of
|
|
the tick. So he put Joe's slate on the desk and drew a line down the
|
|
middle of it from top to bottom.
|
|
|
|
"Now," said he, "as long as he is on your side you can stir him up and
|
|
I'll let him alone; but if you let him get away and get on my side,
|
|
you're to leave him alone as long as I can keep him from crossing over."
|
|
|
|
"All right, go ahead; start him up."
|
|
|
|
The tick escaped from Tom, presently, and crossed the equator. Joe
|
|
harassed him awhile, and then he got away and crossed back again. This
|
|
change of base occurred often. While one boy was worrying the tick with
|
|
absorbing interest, the other would look on with interest as strong,
|
|
the two heads bowed together over the slate, and the two souls dead to
|
|
all things else. At last luck seemed to settle and abide with Joe. The
|
|
tick tried this, that, and the other course, and got as excited and as
|
|
anxious as the boys themselves, but time and again just as he would
|
|
have victory in his very grasp, so to speak, and Tom's fingers would be
|
|
twitching to begin, Joe's pin would deftly head him off, and keep
|
|
possession. At last Tom could stand it no longer. The temptation was
|
|
too strong. So he reached out and lent a hand with his pin. Joe was
|
|
angry in a moment. Said he:
|
|
|
|
"Tom, you let him alone."
|
|
|
|
"I only just want to stir him up a little, Joe."
|
|
|
|
"No, sir, it ain't fair; you just let him alone."
|
|
|
|
"Blame it, I ain't going to stir him much."
|
|
|
|
"Let him alone, I tell you."
|
|
|
|
"I won't!"
|
|
|
|
"You shall--he's on my side of the line."
|
|
|
|
"Look here, Joe Harper, whose is that tick?"
|
|
|
|
"I don't care whose tick he is--he's on my side of the line, and you
|
|
sha'n't touch him."
|
|
|
|
"Well, I'll just bet I will, though. He's my tick and I'll do what I
|
|
blame please with him, or die!"
|
|
|
|
A tremendous whack came down on Tom's shoulders, and its duplicate on
|
|
Joe's; and for the space of two minutes the dust continued to fly from
|
|
the two jackets and the whole school to enjoy it. The boys had been too
|
|
absorbed to notice the hush that had stolen upon the school awhile
|
|
before when the master came tiptoeing down the room and stood over
|
|
them. He had contemplated a good part of the performance before he
|
|
contributed his bit of variety to it.
|
|
|
|
When school broke up at noon, Tom flew to Becky Thatcher, and
|
|
whispered in her ear:
|
|
|
|
"Put on your bonnet and let on you're going home; and when you get to
|
|
the corner, give the rest of 'em the slip, and turn down through the
|
|
lane and come back. I'll go the other way and come it over 'em the same
|
|
way."
|
|
|
|
So the one went off with one group of scholars, and the other with
|
|
another. In a little while the two met at the bottom of the lane, and
|
|
when they reached the school they had it all to themselves. Then they
|
|
sat together, with a slate before them, and Tom gave Becky the pencil
|
|
and held her hand in his, guiding it, and so created another surprising
|
|
house. When the interest in art began to wane, the two fell to talking.
|
|
Tom was swimming in bliss. He said:
|
|
|
|
"Do you love rats?"
|
|
|
|
"No! I hate them!"
|
|
|
|
"Well, I do, too--LIVE ones. But I mean dead ones, to swing round your
|
|
head with a string."
|
|
|
|
"No, I don't care for rats much, anyway. What I like is chewing-gum."
|
|
|
|
"Oh, I should say so! I wish I had some now."
|
|
|
|
"Do you? I've got some. I'll let you chew it awhile, but you must give
|
|
it back to me."
|
|
|
|
That was agreeable, so they chewed it turn about, and dangled their
|
|
legs against the bench in excess of contentment.
|
|
|
|
"Was you ever at a circus?" said Tom.
|
|
|
|
"Yes, and my pa's going to take me again some time, if I'm good."
|
|
|
|
"I been to the circus three or four times--lots of times. Church ain't
|
|
shucks to a circus. There's things going on at a circus all the time.
|
|
I'm going to be a clown in a circus when I grow up."
|
|
|
|
"Oh, are you! That will be nice. They're so lovely, all spotted up."
|
|
|
|
"Yes, that's so. And they get slathers of money--most a dollar a day,
|
|
Ben Rogers says. Say, Becky, was you ever engaged?"
|
|
|
|
"What's that?"
|
|
|
|
"Why, engaged to be married."
|
|
|
|
"No."
|
|
|
|
"Would you like to?"
|
|
|
|
"I reckon so. I don't know. What is it like?"
|
|
|
|
"Like? Why it ain't like anything. You only just tell a boy you won't
|
|
ever have anybody but him, ever ever ever, and then you kiss and that's
|
|
all. Anybody can do it."
|
|
|
|
"Kiss? What do you kiss for?"
|
|
|
|
"Why, that, you know, is to--well, they always do that."
|
|
|
|
"Everybody?"
|
|
|
|
"Why, yes, everybody that's in love with each other. Do you remember
|
|
what I wrote on the slate?"
|
|
|
|
"Ye--yes."
|
|
|
|
"What was it?"
|
|
|
|
"I sha'n't tell you."
|
|
|
|
"Shall I tell YOU?"
|
|
|
|
"Ye--yes--but some other time."
|
|
|
|
"No, now."
|
|
|
|
"No, not now--to-morrow."
|
|
|
|
"Oh, no, NOW. Please, Becky--I'll whisper it, I'll whisper it ever so
|
|
easy."
|
|
|
|
Becky hesitating, Tom took silence for consent, and passed his arm
|
|
about her waist and whispered the tale ever so softly, with his mouth
|
|
close to her ear. And then he added:
|
|
|
|
"Now you whisper it to me--just the same."
|
|
|
|
She resisted, for a while, and then said:
|
|
|
|
"You turn your face away so you can't see, and then I will. But you
|
|
mustn't ever tell anybody--WILL you, Tom? Now you won't, WILL you?"
|
|
|
|
"No, indeed, indeed I won't. Now, Becky."
|
|
|
|
He turned his face away. She bent timidly around till her breath
|
|
stirred his curls and whispered, "I--love--you!"
|
|
|
|
Then she sprang away and ran around and around the desks and benches,
|
|
with Tom after her, and took refuge in a corner at last, with her
|
|
little white apron to her face. Tom clasped her about her neck and
|
|
pleaded:
|
|
|
|
"Now, Becky, it's all done--all over but the kiss. Don't you be afraid
|
|
of that--it ain't anything at all. Please, Becky." And he tugged at her
|
|
apron and the hands.
|
|
|
|
By and by she gave up, and let her hands drop; her face, all glowing
|
|
with the struggle, came up and submitted. Tom kissed the red lips and
|
|
said:
|
|
|
|
"Now it's all done, Becky. And always after this, you know, you ain't
|
|
ever to love anybody but me, and you ain't ever to marry anybody but
|
|
me, ever never and forever. Will you?"
|
|
|
|
"No, I'll never love anybody but you, Tom, and I'll never marry
|
|
anybody but you--and you ain't to ever marry anybody but me, either."
|
|
|
|
"Certainly. Of course. That's PART of it. And always coming to school
|
|
or when we're going home, you're to walk with me, when there ain't
|
|
anybody looking--and you choose me and I choose you at parties, because
|
|
that's the way you do when you're engaged."
|
|
|
|
"It's so nice. I never heard of it before."
|
|
|
|
"Oh, it's ever so gay! Why, me and Amy Lawrence--"
|
|
|
|
The big eyes told Tom his blunder and he stopped, confused.
|
|
|
|
"Oh, Tom! Then I ain't the first you've ever been engaged to!"
|
|
|
|
The child began to cry. Tom said:
|
|
|
|
"Oh, don't cry, Becky, I don't care for her any more."
|
|
|
|
"Yes, you do, Tom--you know you do."
|
|
|
|
Tom tried to put his arm about her neck, but she pushed him away and
|
|
turned her face to the wall, and went on crying. Tom tried again, with
|
|
soothing words in his mouth, and was repulsed again. Then his pride was
|
|
up, and he strode away and went outside. He stood about, restless and
|
|
uneasy, for a while, glancing at the door, every now and then, hoping
|
|
she would repent and come to find him. But she did not. Then he began
|
|
to feel badly and fear that he was in the wrong. It was a hard struggle
|
|
with him to make new advances, now, but he nerved himself to it and
|
|
entered. She was still standing back there in the corner, sobbing, with
|
|
her face to the wall. Tom's heart smote him. He went to her and stood a
|
|
moment, not knowing exactly how to proceed. Then he said hesitatingly:
|
|
|
|
"Becky, I--I don't care for anybody but you."
|
|
|
|
No reply--but sobs.
|
|
|
|
"Becky"--pleadingly. "Becky, won't you say something?"
|
|
|
|
More sobs.
|
|
|
|
Tom got out his chiefest jewel, a brass knob from the top of an
|
|
andiron, and passed it around her so that she could see it, and said:
|
|
|
|
"Please, Becky, won't you take it?"
|
|
|
|
She struck it to the floor. Then Tom marched out of the house and over
|
|
the hills and far away, to return to school no more that day. Presently
|
|
Becky began to suspect. She ran to the door; he was not in sight; she
|
|
flew around to the play-yard; he was not there. Then she called:
|
|
|
|
"Tom! Come back, Tom!"
|
|
|
|
She listened intently, but there was no answer. She had no companions
|
|
but silence and loneliness. So she sat down to cry again and upbraid
|
|
herself; and by this time the scholars began to gather again, and she
|
|
had to hide her griefs and still her broken heart and take up the cross
|
|
of a long, dreary, aching afternoon, with none among the strangers
|
|
about her to exchange sorrows with.
|
|
|
|
|
|
|
|
CHAPTER VIII
|
|
|
|
TOM dodged hither and thither through lanes until he was well out of
|
|
the track of returning scholars, and then fell into a moody jog. He
|
|
crossed a small "branch" two or three times, because of a prevailing
|
|
juvenile superstition that to cross water baffled pursuit. Half an hour
|
|
later he was disappearing behind the Douglas mansion on the summit of
|
|
Cardiff Hill, and the schoolhouse was hardly distinguishable away off
|
|
in the valley behind him. He entered a dense wood, picked his pathless
|
|
way to the centre of it, and sat down on a mossy spot under a spreading
|
|
oak. There was not even a zephyr stirring; the dead noonday heat had
|
|
even stilled the songs of the birds; nature lay in a trance that was
|
|
broken by no sound but the occasional far-off hammering of a
|
|
woodpecker, and this seemed to render the pervading silence and sense
|
|
of loneliness the more profound. The boy's soul was steeped in
|
|
melancholy; his feelings were in happy accord with his surroundings. He
|
|
sat long with his elbows on his knees and his chin in his hands,
|
|
meditating. It seemed to him that life was but a trouble, at best, and
|
|
he more than half envied Jimmy Hodges, so lately released; it must be
|
|
very peaceful, he thought, to lie and slumber and dream forever and
|
|
ever, with the wind whispering through the trees and caressing the
|
|
grass and the flowers over the grave, and nothing to bother and grieve
|
|
about, ever any more. If he only had a clean Sunday-school record he
|
|
could be willing to go, and be done with it all. Now as to this girl.
|
|
What had he done? Nothing. He had meant the best in the world, and been
|
|
treated like a dog--like a very dog. She would be sorry some day--maybe
|
|
when it was too late. Ah, if he could only die TEMPORARILY!
|
|
|
|
But the elastic heart of youth cannot be compressed into one
|
|
constrained shape long at a time. Tom presently began to drift
|
|
insensibly back into the concerns of this life again. What if he turned
|
|
his back, now, and disappeared mysteriously? What if he went away--ever
|
|
so far away, into unknown countries beyond the seas--and never came
|
|
back any more! How would she feel then! The idea of being a clown
|
|
recurred to him now, only to fill him with disgust. For frivolity and
|
|
jokes and spotted tights were an offense, when they intruded themselves
|
|
upon a spirit that was exalted into the vague august realm of the
|
|
romantic. No, he would be a soldier, and return after long years, all
|
|
war-worn and illustrious. No--better still, he would join the Indians,
|
|
and hunt buffaloes and go on the warpath in the mountain ranges and the
|
|
trackless great plains of the Far West, and away in the future come
|
|
back a great chief, bristling with feathers, hideous with paint, and
|
|
prance into Sunday-school, some drowsy summer morning, with a
|
|
bloodcurdling war-whoop, and sear the eyeballs of all his companions
|
|
with unappeasable envy. But no, there was something gaudier even than
|
|
this. He would be a pirate! That was it! NOW his future lay plain
|
|
before him, and glowing with unimaginable splendor. How his name would
|
|
fill the world, and make people shudder! How gloriously he would go
|
|
plowing the dancing seas, in his long, low, black-hulled racer, the
|
|
Spirit of the Storm, with his grisly flag flying at the fore! And at
|
|
the zenith of his fame, how he would suddenly appear at the old village
|
|
and stalk into church, brown and weather-beaten, in his black velvet
|
|
doublet and trunks, his great jack-boots, his crimson sash, his belt
|
|
bristling with horse-pistols, his crime-rusted cutlass at his side, his
|
|
slouch hat with waving plumes, his black flag unfurled, with the skull
|
|
and crossbones on it, and hear with swelling ecstasy the whisperings,
|
|
"It's Tom Sawyer the Pirate!--the Black Avenger of the Spanish Main!"
|
|
|
|
Yes, it was settled; his career was determined. He would run away from
|
|
home and enter upon it. He would start the very next morning. Therefore
|
|
he must now begin to get ready. He would collect his resources
|
|
together. He went to a rotten log near at hand and began to dig under
|
|
one end of it with his Barlow knife. He soon struck wood that sounded
|
|
hollow. He put his hand there and uttered this incantation impressively:
|
|
|
|
"What hasn't come here, come! What's here, stay here!"
|
|
|
|
Then he scraped away the dirt, and exposed a pine shingle. He took it
|
|
up and disclosed a shapely little treasure-house whose bottom and sides
|
|
were of shingles. In it lay a marble. Tom's astonishment was boundless!
|
|
He scratched his head with a perplexed air, and said:
|
|
|
|
"Well, that beats anything!"
|
|
|
|
Then he tossed the marble away pettishly, and stood cogitating. The
|
|
truth was, that a superstition of his had failed, here, which he and
|
|
all his comrades had always looked upon as infallible. If you buried a
|
|
marble with certain necessary incantations, and left it alone a
|
|
fortnight, and then opened the place with the incantation he had just
|
|
used, you would find that all the marbles you had ever lost had
|
|
gathered themselves together there, meantime, no matter how widely they
|
|
had been separated. But now, this thing had actually and unquestionably
|
|
failed. Tom's whole structure of faith was shaken to its foundations.
|
|
He had many a time heard of this thing succeeding but never of its
|
|
failing before. It did not occur to him that he had tried it several
|
|
times before, himself, but could never find the hiding-places
|
|
afterward. He puzzled over the matter some time, and finally decided
|
|
that some witch had interfered and broken the charm. He thought he
|
|
would satisfy himself on that point; so he searched around till he
|
|
found a small sandy spot with a little funnel-shaped depression in it.
|
|
He laid himself down and put his mouth close to this depression and
|
|
called--
|
|
|
|
"Doodle-bug, doodle-bug, tell me what I want to know! Doodle-bug,
|
|
doodle-bug, tell me what I want to know!"
|
|
|
|
The sand began to work, and presently a small black bug appeared for a
|
|
second and then darted under again in a fright.
|
|
|
|
"He dasn't tell! So it WAS a witch that done it. I just knowed it."
|
|
|
|
He well knew the futility of trying to contend against witches, so he
|
|
gave up discouraged. But it occurred to him that he might as well have
|
|
the marble he had just thrown away, and therefore he went and made a
|
|
patient search for it. But he could not find it. Now he went back to
|
|
his treasure-house and carefully placed himself just as he had been
|
|
standing when he tossed the marble away; then he took another marble
|
|
from his pocket and tossed it in the same way, saying:
|
|
|
|
"Brother, go find your brother!"
|
|
|
|
He watched where it stopped, and went there and looked. But it must
|
|
have fallen short or gone too far; so he tried twice more. The last
|
|
repetition was successful. The two marbles lay within a foot of each
|
|
other.
|
|
|
|
Just here the blast of a toy tin trumpet came faintly down the green
|
|
aisles of the forest. Tom flung off his jacket and trousers, turned a
|
|
suspender into a belt, raked away some brush behind the rotten log,
|
|
disclosing a rude bow and arrow, a lath sword and a tin trumpet, and in
|
|
a moment had seized these things and bounded away, barelegged, with
|
|
fluttering shirt. He presently halted under a great elm, blew an
|
|
answering blast, and then began to tiptoe and look warily out, this way
|
|
and that. He said cautiously--to an imaginary company:
|
|
|
|
"Hold, my merry men! Keep hid till I blow."
|
|
|
|
Now appeared Joe Harper, as airily clad and elaborately armed as Tom.
|
|
Tom called:
|
|
|
|
"Hold! Who comes here into Sherwood Forest without my pass?"
|
|
|
|
"Guy of Guisborne wants no man's pass. Who art thou that--that--"
|
|
|
|
"Dares to hold such language," said Tom, prompting--for they talked
|
|
"by the book," from memory.
|
|
|
|
"Who art thou that dares to hold such language?"
|
|
|
|
"I, indeed! I am Robin Hood, as thy caitiff carcase soon shall know."
|
|
|
|
"Then art thou indeed that famous outlaw? Right gladly will I dispute
|
|
with thee the passes of the merry wood. Have at thee!"
|
|
|
|
They took their lath swords, dumped their other traps on the ground,
|
|
struck a fencing attitude, foot to foot, and began a grave, careful
|
|
combat, "two up and two down." Presently Tom said:
|
|
|
|
"Now, if you've got the hang, go it lively!"
|
|
|
|
So they "went it lively," panting and perspiring with the work. By and
|
|
by Tom shouted:
|
|
|
|
"Fall! fall! Why don't you fall?"
|
|
|
|
"I sha'n't! Why don't you fall yourself? You're getting the worst of
|
|
it."
|
|
|
|
"Why, that ain't anything. I can't fall; that ain't the way it is in
|
|
the book. The book says, 'Then with one back-handed stroke he slew poor
|
|
Guy of Guisborne.' You're to turn around and let me hit you in the
|
|
back."
|
|
|
|
There was no getting around the authorities, so Joe turned, received
|
|
the whack and fell.
|
|
|
|
"Now," said Joe, getting up, "you got to let me kill YOU. That's fair."
|
|
|
|
"Why, I can't do that, it ain't in the book."
|
|
|
|
"Well, it's blamed mean--that's all."
|
|
|
|
"Well, say, Joe, you can be Friar Tuck or Much the miller's son, and
|
|
lam me with a quarter-staff; or I'll be the Sheriff of Nottingham and
|
|
you be Robin Hood a little while and kill me."
|
|
|
|
This was satisfactory, and so these adventures were carried out. Then
|
|
Tom became Robin Hood again, and was allowed by the treacherous nun to
|
|
bleed his strength away through his neglected wound. And at last Joe,
|
|
representing a whole tribe of weeping outlaws, dragged him sadly forth,
|
|
gave his bow into his feeble hands, and Tom said, "Where this arrow
|
|
falls, there bury poor Robin Hood under the greenwood tree." Then he
|
|
shot the arrow and fell back and would have died, but he lit on a
|
|
nettle and sprang up too gaily for a corpse.
|
|
|
|
The boys dressed themselves, hid their accoutrements, and went off
|
|
grieving that there were no outlaws any more, and wondering what modern
|
|
civilization could claim to have done to compensate for their loss.
|
|
They said they would rather be outlaws a year in Sherwood Forest than
|
|
President of the United States forever.
|
|
|
|
|
|
|
|
CHAPTER IX
|
|
|
|
AT half-past nine, that night, Tom and Sid were sent to bed, as usual.
|
|
They said their prayers, and Sid was soon asleep. Tom lay awake and
|
|
waited, in restless impatience. When it seemed to him that it must be
|
|
nearly daylight, he heard the clock strike ten! This was despair. He
|
|
would have tossed and fidgeted, as his nerves demanded, but he was
|
|
afraid he might wake Sid. So he lay still, and stared up into the dark.
|
|
Everything was dismally still. By and by, out of the stillness, little,
|
|
scarcely perceptible noises began to emphasize themselves. The ticking
|
|
of the clock began to bring itself into notice. Old beams began to
|
|
crack mysteriously. The stairs creaked faintly. Evidently spirits were
|
|
abroad. A measured, muffled snore issued from Aunt Polly's chamber. And
|
|
now the tiresome chirping of a cricket that no human ingenuity could
|
|
locate, began. Next the ghastly ticking of a deathwatch in the wall at
|
|
the bed's head made Tom shudder--it meant that somebody's days were
|
|
numbered. Then the howl of a far-off dog rose on the night air, and was
|
|
answered by a fainter howl from a remoter distance. Tom was in an
|
|
agony. At last he was satisfied that time had ceased and eternity
|
|
begun; he began to doze, in spite of himself; the clock chimed eleven,
|
|
but he did not hear it. And then there came, mingling with his
|
|
half-formed dreams, a most melancholy caterwauling. The raising of a
|
|
neighboring window disturbed him. A cry of "Scat! you devil!" and the
|
|
crash of an empty bottle against the back of his aunt's woodshed
|
|
brought him wide awake, and a single minute later he was dressed and
|
|
out of the window and creeping along the roof of the "ell" on all
|
|
fours. He "meow'd" with caution once or twice, as he went; then jumped
|
|
to the roof of the woodshed and thence to the ground. Huckleberry Finn
|
|
was there, with his dead cat. The boys moved off and disappeared in the
|
|
gloom. At the end of half an hour they were wading through the tall
|
|
grass of the graveyard.
|
|
|
|
It was a graveyard of the old-fashioned Western kind. It was on a
|
|
hill, about a mile and a half from the village. It had a crazy board
|
|
fence around it, which leaned inward in places, and outward the rest of
|
|
the time, but stood upright nowhere. Grass and weeds grew rank over the
|
|
whole cemetery. All the old graves were sunken in, there was not a
|
|
tombstone on the place; round-topped, worm-eaten boards staggered over
|
|
the graves, leaning for support and finding none. "Sacred to the memory
|
|
of" So-and-So had been painted on them once, but it could no longer
|
|
have been read, on the most of them, now, even if there had been light.
|
|
|
|
A faint wind moaned through the trees, and Tom feared it might be the
|
|
spirits of the dead, complaining at being disturbed. The boys talked
|
|
little, and only under their breath, for the time and the place and the
|
|
pervading solemnity and silence oppressed their spirits. They found the
|
|
sharp new heap they were seeking, and ensconced themselves within the
|
|
protection of three great elms that grew in a bunch within a few feet
|
|
of the grave.
|
|
|
|
Then they waited in silence for what seemed a long time. The hooting
|
|
of a distant owl was all the sound that troubled the dead stillness.
|
|
Tom's reflections grew oppressive. He must force some talk. So he said
|
|
in a whisper:
|
|
|
|
"Hucky, do you believe the dead people like it for us to be here?"
|
|
|
|
Huckleberry whispered:
|
|
|
|
"I wisht I knowed. It's awful solemn like, AIN'T it?"
|
|
|
|
"I bet it is."
|
|
|
|
There was a considerable pause, while the boys canvassed this matter
|
|
inwardly. Then Tom whispered:
|
|
|
|
"Say, Hucky--do you reckon Hoss Williams hears us talking?"
|
|
|
|
"O' course he does. Least his sperrit does."
|
|
|
|
Tom, after a pause:
|
|
|
|
"I wish I'd said Mister Williams. But I never meant any harm.
|
|
Everybody calls him Hoss."
|
|
|
|
"A body can't be too partic'lar how they talk 'bout these-yer dead
|
|
people, Tom."
|
|
|
|
This was a damper, and conversation died again.
|
|
|
|
Presently Tom seized his comrade's arm and said:
|
|
|
|
"Sh!"
|
|
|
|
"What is it, Tom?" And the two clung together with beating hearts.
|
|
|
|
"Sh! There 'tis again! Didn't you hear it?"
|
|
|
|
"I--"
|
|
|
|
"There! Now you hear it."
|
|
|
|
"Lord, Tom, they're coming! They're coming, sure. What'll we do?"
|
|
|
|
"I dono. Think they'll see us?"
|
|
|
|
"Oh, Tom, they can see in the dark, same as cats. I wisht I hadn't
|
|
come."
|
|
|
|
"Oh, don't be afeard. I don't believe they'll bother us. We ain't
|
|
doing any harm. If we keep perfectly still, maybe they won't notice us
|
|
at all."
|
|
|
|
"I'll try to, Tom, but, Lord, I'm all of a shiver."
|
|
|
|
"Listen!"
|
|
|
|
The boys bent their heads together and scarcely breathed. A muffled
|
|
sound of voices floated up from the far end of the graveyard.
|
|
|
|
"Look! See there!" whispered Tom. "What is it?"
|
|
|
|
"It's devil-fire. Oh, Tom, this is awful."
|
|
|
|
Some vague figures approached through the gloom, swinging an
|
|
old-fashioned tin lantern that freckled the ground with innumerable
|
|
little spangles of light. Presently Huckleberry whispered with a
|
|
shudder:
|
|
|
|
"It's the devils sure enough. Three of 'em! Lordy, Tom, we're goners!
|
|
Can you pray?"
|
|
|
|
"I'll try, but don't you be afeard. They ain't going to hurt us. 'Now
|
|
I lay me down to sleep, I--'"
|
|
|
|
"Sh!"
|
|
|
|
"What is it, Huck?"
|
|
|
|
"They're HUMANS! One of 'em is, anyway. One of 'em's old Muff Potter's
|
|
voice."
|
|
|
|
"No--'tain't so, is it?"
|
|
|
|
"I bet I know it. Don't you stir nor budge. He ain't sharp enough to
|
|
notice us. Drunk, the same as usual, likely--blamed old rip!"
|
|
|
|
"All right, I'll keep still. Now they're stuck. Can't find it. Here
|
|
they come again. Now they're hot. Cold again. Hot again. Red hot!
|
|
They're p'inted right, this time. Say, Huck, I know another o' them
|
|
voices; it's Injun Joe."
|
|
|
|
"That's so--that murderin' half-breed! I'd druther they was devils a
|
|
dern sight. What kin they be up to?"
|
|
|
|
The whisper died wholly out, now, for the three men had reached the
|
|
grave and stood within a few feet of the boys' hiding-place.
|
|
|
|
"Here it is," said the third voice; and the owner of it held the
|
|
lantern up and revealed the face of young Doctor Robinson.
|
|
|
|
Potter and Injun Joe were carrying a handbarrow with a rope and a
|
|
couple of shovels on it. They cast down their load and began to open
|
|
the grave. The doctor put the lantern at the head of the grave and came
|
|
and sat down with his back against one of the elm trees. He was so
|
|
close the boys could have touched him.
|
|
|
|
"Hurry, men!" he said, in a low voice; "the moon might come out at any
|
|
moment."
|
|
|
|
They growled a response and went on digging. For some time there was
|
|
no noise but the grating sound of the spades discharging their freight
|
|
of mould and gravel. It was very monotonous. Finally a spade struck
|
|
upon the coffin with a dull woody accent, and within another minute or
|
|
two the men had hoisted it out on the ground. They pried off the lid
|
|
with their shovels, got out the body and dumped it rudely on the
|
|
ground. The moon drifted from behind the clouds and exposed the pallid
|
|
face. The barrow was got ready and the corpse placed on it, covered
|
|
with a blanket, and bound to its place with the rope. Potter took out a
|
|
large spring-knife and cut off the dangling end of the rope and then
|
|
said:
|
|
|
|
"Now the cussed thing's ready, Sawbones, and you'll just out with
|
|
another five, or here she stays."
|
|
|
|
"That's the talk!" said Injun Joe.
|
|
|
|
"Look here, what does this mean?" said the doctor. "You required your
|
|
pay in advance, and I've paid you."
|
|
|
|
"Yes, and you done more than that," said Injun Joe, approaching the
|
|
doctor, who was now standing. "Five years ago you drove me away from
|
|
your father's kitchen one night, when I come to ask for something to
|
|
eat, and you said I warn't there for any good; and when I swore I'd get
|
|
even with you if it took a hundred years, your father had me jailed for
|
|
a vagrant. Did you think I'd forget? The Injun blood ain't in me for
|
|
nothing. And now I've GOT you, and you got to SETTLE, you know!"
|
|
|
|
He was threatening the doctor, with his fist in his face, by this
|
|
time. The doctor struck out suddenly and stretched the ruffian on the
|
|
ground. Potter dropped his knife, and exclaimed:
|
|
|
|
"Here, now, don't you hit my pard!" and the next moment he had
|
|
grappled with the doctor and the two were struggling with might and
|
|
main, trampling the grass and tearing the ground with their heels.
|
|
Injun Joe sprang to his feet, his eyes flaming with passion, snatched
|
|
up Potter's knife, and went creeping, catlike and stooping, round and
|
|
round about the combatants, seeking an opportunity. All at once the
|
|
doctor flung himself free, seized the heavy headboard of Williams'
|
|
grave and felled Potter to the earth with it--and in the same instant
|
|
the half-breed saw his chance and drove the knife to the hilt in the
|
|
young man's breast. He reeled and fell partly upon Potter, flooding him
|
|
with his blood, and in the same moment the clouds blotted out the
|
|
dreadful spectacle and the two frightened boys went speeding away in
|
|
the dark.
|
|
|
|
Presently, when the moon emerged again, Injun Joe was standing over
|
|
the two forms, contemplating them. The doctor murmured inarticulately,
|
|
gave a long gasp or two and was still. The half-breed muttered:
|
|
|
|
"THAT score is settled--damn you."
|
|
|
|
Then he robbed the body. After which he put the fatal knife in
|
|
Potter's open right hand, and sat down on the dismantled coffin. Three
|
|
--four--five minutes passed, and then Potter began to stir and moan. His
|
|
hand closed upon the knife; he raised it, glanced at it, and let it
|
|
fall, with a shudder. Then he sat up, pushing the body from him, and
|
|
gazed at it, and then around him, confusedly. His eyes met Joe's.
|
|
|
|
"Lord, how is this, Joe?" he said.
|
|
|
|
"It's a dirty business," said Joe, without moving.
|
|
|
|
"What did you do it for?"
|
|
|
|
"I! I never done it!"
|
|
|
|
"Look here! That kind of talk won't wash."
|
|
|
|
Potter trembled and grew white.
|
|
|
|
"I thought I'd got sober. I'd no business to drink to-night. But it's
|
|
in my head yet--worse'n when we started here. I'm all in a muddle;
|
|
can't recollect anything of it, hardly. Tell me, Joe--HONEST, now, old
|
|
feller--did I do it? Joe, I never meant to--'pon my soul and honor, I
|
|
never meant to, Joe. Tell me how it was, Joe. Oh, it's awful--and him
|
|
so young and promising."
|
|
|
|
"Why, you two was scuffling, and he fetched you one with the headboard
|
|
and you fell flat; and then up you come, all reeling and staggering
|
|
like, and snatched the knife and jammed it into him, just as he fetched
|
|
you another awful clip--and here you've laid, as dead as a wedge til
|
|
now."
|
|
|
|
"Oh, I didn't know what I was a-doing. I wish I may die this minute if
|
|
I did. It was all on account of the whiskey and the excitement, I
|
|
reckon. I never used a weepon in my life before, Joe. I've fought, but
|
|
never with weepons. They'll all say that. Joe, don't tell! Say you
|
|
won't tell, Joe--that's a good feller. I always liked you, Joe, and
|
|
stood up for you, too. Don't you remember? You WON'T tell, WILL you,
|
|
Joe?" And the poor creature dropped on his knees before the stolid
|
|
murderer, and clasped his appealing hands.
|
|
|
|
"No, you've always been fair and square with me, Muff Potter, and I
|
|
won't go back on you. There, now, that's as fair as a man can say."
|
|
|
|
"Oh, Joe, you're an angel. I'll bless you for this the longest day I
|
|
live." And Potter began to cry.
|
|
|
|
"Come, now, that's enough of that. This ain't any time for blubbering.
|
|
You be off yonder way and I'll go this. Move, now, and don't leave any
|
|
tracks behind you."
|
|
|
|
Potter started on a trot that quickly increased to a run. The
|
|
half-breed stood looking after him. He muttered:
|
|
|
|
"If he's as much stunned with the lick and fuddled with the rum as he
|
|
had the look of being, he won't think of the knife till he's gone so
|
|
far he'll be afraid to come back after it to such a place by himself
|
|
--chicken-heart!"
|
|
|
|
Two or three minutes later the murdered man, the blanketed corpse, the
|
|
lidless coffin, and the open grave were under no inspection but the
|
|
moon's. The stillness was complete again, too.
|
|
|
|
|
|
|
|
CHAPTER X
|
|
|
|
THE two boys flew on and on, toward the village, speechless with
|
|
horror. They glanced backward over their shoulders from time to time,
|
|
apprehensively, as if they feared they might be followed. Every stump
|
|
that started up in their path seemed a man and an enemy, and made them
|
|
catch their breath; and as they sped by some outlying cottages that lay
|
|
near the village, the barking of the aroused watch-dogs seemed to give
|
|
wings to their feet.
|
|
|
|
"If we can only get to the old tannery before we break down!"
|
|
whispered Tom, in short catches between breaths. "I can't stand it much
|
|
longer."
|
|
|
|
Huckleberry's hard pantings were his only reply, and the boys fixed
|
|
their eyes on the goal of their hopes and bent to their work to win it.
|
|
They gained steadily on it, and at last, breast to breast, they burst
|
|
through the open door and fell grateful and exhausted in the sheltering
|
|
shadows beyond. By and by their pulses slowed down, and Tom whispered:
|
|
|
|
"Huckleberry, what do you reckon'll come of this?"
|
|
|
|
"If Doctor Robinson dies, I reckon hanging'll come of it."
|
|
|
|
"Do you though?"
|
|
|
|
"Why, I KNOW it, Tom."
|
|
|
|
Tom thought a while, then he said:
|
|
|
|
"Who'll tell? We?"
|
|
|
|
"What are you talking about? S'pose something happened and Injun Joe
|
|
DIDN'T hang? Why, he'd kill us some time or other, just as dead sure as
|
|
we're a laying here."
|
|
|
|
"That's just what I was thinking to myself, Huck."
|
|
|
|
"If anybody tells, let Muff Potter do it, if he's fool enough. He's
|
|
generally drunk enough."
|
|
|
|
Tom said nothing--went on thinking. Presently he whispered:
|
|
|
|
"Huck, Muff Potter don't know it. How can he tell?"
|
|
|
|
"What's the reason he don't know it?"
|
|
|
|
"Because he'd just got that whack when Injun Joe done it. D'you reckon
|
|
he could see anything? D'you reckon he knowed anything?"
|
|
|
|
"By hokey, that's so, Tom!"
|
|
|
|
"And besides, look-a-here--maybe that whack done for HIM!"
|
|
|
|
"No, 'taint likely, Tom. He had liquor in him; I could see that; and
|
|
besides, he always has. Well, when pap's full, you might take and belt
|
|
him over the head with a church and you couldn't phase him. He says so,
|
|
his own self. So it's the same with Muff Potter, of course. But if a
|
|
man was dead sober, I reckon maybe that whack might fetch him; I dono."
|
|
|
|
After another reflective silence, Tom said:
|
|
|
|
"Hucky, you sure you can keep mum?"
|
|
|
|
"Tom, we GOT to keep mum. You know that. That Injun devil wouldn't
|
|
make any more of drownding us than a couple of cats, if we was to
|
|
squeak 'bout this and they didn't hang him. Now, look-a-here, Tom, less
|
|
take and swear to one another--that's what we got to do--swear to keep
|
|
mum."
|
|
|
|
"I'm agreed. It's the best thing. Would you just hold hands and swear
|
|
that we--"
|
|
|
|
"Oh no, that wouldn't do for this. That's good enough for little
|
|
rubbishy common things--specially with gals, cuz THEY go back on you
|
|
anyway, and blab if they get in a huff--but there orter be writing
|
|
'bout a big thing like this. And blood."
|
|
|
|
Tom's whole being applauded this idea. It was deep, and dark, and
|
|
awful; the hour, the circumstances, the surroundings, were in keeping
|
|
with it. He picked up a clean pine shingle that lay in the moonlight,
|
|
took a little fragment of "red keel" out of his pocket, got the moon on
|
|
his work, and painfully scrawled these lines, emphasizing each slow
|
|
down-stroke by clamping his tongue between his teeth, and letting up
|
|
the pressure on the up-strokes. [See next page.]
|
|
|
|
"Huck Finn and
|
|
Tom Sawyer swears
|
|
they will keep mum
|
|
about This and They
|
|
wish They may Drop
|
|
down dead in Their
|
|
Tracks if They ever
|
|
Tell and Rot."
|
|
|
|
Huckleberry was filled with admiration of Tom's facility in writing,
|
|
and the sublimity of his language. He at once took a pin from his lapel
|
|
and was going to prick his flesh, but Tom said:
|
|
|
|
"Hold on! Don't do that. A pin's brass. It might have verdigrease on
|
|
it."
|
|
|
|
"What's verdigrease?"
|
|
|
|
"It's p'ison. That's what it is. You just swaller some of it once
|
|
--you'll see."
|
|
|
|
So Tom unwound the thread from one of his needles, and each boy
|
|
pricked the ball of his thumb and squeezed out a drop of blood. In
|
|
time, after many squeezes, Tom managed to sign his initials, using the
|
|
ball of his little finger for a pen. Then he showed Huckleberry how to
|
|
make an H and an F, and the oath was complete. They buried the shingle
|
|
close to the wall, with some dismal ceremonies and incantations, and
|
|
the fetters that bound their tongues were considered to be locked and
|
|
the key thrown away.
|
|
|
|
A figure crept stealthily through a break in the other end of the
|
|
ruined building, now, but they did not notice it.
|
|
|
|
"Tom," whispered Huckleberry, "does this keep us from EVER telling
|
|
--ALWAYS?"
|
|
|
|
"Of course it does. It don't make any difference WHAT happens, we got
|
|
to keep mum. We'd drop down dead--don't YOU know that?"
|
|
|
|
"Yes, I reckon that's so."
|
|
|
|
They continued to whisper for some little time. Presently a dog set up
|
|
a long, lugubrious howl just outside--within ten feet of them. The boys
|
|
clasped each other suddenly, in an agony of fright.
|
|
|
|
"Which of us does he mean?" gasped Huckleberry.
|
|
|
|
"I dono--peep through the crack. Quick!"
|
|
|
|
"No, YOU, Tom!"
|
|
|
|
"I can't--I can't DO it, Huck!"
|
|
|
|
"Please, Tom. There 'tis again!"
|
|
|
|
"Oh, lordy, I'm thankful!" whispered Tom. "I know his voice. It's Bull
|
|
Harbison." *
|
|
|
|
[* If Mr. Harbison owned a slave named Bull, Tom would have spoken of
|
|
him as "Harbison's Bull," but a son or a dog of that name was "Bull
|
|
Harbison."]
|
|
|
|
"Oh, that's good--I tell you, Tom, I was most scared to death; I'd a
|
|
bet anything it was a STRAY dog."
|
|
|
|
The dog howled again. The boys' hearts sank once more.
|
|
|
|
"Oh, my! that ain't no Bull Harbison!" whispered Huckleberry. "DO, Tom!"
|
|
|
|
Tom, quaking with fear, yielded, and put his eye to the crack. His
|
|
whisper was hardly audible when he said:
|
|
|
|
"Oh, Huck, IT S A STRAY DOG!"
|
|
|
|
"Quick, Tom, quick! Who does he mean?"
|
|
|
|
"Huck, he must mean us both--we're right together."
|
|
|
|
"Oh, Tom, I reckon we're goners. I reckon there ain't no mistake 'bout
|
|
where I'LL go to. I been so wicked."
|
|
|
|
"Dad fetch it! This comes of playing hookey and doing everything a
|
|
feller's told NOT to do. I might a been good, like Sid, if I'd a tried
|
|
--but no, I wouldn't, of course. But if ever I get off this time, I lay
|
|
I'll just WALLER in Sunday-schools!" And Tom began to snuffle a little.
|
|
|
|
"YOU bad!" and Huckleberry began to snuffle too. "Consound it, Tom
|
|
Sawyer, you're just old pie, 'longside o' what I am. Oh, LORDY, lordy,
|
|
lordy, I wisht I only had half your chance."
|
|
|
|
Tom choked off and whispered:
|
|
|
|
"Look, Hucky, look! He's got his BACK to us!"
|
|
|
|
Hucky looked, with joy in his heart.
|
|
|
|
"Well, he has, by jingoes! Did he before?"
|
|
|
|
"Yes, he did. But I, like a fool, never thought. Oh, this is bully,
|
|
you know. NOW who can he mean?"
|
|
|
|
The howling stopped. Tom pricked up his ears.
|
|
|
|
"Sh! What's that?" he whispered.
|
|
|
|
"Sounds like--like hogs grunting. No--it's somebody snoring, Tom."
|
|
|
|
"That IS it! Where 'bouts is it, Huck?"
|
|
|
|
"I bleeve it's down at 'tother end. Sounds so, anyway. Pap used to
|
|
sleep there, sometimes, 'long with the hogs, but laws bless you, he
|
|
just lifts things when HE snores. Besides, I reckon he ain't ever
|
|
coming back to this town any more."
|
|
|
|
The spirit of adventure rose in the boys' souls once more.
|
|
|
|
"Hucky, do you das't to go if I lead?"
|
|
|
|
"I don't like to, much. Tom, s'pose it's Injun Joe!"
|
|
|
|
Tom quailed. But presently the temptation rose up strong again and the
|
|
boys agreed to try, with the understanding that they would take to
|
|
their heels if the snoring stopped. So they went tiptoeing stealthily
|
|
down, the one behind the other. When they had got to within five steps
|
|
of the snorer, Tom stepped on a stick, and it broke with a sharp snap.
|
|
The man moaned, writhed a little, and his face came into the moonlight.
|
|
It was Muff Potter. The boys' hearts had stood still, and their hopes
|
|
too, when the man moved, but their fears passed away now. They tiptoed
|
|
out, through the broken weather-boarding, and stopped at a little
|
|
distance to exchange a parting word. That long, lugubrious howl rose on
|
|
the night air again! They turned and saw the strange dog standing
|
|
within a few feet of where Potter was lying, and FACING Potter, with
|
|
his nose pointing heavenward.
|
|
|
|
"Oh, geeminy, it's HIM!" exclaimed both boys, in a breath.
|
|
|
|
"Say, Tom--they say a stray dog come howling around Johnny Miller's
|
|
house, 'bout midnight, as much as two weeks ago; and a whippoorwill
|
|
come in and lit on the banisters and sung, the very same evening; and
|
|
there ain't anybody dead there yet."
|
|
|
|
"Well, I know that. And suppose there ain't. Didn't Gracie Miller fall
|
|
in the kitchen fire and burn herself terrible the very next Saturday?"
|
|
|
|
"Yes, but she ain't DEAD. And what's more, she's getting better, too."
|
|
|
|
"All right, you wait and see. She's a goner, just as dead sure as Muff
|
|
Potter's a goner. That's what the niggers say, and they know all about
|
|
these kind of things, Huck."
|
|
|
|
Then they separated, cogitating. When Tom crept in at his bedroom
|
|
window the night was almost spent. He undressed with excessive caution,
|
|
and fell asleep congratulating himself that nobody knew of his
|
|
escapade. He was not aware that the gently-snoring Sid was awake, and
|
|
had been so for an hour.
|
|
|
|
When Tom awoke, Sid was dressed and gone. There was a late look in the
|
|
light, a late sense in the atmosphere. He was startled. Why had he not
|
|
been called--persecuted till he was up, as usual? The thought filled
|
|
him with bodings. Within five minutes he was dressed and down-stairs,
|
|
feeling sore and drowsy. The family were still at table, but they had
|
|
finished breakfast. There was no voice of rebuke; but there were
|
|
averted eyes; there was a silence and an air of solemnity that struck a
|
|
chill to the culprit's heart. He sat down and tried to seem gay, but it
|
|
was up-hill work; it roused no smile, no response, and he lapsed into
|
|
silence and let his heart sink down to the depths.
|
|
|
|
After breakfast his aunt took him aside, and Tom almost brightened in
|
|
the hope that he was going to be flogged; but it was not so. His aunt
|
|
wept over him and asked him how he could go and break her old heart so;
|
|
and finally told him to go on, and ruin himself and bring her gray
|
|
hairs with sorrow to the grave, for it was no use for her to try any
|
|
more. This was worse than a thousand whippings, and Tom's heart was
|
|
sorer now than his body. He cried, he pleaded for forgiveness, promised
|
|
to reform over and over again, and then received his dismissal, feeling
|
|
that he had won but an imperfect forgiveness and established but a
|
|
feeble confidence.
|
|
|
|
He left the presence too miserable to even feel revengeful toward Sid;
|
|
and so the latter's prompt retreat through the back gate was
|
|
unnecessary. He moped to school gloomy and sad, and took his flogging,
|
|
along with Joe Harper, for playing hookey the day before, with the air
|
|
of one whose heart was busy with heavier woes and wholly dead to
|
|
trifles. Then he betook himself to his seat, rested his elbows on his
|
|
desk and his jaws in his hands, and stared at the wall with the stony
|
|
stare of suffering that has reached the limit and can no further go.
|
|
His elbow was pressing against some hard substance. After a long time
|
|
he slowly and sadly changed his position, and took up this object with
|
|
a sigh. It was in a paper. He unrolled it. A long, lingering, colossal
|
|
sigh followed, and his heart broke. It was his brass andiron knob!
|
|
|
|
This final feather broke the camel's back.
|
|
|
|
|
|
|
|
CHAPTER XI
|
|
|
|
CLOSE upon the hour of noon the whole village was suddenly electrified
|
|
with the ghastly news. No need of the as yet undreamed-of telegraph;
|
|
the tale flew from man to man, from group to group, from house to
|
|
house, with little less than telegraphic speed. Of course the
|
|
schoolmaster gave holiday for that afternoon; the town would have
|
|
thought strangely of him if he had not.
|
|
|
|
A gory knife had been found close to the murdered man, and it had been
|
|
recognized by somebody as belonging to Muff Potter--so the story ran.
|
|
And it was said that a belated citizen had come upon Potter washing
|
|
himself in the "branch" about one or two o'clock in the morning, and
|
|
that Potter had at once sneaked off--suspicious circumstances,
|
|
especially the washing which was not a habit with Potter. It was also
|
|
said that the town had been ransacked for this "murderer" (the public
|
|
are not slow in the matter of sifting evidence and arriving at a
|
|
verdict), but that he could not be found. Horsemen had departed down
|
|
all the roads in every direction, and the Sheriff "was confident" that
|
|
he would be captured before night.
|
|
|
|
All the town was drifting toward the graveyard. Tom's heartbreak
|
|
vanished and he joined the procession, not because he would not a
|
|
thousand times rather go anywhere else, but because an awful,
|
|
unaccountable fascination drew him on. Arrived at the dreadful place,
|
|
he wormed his small body through the crowd and saw the dismal
|
|
spectacle. It seemed to him an age since he was there before. Somebody
|
|
pinched his arm. He turned, and his eyes met Huckleberry's. Then both
|
|
looked elsewhere at once, and wondered if anybody had noticed anything
|
|
in their mutual glance. But everybody was talking, and intent upon the
|
|
grisly spectacle before them.
|
|
|
|
"Poor fellow!" "Poor young fellow!" "This ought to be a lesson to
|
|
grave robbers!" "Muff Potter'll hang for this if they catch him!" This
|
|
was the drift of remark; and the minister said, "It was a judgment; His
|
|
hand is here."
|
|
|
|
Now Tom shivered from head to heel; for his eye fell upon the stolid
|
|
face of Injun Joe. At this moment the crowd began to sway and struggle,
|
|
and voices shouted, "It's him! it's him! he's coming himself!"
|
|
|
|
"Who? Who?" from twenty voices.
|
|
|
|
"Muff Potter!"
|
|
|
|
"Hallo, he's stopped!--Look out, he's turning! Don't let him get away!"
|
|
|
|
People in the branches of the trees over Tom's head said he wasn't
|
|
trying to get away--he only looked doubtful and perplexed.
|
|
|
|
"Infernal impudence!" said a bystander; "wanted to come and take a
|
|
quiet look at his work, I reckon--didn't expect any company."
|
|
|
|
The crowd fell apart, now, and the Sheriff came through,
|
|
ostentatiously leading Potter by the arm. The poor fellow's face was
|
|
haggard, and his eyes showed the fear that was upon him. When he stood
|
|
before the murdered man, he shook as with a palsy, and he put his face
|
|
in his hands and burst into tears.
|
|
|
|
"I didn't do it, friends," he sobbed; "'pon my word and honor I never
|
|
done it."
|
|
|
|
"Who's accused you?" shouted a voice.
|
|
|
|
This shot seemed to carry home. Potter lifted his face and looked
|
|
around him with a pathetic hopelessness in his eyes. He saw Injun Joe,
|
|
and exclaimed:
|
|
|
|
"Oh, Injun Joe, you promised me you'd never--"
|
|
|
|
"Is that your knife?" and it was thrust before him by the Sheriff.
|
|
|
|
Potter would have fallen if they had not caught him and eased him to
|
|
the ground. Then he said:
|
|
|
|
"Something told me 't if I didn't come back and get--" He shuddered;
|
|
then waved his nerveless hand with a vanquished gesture and said, "Tell
|
|
'em, Joe, tell 'em--it ain't any use any more."
|
|
|
|
Then Huckleberry and Tom stood dumb and staring, and heard the
|
|
stony-hearted liar reel off his serene statement, they expecting every
|
|
moment that the clear sky would deliver God's lightnings upon his head,
|
|
and wondering to see how long the stroke was delayed. And when he had
|
|
finished and still stood alive and whole, their wavering impulse to
|
|
break their oath and save the poor betrayed prisoner's life faded and
|
|
vanished away, for plainly this miscreant had sold himself to Satan and
|
|
it would be fatal to meddle with the property of such a power as that.
|
|
|
|
"Why didn't you leave? What did you want to come here for?" somebody
|
|
said.
|
|
|
|
"I couldn't help it--I couldn't help it," Potter moaned. "I wanted to
|
|
run away, but I couldn't seem to come anywhere but here." And he fell
|
|
to sobbing again.
|
|
|
|
Injun Joe repeated his statement, just as calmly, a few minutes
|
|
afterward on the inquest, under oath; and the boys, seeing that the
|
|
lightnings were still withheld, were confirmed in their belief that Joe
|
|
had sold himself to the devil. He was now become, to them, the most
|
|
balefully interesting object they had ever looked upon, and they could
|
|
not take their fascinated eyes from his face.
|
|
|
|
They inwardly resolved to watch him nights, when opportunity should
|
|
offer, in the hope of getting a glimpse of his dread master.
|
|
|
|
Injun Joe helped to raise the body of the murdered man and put it in a
|
|
wagon for removal; and it was whispered through the shuddering crowd
|
|
that the wound bled a little! The boys thought that this happy
|
|
circumstance would turn suspicion in the right direction; but they were
|
|
disappointed, for more than one villager remarked:
|
|
|
|
"It was within three feet of Muff Potter when it done it."
|
|
|
|
Tom's fearful secret and gnawing conscience disturbed his sleep for as
|
|
much as a week after this; and at breakfast one morning Sid said:
|
|
|
|
"Tom, you pitch around and talk in your sleep so much that you keep me
|
|
awake half the time."
|
|
|
|
Tom blanched and dropped his eyes.
|
|
|
|
"It's a bad sign," said Aunt Polly, gravely. "What you got on your
|
|
mind, Tom?"
|
|
|
|
"Nothing. Nothing 't I know of." But the boy's hand shook so that he
|
|
spilled his coffee.
|
|
|
|
"And you do talk such stuff," Sid said. "Last night you said, 'It's
|
|
blood, it's blood, that's what it is!' You said that over and over. And
|
|
you said, 'Don't torment me so--I'll tell!' Tell WHAT? What is it
|
|
you'll tell?"
|
|
|
|
Everything was swimming before Tom. There is no telling what might
|
|
have happened, now, but luckily the concern passed out of Aunt Polly's
|
|
face and she came to Tom's relief without knowing it. She said:
|
|
|
|
"Sho! It's that dreadful murder. I dream about it most every night
|
|
myself. Sometimes I dream it's me that done it."
|
|
|
|
Mary said she had been affected much the same way. Sid seemed
|
|
satisfied. Tom got out of the presence as quick as he plausibly could,
|
|
and after that he complained of toothache for a week, and tied up his
|
|
jaws every night. He never knew that Sid lay nightly watching, and
|
|
frequently slipped the bandage free and then leaned on his elbow
|
|
listening a good while at a time, and afterward slipped the bandage
|
|
back to its place again. Tom's distress of mind wore off gradually and
|
|
the toothache grew irksome and was discarded. If Sid really managed to
|
|
make anything out of Tom's disjointed mutterings, he kept it to himself.
|
|
|
|
It seemed to Tom that his schoolmates never would get done holding
|
|
inquests on dead cats, and thus keeping his trouble present to his
|
|
mind. Sid noticed that Tom never was coroner at one of these inquiries,
|
|
though it had been his habit to take the lead in all new enterprises;
|
|
he noticed, too, that Tom never acted as a witness--and that was
|
|
strange; and Sid did not overlook the fact that Tom even showed a
|
|
marked aversion to these inquests, and always avoided them when he
|
|
could. Sid marvelled, but said nothing. However, even inquests went out
|
|
of vogue at last, and ceased to torture Tom's conscience.
|
|
|
|
Every day or two, during this time of sorrow, Tom watched his
|
|
opportunity and went to the little grated jail-window and smuggled such
|
|
small comforts through to the "murderer" as he could get hold of. The
|
|
jail was a trifling little brick den that stood in a marsh at the edge
|
|
of the village, and no guards were afforded for it; indeed, it was
|
|
seldom occupied. These offerings greatly helped to ease Tom's
|
|
conscience.
|
|
|
|
The villagers had a strong desire to tar-and-feather Injun Joe and
|
|
ride him on a rail, for body-snatching, but so formidable was his
|
|
character that nobody could be found who was willing to take the lead
|
|
in the matter, so it was dropped. He had been careful to begin both of
|
|
his inquest-statements with the fight, without confessing the
|
|
grave-robbery that preceded it; therefore it was deemed wisest not
|
|
to try the case in the courts at present.
|
|
|
|
|
|
|
|
CHAPTER XII
|
|
|
|
ONE of the reasons why Tom's mind had drifted away from its secret
|
|
troubles was, that it had found a new and weighty matter to interest
|
|
itself about. Becky Thatcher had stopped coming to school. Tom had
|
|
struggled with his pride a few days, and tried to "whistle her down the
|
|
wind," but failed. He began to find himself hanging around her father's
|
|
house, nights, and feeling very miserable. She was ill. What if she
|
|
should die! There was distraction in the thought. He no longer took an
|
|
interest in war, nor even in piracy. The charm of life was gone; there
|
|
was nothing but dreariness left. He put his hoop away, and his bat;
|
|
there was no joy in them any more. His aunt was concerned. She began to
|
|
try all manner of remedies on him. She was one of those people who are
|
|
infatuated with patent medicines and all new-fangled methods of
|
|
producing health or mending it. She was an inveterate experimenter in
|
|
these things. When something fresh in this line came out she was in a
|
|
fever, right away, to try it; not on herself, for she was never ailing,
|
|
but on anybody else that came handy. She was a subscriber for all the
|
|
"Health" periodicals and phrenological frauds; and the solemn ignorance
|
|
they were inflated with was breath to her nostrils. All the "rot" they
|
|
contained about ventilation, and how to go to bed, and how to get up,
|
|
and what to eat, and what to drink, and how much exercise to take, and
|
|
what frame of mind to keep one's self in, and what sort of clothing to
|
|
wear, was all gospel to her, and she never observed that her
|
|
health-journals of the current month customarily upset everything they
|
|
had recommended the month before. She was as simple-hearted and honest
|
|
as the day was long, and so she was an easy victim. She gathered
|
|
together her quack periodicals and her quack medicines, and thus armed
|
|
with death, went about on her pale horse, metaphorically speaking, with
|
|
"hell following after." But she never suspected that she was not an
|
|
angel of healing and the balm of Gilead in disguise, to the suffering
|
|
neighbors.
|
|
|
|
The water treatment was new, now, and Tom's low condition was a
|
|
windfall to her. She had him out at daylight every morning, stood him
|
|
up in the woodshed and drowned him with a deluge of cold water; then
|
|
she scrubbed him down with a towel like a file, and so brought him to;
|
|
then she rolled him up in a wet sheet and put him away under blankets
|
|
till she sweated his soul clean and "the yellow stains of it came
|
|
through his pores"--as Tom said.
|
|
|
|
Yet notwithstanding all this, the boy grew more and more melancholy
|
|
and pale and dejected. She added hot baths, sitz baths, shower baths,
|
|
and plunges. The boy remained as dismal as a hearse. She began to
|
|
assist the water with a slim oatmeal diet and blister-plasters. She
|
|
calculated his capacity as she would a jug's, and filled him up every
|
|
day with quack cure-alls.
|
|
|
|
Tom had become indifferent to persecution by this time. This phase
|
|
filled the old lady's heart with consternation. This indifference must
|
|
be broken up at any cost. Now she heard of Pain-killer for the first
|
|
time. She ordered a lot at once. She tasted it and was filled with
|
|
gratitude. It was simply fire in a liquid form. She dropped the water
|
|
treatment and everything else, and pinned her faith to Pain-killer. She
|
|
gave Tom a teaspoonful and watched with the deepest anxiety for the
|
|
result. Her troubles were instantly at rest, her soul at peace again;
|
|
for the "indifference" was broken up. The boy could not have shown a
|
|
wilder, heartier interest, if she had built a fire under him.
|
|
|
|
Tom felt that it was time to wake up; this sort of life might be
|
|
romantic enough, in his blighted condition, but it was getting to have
|
|
too little sentiment and too much distracting variety about it. So he
|
|
thought over various plans for relief, and finally hit pon that of
|
|
professing to be fond of Pain-killer. He asked for it so often that he
|
|
became a nuisance, and his aunt ended by telling him to help himself
|
|
and quit bothering her. If it had been Sid, she would have had no
|
|
misgivings to alloy her delight; but since it was Tom, she watched the
|
|
bottle clandestinely. She found that the medicine did really diminish,
|
|
but it did not occur to her that the boy was mending the health of a
|
|
crack in the sitting-room floor with it.
|
|
|
|
One day Tom was in the act of dosing the crack when his aunt's yellow
|
|
cat came along, purring, eying the teaspoon avariciously, and begging
|
|
for a taste. Tom said:
|
|
|
|
"Don't ask for it unless you want it, Peter."
|
|
|
|
But Peter signified that he did want it.
|
|
|
|
"You better make sure."
|
|
|
|
Peter was sure.
|
|
|
|
"Now you've asked for it, and I'll give it to you, because there ain't
|
|
anything mean about me; but if you find you don't like it, you mustn't
|
|
blame anybody but your own self."
|
|
|
|
Peter was agreeable. So Tom pried his mouth open and poured down the
|
|
Pain-killer. Peter sprang a couple of yards in the air, and then
|
|
delivered a war-whoop and set off round and round the room, banging
|
|
against furniture, upsetting flower-pots, and making general havoc.
|
|
Next he rose on his hind feet and pranced around, in a frenzy of
|
|
enjoyment, with his head over his shoulder and his voice proclaiming
|
|
his unappeasable happiness. Then he went tearing around the house again
|
|
spreading chaos and destruction in his path. Aunt Polly entered in time
|
|
to see him throw a few double summersets, deliver a final mighty
|
|
hurrah, and sail through the open window, carrying the rest of the
|
|
flower-pots with him. The old lady stood petrified with astonishment,
|
|
peering over her glasses; Tom lay on the floor expiring with laughter.
|
|
|
|
"Tom, what on earth ails that cat?"
|
|
|
|
"I don't know, aunt," gasped the boy.
|
|
|
|
"Why, I never see anything like it. What did make him act so?"
|
|
|
|
"Deed I don't know, Aunt Polly; cats always act so when they're having
|
|
a good time."
|
|
|
|
"They do, do they?" There was something in the tone that made Tom
|
|
apprehensive.
|
|
|
|
"Yes'm. That is, I believe they do."
|
|
|
|
"You DO?"
|
|
|
|
"Yes'm."
|
|
|
|
The old lady was bending down, Tom watching, with interest emphasized
|
|
by anxiety. Too late he divined her "drift." The handle of the telltale
|
|
teaspoon was visible under the bed-valance. Aunt Polly took it, held it
|
|
up. Tom winced, and dropped his eyes. Aunt Polly raised him by the
|
|
usual handle--his ear--and cracked his head soundly with her thimble.
|
|
|
|
"Now, sir, what did you want to treat that poor dumb beast so, for?"
|
|
|
|
"I done it out of pity for him--because he hadn't any aunt."
|
|
|
|
"Hadn't any aunt!--you numskull. What has that got to do with it?"
|
|
|
|
"Heaps. Because if he'd had one she'd a burnt him out herself! She'd a
|
|
roasted his bowels out of him 'thout any more feeling than if he was a
|
|
human!"
|
|
|
|
Aunt Polly felt a sudden pang of remorse. This was putting the thing
|
|
in a new light; what was cruelty to a cat MIGHT be cruelty to a boy,
|
|
too. She began to soften; she felt sorry. Her eyes watered a little,
|
|
and she put her hand on Tom's head and said gently:
|
|
|
|
"I was meaning for the best, Tom. And, Tom, it DID do you good."
|
|
|
|
Tom looked up in her face with just a perceptible twinkle peeping
|
|
through his gravity.
|
|
|
|
"I know you was meaning for the best, aunty, and so was I with Peter.
|
|
It done HIM good, too. I never see him get around so since--"
|
|
|
|
"Oh, go 'long with you, Tom, before you aggravate me again. And you
|
|
try and see if you can't be a good boy, for once, and you needn't take
|
|
any more medicine."
|
|
|
|
Tom reached school ahead of time. It was noticed that this strange
|
|
thing had been occurring every day latterly. And now, as usual of late,
|
|
he hung about the gate of the schoolyard instead of playing with his
|
|
comrades. He was sick, he said, and he looked it. He tried to seem to
|
|
be looking everywhere but whither he really was looking--down the road.
|
|
Presently Jeff Thatcher hove in sight, and Tom's face lighted; he gazed
|
|
a moment, and then turned sorrowfully away. When Jeff arrived, Tom
|
|
accosted him; and "led up" warily to opportunities for remark about
|
|
Becky, but the giddy lad never could see the bait. Tom watched and
|
|
watched, hoping whenever a frisking frock came in sight, and hating the
|
|
owner of it as soon as he saw she was not the right one. At last frocks
|
|
ceased to appear, and he dropped hopelessly into the dumps; he entered
|
|
the empty schoolhouse and sat down to suffer. Then one more frock
|
|
passed in at the gate, and Tom's heart gave a great bound. The next
|
|
instant he was out, and "going on" like an Indian; yelling, laughing,
|
|
chasing boys, jumping over the fence at risk of life and limb, throwing
|
|
handsprings, standing on his head--doing all the heroic things he could
|
|
conceive of, and keeping a furtive eye out, all the while, to see if
|
|
Becky Thatcher was noticing. But she seemed to be unconscious of it
|
|
all; she never looked. Could it be possible that she was not aware that
|
|
he was there? He carried his exploits to her immediate vicinity; came
|
|
war-whooping around, snatched a boy's cap, hurled it to the roof of the
|
|
schoolhouse, broke through a group of boys, tumbling them in every
|
|
direction, and fell sprawling, himself, under Becky's nose, almost
|
|
upsetting her--and she turned, with her nose in the air, and he heard
|
|
her say: "Mf! some people think they're mighty smart--always showing
|
|
off!"
|
|
|
|
Tom's cheeks burned. He gathered himself up and sneaked off, crushed
|
|
and crestfallen.
|
|
|
|
|
|
|
|
CHAPTER XIII
|
|
|
|
TOM'S mind was made up now. He was gloomy and desperate. He was a
|
|
forsaken, friendless boy, he said; nobody loved him; when they found
|
|
out what they had driven him to, perhaps they would be sorry; he had
|
|
tried to do right and get along, but they would not let him; since
|
|
nothing would do them but to be rid of him, let it be so; and let them
|
|
blame HIM for the consequences--why shouldn't they? What right had the
|
|
friendless to complain? Yes, they had forced him to it at last: he
|
|
would lead a life of crime. There was no choice.
|
|
|
|
By this time he was far down Meadow Lane, and the bell for school to
|
|
"take up" tinkled faintly upon his ear. He sobbed, now, to think he
|
|
should never, never hear that old familiar sound any more--it was very
|
|
hard, but it was forced on him; since he was driven out into the cold
|
|
world, he must submit--but he forgave them. Then the sobs came thick
|
|
and fast.
|
|
|
|
Just at this point he met his soul's sworn comrade, Joe Harper
|
|
--hard-eyed, and with evidently a great and dismal purpose in his heart.
|
|
Plainly here were "two souls with but a single thought." Tom, wiping
|
|
his eyes with his sleeve, began to blubber out something about a
|
|
resolution to escape from hard usage and lack of sympathy at home by
|
|
roaming abroad into the great world never to return; and ended by
|
|
hoping that Joe would not forget him.
|
|
|
|
But it transpired that this was a request which Joe had just been
|
|
going to make of Tom, and had come to hunt him up for that purpose. His
|
|
mother had whipped him for drinking some cream which he had never
|
|
tasted and knew nothing about; it was plain that she was tired of him
|
|
and wished him to go; if she felt that way, there was nothing for him
|
|
to do but succumb; he hoped she would be happy, and never regret having
|
|
driven her poor boy out into the unfeeling world to suffer and die.
|
|
|
|
As the two boys walked sorrowing along, they made a new compact to
|
|
stand by each other and be brothers and never separate till death
|
|
relieved them of their troubles. Then they began to lay their plans.
|
|
Joe was for being a hermit, and living on crusts in a remote cave, and
|
|
dying, some time, of cold and want and grief; but after listening to
|
|
Tom, he conceded that there were some conspicuous advantages about a
|
|
life of crime, and so he consented to be a pirate.
|
|
|
|
Three miles below St. Petersburg, at a point where the Mississippi
|
|
River was a trifle over a mile wide, there was a long, narrow, wooded
|
|
island, with a shallow bar at the head of it, and this offered well as
|
|
a rendezvous. It was not inhabited; it lay far over toward the further
|
|
shore, abreast a dense and almost wholly unpeopled forest. So Jackson's
|
|
Island was chosen. Who were to be the subjects of their piracies was a
|
|
matter that did not occur to them. Then they hunted up Huckleberry
|
|
Finn, and he joined them promptly, for all careers were one to him; he
|
|
was indifferent. They presently separated to meet at a lonely spot on
|
|
the river-bank two miles above the village at the favorite hour--which
|
|
was midnight. There was a small log raft there which they meant to
|
|
capture. Each would bring hooks and lines, and such provision as he
|
|
could steal in the most dark and mysterious way--as became outlaws. And
|
|
before the afternoon was done, they had all managed to enjoy the sweet
|
|
glory of spreading the fact that pretty soon the town would "hear
|
|
something." All who got this vague hint were cautioned to "be mum and
|
|
wait."
|
|
|
|
About midnight Tom arrived with a boiled ham and a few trifles,
|
|
and stopped in a dense undergrowth on a small bluff overlooking the
|
|
meeting-place. It was starlight, and very still. The mighty river lay
|
|
like an ocean at rest. Tom listened a moment, but no sound disturbed the
|
|
quiet. Then he gave a low, distinct whistle. It was answered from under
|
|
the bluff. Tom whistled twice more; these signals were answered in the
|
|
same way. Then a guarded voice said:
|
|
|
|
"Who goes there?"
|
|
|
|
"Tom Sawyer, the Black Avenger of the Spanish Main. Name your names."
|
|
|
|
"Huck Finn the Red-Handed, and Joe Harper the Terror of the Seas." Tom
|
|
had furnished these titles, from his favorite literature.
|
|
|
|
"'Tis well. Give the countersign."
|
|
|
|
Two hoarse whispers delivered the same awful word simultaneously to
|
|
the brooding night:
|
|
|
|
"BLOOD!"
|
|
|
|
Then Tom tumbled his ham over the bluff and let himself down after it,
|
|
tearing both skin and clothes to some extent in the effort. There was
|
|
an easy, comfortable path along the shore under the bluff, but it
|
|
lacked the advantages of difficulty and danger so valued by a pirate.
|
|
|
|
The Terror of the Seas had brought a side of bacon, and had about worn
|
|
himself out with getting it there. Finn the Red-Handed had stolen a
|
|
skillet and a quantity of half-cured leaf tobacco, and had also brought
|
|
a few corn-cobs to make pipes with. But none of the pirates smoked or
|
|
"chewed" but himself. The Black Avenger of the Spanish Main said it
|
|
would never do to start without some fire. That was a wise thought;
|
|
matches were hardly known there in that day. They saw a fire
|
|
smouldering upon a great raft a hundred yards above, and they went
|
|
stealthily thither and helped themselves to a chunk. They made an
|
|
imposing adventure of it, saying, "Hist!" every now and then, and
|
|
suddenly halting with finger on lip; moving with hands on imaginary
|
|
dagger-hilts; and giving orders in dismal whispers that if "the foe"
|
|
stirred, to "let him have it to the hilt," because "dead men tell no
|
|
tales." They knew well enough that the raftsmen were all down at the
|
|
village laying in stores or having a spree, but still that was no
|
|
excuse for their conducting this thing in an unpiratical way.
|
|
|
|
They shoved off, presently, Tom in command, Huck at the after oar and
|
|
Joe at the forward. Tom stood amidships, gloomy-browed, and with folded
|
|
arms, and gave his orders in a low, stern whisper:
|
|
|
|
"Luff, and bring her to the wind!"
|
|
|
|
"Aye-aye, sir!"
|
|
|
|
"Steady, steady-y-y-y!"
|
|
|
|
"Steady it is, sir!"
|
|
|
|
"Let her go off a point!"
|
|
|
|
"Point it is, sir!"
|
|
|
|
As the boys steadily and monotonously drove the raft toward mid-stream
|
|
it was no doubt understood that these orders were given only for
|
|
"style," and were not intended to mean anything in particular.
|
|
|
|
"What sail's she carrying?"
|
|
|
|
"Courses, tops'ls, and flying-jib, sir."
|
|
|
|
"Send the r'yals up! Lay out aloft, there, half a dozen of ye
|
|
--foretopmaststuns'l! Lively, now!"
|
|
|
|
"Aye-aye, sir!"
|
|
|
|
"Shake out that maintogalans'l! Sheets and braces! NOW my hearties!"
|
|
|
|
"Aye-aye, sir!"
|
|
|
|
"Hellum-a-lee--hard a port! Stand by to meet her when she comes! Port,
|
|
port! NOW, men! With a will! Stead-y-y-y!"
|
|
|
|
"Steady it is, sir!"
|
|
|
|
The raft drew beyond the middle of the river; the boys pointed her
|
|
head right, and then lay on their oars. The river was not high, so
|
|
there was not more than a two or three mile current. Hardly a word was
|
|
said during the next three-quarters of an hour. Now the raft was
|
|
passing before the distant town. Two or three glimmering lights showed
|
|
where it lay, peacefully sleeping, beyond the vague vast sweep of
|
|
star-gemmed water, unconscious of the tremendous event that was happening.
|
|
The Black Avenger stood still with folded arms, "looking his last" upon
|
|
the scene of his former joys and his later sufferings, and wishing
|
|
"she" could see him now, abroad on the wild sea, facing peril and death
|
|
with dauntless heart, going to his doom with a grim smile on his lips.
|
|
It was but a small strain on his imagination to remove Jackson's Island
|
|
beyond eyeshot of the village, and so he "looked his last" with a
|
|
broken and satisfied heart. The other pirates were looking their last,
|
|
too; and they all looked so long that they came near letting the
|
|
current drift them out of the range of the island. But they discovered
|
|
the danger in time, and made shift to avert it. About two o'clock in
|
|
the morning the raft grounded on the bar two hundred yards above the
|
|
head of the island, and they waded back and forth until they had landed
|
|
their freight. Part of the little raft's belongings consisted of an old
|
|
sail, and this they spread over a nook in the bushes for a tent to
|
|
shelter their provisions; but they themselves would sleep in the open
|
|
air in good weather, as became outlaws.
|
|
|
|
They built a fire against the side of a great log twenty or thirty
|
|
steps within the sombre depths of the forest, and then cooked some
|
|
bacon in the frying-pan for supper, and used up half of the corn "pone"
|
|
stock they had brought. It seemed glorious sport to be feasting in that
|
|
wild, free way in the virgin forest of an unexplored and uninhabited
|
|
island, far from the haunts of men, and they said they never would
|
|
return to civilization. The climbing fire lit up their faces and threw
|
|
its ruddy glare upon the pillared tree-trunks of their forest temple,
|
|
and upon the varnished foliage and festooning vines.
|
|
|
|
When the last crisp slice of bacon was gone, and the last allowance of
|
|
corn pone devoured, the boys stretched themselves out on the grass,
|
|
filled with contentment. They could have found a cooler place, but they
|
|
would not deny themselves such a romantic feature as the roasting
|
|
camp-fire.
|
|
|
|
"AIN'T it gay?" said Joe.
|
|
|
|
"It's NUTS!" said Tom. "What would the boys say if they could see us?"
|
|
|
|
"Say? Well, they'd just die to be here--hey, Hucky!"
|
|
|
|
"I reckon so," said Huckleberry; "anyways, I'm suited. I don't want
|
|
nothing better'n this. I don't ever get enough to eat, gen'ally--and
|
|
here they can't come and pick at a feller and bullyrag him so."
|
|
|
|
"It's just the life for me," said Tom. "You don't have to get up,
|
|
mornings, and you don't have to go to school, and wash, and all that
|
|
blame foolishness. You see a pirate don't have to do ANYTHING, Joe,
|
|
when he's ashore, but a hermit HE has to be praying considerable, and
|
|
then he don't have any fun, anyway, all by himself that way."
|
|
|
|
"Oh yes, that's so," said Joe, "but I hadn't thought much about it,
|
|
you know. I'd a good deal rather be a pirate, now that I've tried it."
|
|
|
|
"You see," said Tom, "people don't go much on hermits, nowadays, like
|
|
they used to in old times, but a pirate's always respected. And a
|
|
hermit's got to sleep on the hardest place he can find, and put
|
|
sackcloth and ashes on his head, and stand out in the rain, and--"
|
|
|
|
"What does he put sackcloth and ashes on his head for?" inquired Huck.
|
|
|
|
"I dono. But they've GOT to do it. Hermits always do. You'd have to do
|
|
that if you was a hermit."
|
|
|
|
"Dern'd if I would," said Huck.
|
|
|
|
"Well, what would you do?"
|
|
|
|
"I dono. But I wouldn't do that."
|
|
|
|
"Why, Huck, you'd HAVE to. How'd you get around it?"
|
|
|
|
"Why, I just wouldn't stand it. I'd run away."
|
|
|
|
"Run away! Well, you WOULD be a nice old slouch of a hermit. You'd be
|
|
a disgrace."
|
|
|
|
The Red-Handed made no response, being better employed. He had
|
|
finished gouging out a cob, and now he fitted a weed stem to it, loaded
|
|
it with tobacco, and was pressing a coal to the charge and blowing a
|
|
cloud of fragrant smoke--he was in the full bloom of luxurious
|
|
contentment. The other pirates envied him this majestic vice, and
|
|
secretly resolved to acquire it shortly. Presently Huck said:
|
|
|
|
"What does pirates have to do?"
|
|
|
|
Tom said:
|
|
|
|
"Oh, they have just a bully time--take ships and burn them, and get
|
|
the money and bury it in awful places in their island where there's
|
|
ghosts and things to watch it, and kill everybody in the ships--make
|
|
'em walk a plank."
|
|
|
|
"And they carry the women to the island," said Joe; "they don't kill
|
|
the women."
|
|
|
|
"No," assented Tom, "they don't kill the women--they're too noble. And
|
|
the women's always beautiful, too.
|
|
|
|
"And don't they wear the bulliest clothes! Oh no! All gold and silver
|
|
and di'monds," said Joe, with enthusiasm.
|
|
|
|
"Who?" said Huck.
|
|
|
|
"Why, the pirates."
|
|
|
|
Huck scanned his own clothing forlornly.
|
|
|
|
"I reckon I ain't dressed fitten for a pirate," said he, with a
|
|
regretful pathos in his voice; "but I ain't got none but these."
|
|
|
|
But the other boys told him the fine clothes would come fast enough,
|
|
after they should have begun their adventures. They made him understand
|
|
that his poor rags would do to begin with, though it was customary for
|
|
wealthy pirates to start with a proper wardrobe.
|
|
|
|
Gradually their talk died out and drowsiness began to steal upon the
|
|
eyelids of the little waifs. The pipe dropped from the fingers of the
|
|
Red-Handed, and he slept the sleep of the conscience-free and the
|
|
weary. The Terror of the Seas and the Black Avenger of the Spanish Main
|
|
had more difficulty in getting to sleep. They said their prayers
|
|
inwardly, and lying down, since there was nobody there with authority
|
|
to make them kneel and recite aloud; in truth, they had a mind not to
|
|
say them at all, but they were afraid to proceed to such lengths as
|
|
that, lest they might call down a sudden and special thunderbolt from
|
|
heaven. Then at once they reached and hovered upon the imminent verge
|
|
of sleep--but an intruder came, now, that would not "down." It was
|
|
conscience. They began to feel a vague fear that they had been doing
|
|
wrong to run away; and next they thought of the stolen meat, and then
|
|
the real torture came. They tried to argue it away by reminding
|
|
conscience that they had purloined sweetmeats and apples scores of
|
|
times; but conscience was not to be appeased by such thin
|
|
plausibilities; it seemed to them, in the end, that there was no
|
|
getting around the stubborn fact that taking sweetmeats was only
|
|
"hooking," while taking bacon and hams and such valuables was plain
|
|
simple stealing--and there was a command against that in the Bible. So
|
|
they inwardly resolved that so long as they remained in the business,
|
|
their piracies should not again be sullied with the crime of stealing.
|
|
Then conscience granted a truce, and these curiously inconsistent
|
|
pirates fell peacefully to sleep.
|
|
|
|
|
|
|
|
CHAPTER XIV
|
|
|
|
WHEN Tom awoke in the morning, he wondered where he was. He sat up and
|
|
rubbed his eyes and looked around. Then he comprehended. It was the
|
|
cool gray dawn, and there was a delicious sense of repose and peace in
|
|
the deep pervading calm and silence of the woods. Not a leaf stirred;
|
|
not a sound obtruded upon great Nature's meditation. Beaded dewdrops
|
|
stood upon the leaves and grasses. A white layer of ashes covered the
|
|
fire, and a thin blue breath of smoke rose straight into the air. Joe
|
|
and Huck still slept.
|
|
|
|
Now, far away in the woods a bird called; another answered; presently
|
|
the hammering of a woodpecker was heard. Gradually the cool dim gray of
|
|
the morning whitened, and as gradually sounds multiplied and life
|
|
manifested itself. The marvel of Nature shaking off sleep and going to
|
|
work unfolded itself to the musing boy. A little green worm came
|
|
crawling over a dewy leaf, lifting two-thirds of his body into the air
|
|
from time to time and "sniffing around," then proceeding again--for he
|
|
was measuring, Tom said; and when the worm approached him, of its own
|
|
accord, he sat as still as a stone, with his hopes rising and falling,
|
|
by turns, as the creature still came toward him or seemed inclined to
|
|
go elsewhere; and when at last it considered a painful moment with its
|
|
curved body in the air and then came decisively down upon Tom's leg and
|
|
began a journey over him, his whole heart was glad--for that meant that
|
|
he was going to have a new suit of clothes--without the shadow of a
|
|
doubt a gaudy piratical uniform. Now a procession of ants appeared,
|
|
from nowhere in particular, and went about their labors; one struggled
|
|
manfully by with a dead spider five times as big as itself in its arms,
|
|
and lugged it straight up a tree-trunk. A brown spotted lady-bug
|
|
climbed the dizzy height of a grass blade, and Tom bent down close to
|
|
it and said, "Lady-bug, lady-bug, fly away home, your house is on fire,
|
|
your children's alone," and she took wing and went off to see about it
|
|
--which did not surprise the boy, for he knew of old that this insect was
|
|
credulous about conflagrations, and he had practised upon its
|
|
simplicity more than once. A tumblebug came next, heaving sturdily at
|
|
its ball, and Tom touched the creature, to see it shut its legs against
|
|
its body and pretend to be dead. The birds were fairly rioting by this
|
|
time. A catbird, the Northern mocker, lit in a tree over Tom's head,
|
|
and trilled out her imitations of her neighbors in a rapture of
|
|
enjoyment; then a shrill jay swept down, a flash of blue flame, and
|
|
stopped on a twig almost within the boy's reach, cocked his head to one
|
|
side and eyed the strangers with a consuming curiosity; a gray squirrel
|
|
and a big fellow of the "fox" kind came skurrying along, sitting up at
|
|
intervals to inspect and chatter at the boys, for the wild things had
|
|
probably never seen a human being before and scarcely knew whether to
|
|
be afraid or not. All Nature was wide awake and stirring, now; long
|
|
lances of sunlight pierced down through the dense foliage far and near,
|
|
and a few butterflies came fluttering upon the scene.
|
|
|
|
Tom stirred up the other pirates and they all clattered away with a
|
|
shout, and in a minute or two were stripped and chasing after and
|
|
tumbling over each other in the shallow limpid water of the white
|
|
sandbar. They felt no longing for the little village sleeping in the
|
|
distance beyond the majestic waste of water. A vagrant current or a
|
|
slight rise in the river had carried off their raft, but this only
|
|
gratified them, since its going was something like burning the bridge
|
|
between them and civilization.
|
|
|
|
They came back to camp wonderfully refreshed, glad-hearted, and
|
|
ravenous; and they soon had the camp-fire blazing up again. Huck found
|
|
a spring of clear cold water close by, and the boys made cups of broad
|
|
oak or hickory leaves, and felt that water, sweetened with such a
|
|
wildwood charm as that, would be a good enough substitute for coffee.
|
|
While Joe was slicing bacon for breakfast, Tom and Huck asked him to
|
|
hold on a minute; they stepped to a promising nook in the river-bank
|
|
and threw in their lines; almost immediately they had reward. Joe had
|
|
not had time to get impatient before they were back again with some
|
|
handsome bass, a couple of sun-perch and a small catfish--provisions
|
|
enough for quite a family. They fried the fish with the bacon, and were
|
|
astonished; for no fish had ever seemed so delicious before. They did
|
|
not know that the quicker a fresh-water fish is on the fire after he is
|
|
caught the better he is; and they reflected little upon what a sauce
|
|
open-air sleeping, open-air exercise, bathing, and a large ingredient
|
|
of hunger make, too.
|
|
|
|
They lay around in the shade, after breakfast, while Huck had a smoke,
|
|
and then went off through the woods on an exploring expedition. They
|
|
tramped gayly along, over decaying logs, through tangled underbrush,
|
|
among solemn monarchs of the forest, hung from their crowns to the
|
|
ground with a drooping regalia of grape-vines. Now and then they came
|
|
upon snug nooks carpeted with grass and jeweled with flowers.
|
|
|
|
They found plenty of things to be delighted with, but nothing to be
|
|
astonished at. They discovered that the island was about three miles
|
|
long and a quarter of a mile wide, and that the shore it lay closest to
|
|
was only separated from it by a narrow channel hardly two hundred yards
|
|
wide. They took a swim about every hour, so it was close upon the
|
|
middle of the afternoon when they got back to camp. They were too
|
|
hungry to stop to fish, but they fared sumptuously upon cold ham, and
|
|
then threw themselves down in the shade to talk. But the talk soon
|
|
began to drag, and then died. The stillness, the solemnity that brooded
|
|
in the woods, and the sense of loneliness, began to tell upon the
|
|
spirits of the boys. They fell to thinking. A sort of undefined longing
|
|
crept upon them. This took dim shape, presently--it was budding
|
|
homesickness. Even Finn the Red-Handed was dreaming of his doorsteps
|
|
and empty hogsheads. But they were all ashamed of their weakness, and
|
|
none was brave enough to speak his thought.
|
|
|
|
For some time, now, the boys had been dully conscious of a peculiar
|
|
sound in the distance, just as one sometimes is of the ticking of a
|
|
clock which he takes no distinct note of. But now this mysterious sound
|
|
became more pronounced, and forced a recognition. The boys started,
|
|
glanced at each other, and then each assumed a listening attitude.
|
|
There was a long silence, profound and unbroken; then a deep, sullen
|
|
boom came floating down out of the distance.
|
|
|
|
"What is it!" exclaimed Joe, under his breath.
|
|
|
|
"I wonder," said Tom in a whisper.
|
|
|
|
"'Tain't thunder," said Huckleberry, in an awed tone, "becuz thunder--"
|
|
|
|
"Hark!" said Tom. "Listen--don't talk."
|
|
|
|
They waited a time that seemed an age, and then the same muffled boom
|
|
troubled the solemn hush.
|
|
|
|
"Let's go and see."
|
|
|
|
They sprang to their feet and hurried to the shore toward the town.
|
|
They parted the bushes on the bank and peered out over the water. The
|
|
little steam ferryboat was about a mile below the village, drifting
|
|
with the current. Her broad deck seemed crowded with people. There were
|
|
a great many skiffs rowing about or floating with the stream in the
|
|
neighborhood of the ferryboat, but the boys could not determine what
|
|
the men in them were doing. Presently a great jet of white smoke burst
|
|
from the ferryboat's side, and as it expanded and rose in a lazy cloud,
|
|
that same dull throb of sound was borne to the listeners again.
|
|
|
|
"I know now!" exclaimed Tom; "somebody's drownded!"
|
|
|
|
"That's it!" said Huck; "they done that last summer, when Bill Turner
|
|
got drownded; they shoot a cannon over the water, and that makes him
|
|
come up to the top. Yes, and they take loaves of bread and put
|
|
quicksilver in 'em and set 'em afloat, and wherever there's anybody
|
|
that's drownded, they'll float right there and stop."
|
|
|
|
"Yes, I've heard about that," said Joe. "I wonder what makes the bread
|
|
do that."
|
|
|
|
"Oh, it ain't the bread, so much," said Tom; "I reckon it's mostly
|
|
what they SAY over it before they start it out."
|
|
|
|
"But they don't say anything over it," said Huck. "I've seen 'em and
|
|
they don't."
|
|
|
|
"Well, that's funny," said Tom. "But maybe they say it to themselves.
|
|
Of COURSE they do. Anybody might know that."
|
|
|
|
The other boys agreed that there was reason in what Tom said, because
|
|
an ignorant lump of bread, uninstructed by an incantation, could not be
|
|
expected to act very intelligently when set upon an errand of such
|
|
gravity.
|
|
|
|
"By jings, I wish I was over there, now," said Joe.
|
|
|
|
"I do too" said Huck "I'd give heaps to know who it is."
|
|
|
|
The boys still listened and watched. Presently a revealing thought
|
|
flashed through Tom's mind, and he exclaimed:
|
|
|
|
"Boys, I know who's drownded--it's us!"
|
|
|
|
They felt like heroes in an instant. Here was a gorgeous triumph; they
|
|
were missed; they were mourned; hearts were breaking on their account;
|
|
tears were being shed; accusing memories of unkindness to these poor
|
|
lost lads were rising up, and unavailing regrets and remorse were being
|
|
indulged; and best of all, the departed were the talk of the whole
|
|
town, and the envy of all the boys, as far as this dazzling notoriety
|
|
was concerned. This was fine. It was worth while to be a pirate, after
|
|
all.
|
|
|
|
As twilight drew on, the ferryboat went back to her accustomed
|
|
business and the skiffs disappeared. The pirates returned to camp. They
|
|
were jubilant with vanity over their new grandeur and the illustrious
|
|
trouble they were making. They caught fish, cooked supper and ate it,
|
|
and then fell to guessing at what the village was thinking and saying
|
|
about them; and the pictures they drew of the public distress on their
|
|
account were gratifying to look upon--from their point of view. But
|
|
when the shadows of night closed them in, they gradually ceased to
|
|
talk, and sat gazing into the fire, with their minds evidently
|
|
wandering elsewhere. The excitement was gone, now, and Tom and Joe
|
|
could not keep back thoughts of certain persons at home who were not
|
|
enjoying this fine frolic as much as they were. Misgivings came; they
|
|
grew troubled and unhappy; a sigh or two escaped, unawares. By and by
|
|
Joe timidly ventured upon a roundabout "feeler" as to how the others
|
|
might look upon a return to civilization--not right now, but--
|
|
|
|
Tom withered him with derision! Huck, being uncommitted as yet, joined
|
|
in with Tom, and the waverer quickly "explained," and was glad to get
|
|
out of the scrape with as little taint of chicken-hearted homesickness
|
|
clinging to his garments as he could. Mutiny was effectually laid to
|
|
rest for the moment.
|
|
|
|
As the night deepened, Huck began to nod, and presently to snore. Joe
|
|
followed next. Tom lay upon his elbow motionless, for some time,
|
|
watching the two intently. At last he got up cautiously, on his knees,
|
|
and went searching among the grass and the flickering reflections flung
|
|
by the camp-fire. He picked up and inspected several large
|
|
semi-cylinders of the thin white bark of a sycamore, and finally chose
|
|
two which seemed to suit him. Then he knelt by the fire and painfully
|
|
wrote something upon each of these with his "red keel"; one he rolled up
|
|
and put in his jacket pocket, and the other he put in Joe's hat and
|
|
removed it to a little distance from the owner. And he also put into the
|
|
hat certain schoolboy treasures of almost inestimable value--among them
|
|
a lump of chalk, an India-rubber ball, three fishhooks, and one of that
|
|
kind of marbles known as a "sure 'nough crystal." Then he tiptoed his
|
|
way cautiously among the trees till he felt that he was out of hearing,
|
|
and straightway broke into a keen run in the direction of the sandbar.
|
|
|
|
|
|
|
|
CHAPTER XV
|
|
|
|
A FEW minutes later Tom was in the shoal water of the bar, wading
|
|
toward the Illinois shore. Before the depth reached his middle he was
|
|
half-way over; the current would permit no more wading, now, so he
|
|
struck out confidently to swim the remaining hundred yards. He swam
|
|
quartering upstream, but still was swept downward rather faster than he
|
|
had expected. However, he reached the shore finally, and drifted along
|
|
till he found a low place and drew himself out. He put his hand on his
|
|
jacket pocket, found his piece of bark safe, and then struck through
|
|
the woods, following the shore, with streaming garments. Shortly before
|
|
ten o'clock he came out into an open place opposite the village, and
|
|
saw the ferryboat lying in the shadow of the trees and the high bank.
|
|
Everything was quiet under the blinking stars. He crept down the bank,
|
|
watching with all his eyes, slipped into the water, swam three or four
|
|
strokes and climbed into the skiff that did "yawl" duty at the boat's
|
|
stern. He laid himself down under the thwarts and waited, panting.
|
|
|
|
Presently the cracked bell tapped and a voice gave the order to "cast
|
|
off." A minute or two later the skiff's head was standing high up,
|
|
against the boat's swell, and the voyage was begun. Tom felt happy in
|
|
his success, for he knew it was the boat's last trip for the night. At
|
|
the end of a long twelve or fifteen minutes the wheels stopped, and Tom
|
|
slipped overboard and swam ashore in the dusk, landing fifty yards
|
|
downstream, out of danger of possible stragglers.
|
|
|
|
He flew along unfrequented alleys, and shortly found himself at his
|
|
aunt's back fence. He climbed over, approached the "ell," and looked in
|
|
at the sitting-room window, for a light was burning there. There sat
|
|
Aunt Polly, Sid, Mary, and Joe Harper's mother, grouped together,
|
|
talking. They were by the bed, and the bed was between them and the
|
|
door. Tom went to the door and began to softly lift the latch; then he
|
|
pressed gently and the door yielded a crack; he continued pushing
|
|
cautiously, and quaking every time it creaked, till he judged he might
|
|
squeeze through on his knees; so he put his head through and began,
|
|
warily.
|
|
|
|
"What makes the candle blow so?" said Aunt Polly. Tom hurried up.
|
|
"Why, that door's open, I believe. Why, of course it is. No end of
|
|
strange things now. Go 'long and shut it, Sid."
|
|
|
|
Tom disappeared under the bed just in time. He lay and "breathed"
|
|
himself for a time, and then crept to where he could almost touch his
|
|
aunt's foot.
|
|
|
|
"But as I was saying," said Aunt Polly, "he warn't BAD, so to say
|
|
--only mischEEvous. Only just giddy, and harum-scarum, you know. He
|
|
warn't any more responsible than a colt. HE never meant any harm, and
|
|
he was the best-hearted boy that ever was"--and she began to cry.
|
|
|
|
"It was just so with my Joe--always full of his devilment, and up to
|
|
every kind of mischief, but he was just as unselfish and kind as he
|
|
could be--and laws bless me, to think I went and whipped him for taking
|
|
that cream, never once recollecting that I throwed it out myself
|
|
because it was sour, and I never to see him again in this world, never,
|
|
never, never, poor abused boy!" And Mrs. Harper sobbed as if her heart
|
|
would break.
|
|
|
|
"I hope Tom's better off where he is," said Sid, "but if he'd been
|
|
better in some ways--"
|
|
|
|
"SID!" Tom felt the glare of the old lady's eye, though he could not
|
|
see it. "Not a word against my Tom, now that he's gone! God'll take
|
|
care of HIM--never you trouble YOURself, sir! Oh, Mrs. Harper, I don't
|
|
know how to give him up! I don't know how to give him up! He was such a
|
|
comfort to me, although he tormented my old heart out of me, 'most."
|
|
|
|
"The Lord giveth and the Lord hath taken away--Blessed be the name of
|
|
the Lord! But it's so hard--Oh, it's so hard! Only last Saturday my
|
|
Joe busted a firecracker right under my nose and I knocked him
|
|
sprawling. Little did I know then, how soon--Oh, if it was to do over
|
|
again I'd hug him and bless him for it."
|
|
|
|
"Yes, yes, yes, I know just how you feel, Mrs. Harper, I know just
|
|
exactly how you feel. No longer ago than yesterday noon, my Tom took
|
|
and filled the cat full of Pain-killer, and I did think the cretur
|
|
would tear the house down. And God forgive me, I cracked Tom's head
|
|
with my thimble, poor boy, poor dead boy. But he's out of all his
|
|
troubles now. And the last words I ever heard him say was to reproach--"
|
|
|
|
But this memory was too much for the old lady, and she broke entirely
|
|
down. Tom was snuffling, now, himself--and more in pity of himself than
|
|
anybody else. He could hear Mary crying, and putting in a kindly word
|
|
for him from time to time. He began to have a nobler opinion of himself
|
|
than ever before. Still, he was sufficiently touched by his aunt's
|
|
grief to long to rush out from under the bed and overwhelm her with
|
|
joy--and the theatrical gorgeousness of the thing appealed strongly to
|
|
his nature, too, but he resisted and lay still.
|
|
|
|
He went on listening, and gathered by odds and ends that it was
|
|
conjectured at first that the boys had got drowned while taking a swim;
|
|
then the small raft had been missed; next, certain boys said the
|
|
missing lads had promised that the village should "hear something"
|
|
soon; the wise-heads had "put this and that together" and decided that
|
|
the lads had gone off on that raft and would turn up at the next town
|
|
below, presently; but toward noon the raft had been found, lodged
|
|
against the Missouri shore some five or six miles below the village
|
|
--and then hope perished; they must be drowned, else hunger would have
|
|
driven them home by nightfall if not sooner. It was believed that the
|
|
search for the bodies had been a fruitless effort merely because the
|
|
drowning must have occurred in mid-channel, since the boys, being good
|
|
swimmers, would otherwise have escaped to shore. This was Wednesday
|
|
night. If the bodies continued missing until Sunday, all hope would be
|
|
given over, and the funerals would be preached on that morning. Tom
|
|
shuddered.
|
|
|
|
Mrs. Harper gave a sobbing good-night and turned to go. Then with a
|
|
mutual impulse the two bereaved women flung themselves into each
|
|
other's arms and had a good, consoling cry, and then parted. Aunt Polly
|
|
was tender far beyond her wont, in her good-night to Sid and Mary. Sid
|
|
snuffled a bit and Mary went off crying with all her heart.
|
|
|
|
Aunt Polly knelt down and prayed for Tom so touchingly, so
|
|
appealingly, and with such measureless love in her words and her old
|
|
trembling voice, that he was weltering in tears again, long before she
|
|
was through.
|
|
|
|
He had to keep still long after she went to bed, for she kept making
|
|
broken-hearted ejaculations from time to time, tossing unrestfully, and
|
|
turning over. But at last she was still, only moaning a little in her
|
|
sleep. Now the boy stole out, rose gradually by the bedside, shaded the
|
|
candle-light with his hand, and stood regarding her. His heart was full
|
|
of pity for her. He took out his sycamore scroll and placed it by the
|
|
candle. But something occurred to him, and he lingered considering. His
|
|
face lighted with a happy solution of his thought; he put the bark
|
|
hastily in his pocket. Then he bent over and kissed the faded lips, and
|
|
straightway made his stealthy exit, latching the door behind him.
|
|
|
|
He threaded his way back to the ferry landing, found nobody at large
|
|
there, and walked boldly on board the boat, for he knew she was
|
|
tenantless except that there was a watchman, who always turned in and
|
|
slept like a graven image. He untied the skiff at the stern, slipped
|
|
into it, and was soon rowing cautiously upstream. When he had pulled a
|
|
mile above the village, he started quartering across and bent himself
|
|
stoutly to his work. He hit the landing on the other side neatly, for
|
|
this was a familiar bit of work to him. He was moved to capture the
|
|
skiff, arguing that it might be considered a ship and therefore
|
|
legitimate prey for a pirate, but he knew a thorough search would be
|
|
made for it and that might end in revelations. So he stepped ashore and
|
|
entered the woods.
|
|
|
|
He sat down and took a long rest, torturing himself meanwhile to keep
|
|
awake, and then started warily down the home-stretch. The night was far
|
|
spent. It was broad daylight before he found himself fairly abreast the
|
|
island bar. He rested again until the sun was well up and gilding the
|
|
great river with its splendor, and then he plunged into the stream. A
|
|
little later he paused, dripping, upon the threshold of the camp, and
|
|
heard Joe say:
|
|
|
|
"No, Tom's true-blue, Huck, and he'll come back. He won't desert. He
|
|
knows that would be a disgrace to a pirate, and Tom's too proud for
|
|
that sort of thing. He's up to something or other. Now I wonder what?"
|
|
|
|
"Well, the things is ours, anyway, ain't they?"
|
|
|
|
"Pretty near, but not yet, Huck. The writing says they are if he ain't
|
|
back here to breakfast."
|
|
|
|
"Which he is!" exclaimed Tom, with fine dramatic effect, stepping
|
|
grandly into camp.
|
|
|
|
A sumptuous breakfast of bacon and fish was shortly provided, and as
|
|
the boys set to work upon it, Tom recounted (and adorned) his
|
|
adventures. They were a vain and boastful company of heroes when the
|
|
tale was done. Then Tom hid himself away in a shady nook to sleep till
|
|
noon, and the other pirates got ready to fish and explore.
|
|
|
|
|
|
|
|
CHAPTER XVI
|
|
|
|
AFTER dinner all the gang turned out to hunt for turtle eggs on the
|
|
bar. They went about poking sticks into the sand, and when they found a
|
|
soft place they went down on their knees and dug with their hands.
|
|
Sometimes they would take fifty or sixty eggs out of one hole. They
|
|
were perfectly round white things a trifle smaller than an English
|
|
walnut. They had a famous fried-egg feast that night, and another on
|
|
Friday morning.
|
|
|
|
After breakfast they went whooping and prancing out on the bar, and
|
|
chased each other round and round, shedding clothes as they went, until
|
|
they were naked, and then continued the frolic far away up the shoal
|
|
water of the bar, against the stiff current, which latter tripped their
|
|
legs from under them from time to time and greatly increased the fun.
|
|
And now and then they stooped in a group and splashed water in each
|
|
other's faces with their palms, gradually approaching each other, with
|
|
averted faces to avoid the strangling sprays, and finally gripping and
|
|
struggling till the best man ducked his neighbor, and then they all
|
|
went under in a tangle of white legs and arms and came up blowing,
|
|
sputtering, laughing, and gasping for breath at one and the same time.
|
|
|
|
When they were well exhausted, they would run out and sprawl on the
|
|
dry, hot sand, and lie there and cover themselves up with it, and by
|
|
and by break for the water again and go through the original
|
|
performance once more. Finally it occurred to them that their naked
|
|
skin represented flesh-colored "tights" very fairly; so they drew a
|
|
ring in the sand and had a circus--with three clowns in it, for none
|
|
would yield this proudest post to his neighbor.
|
|
|
|
Next they got their marbles and played "knucks" and "ring-taw" and
|
|
"keeps" till that amusement grew stale. Then Joe and Huck had another
|
|
swim, but Tom would not venture, because he found that in kicking off
|
|
his trousers he had kicked his string of rattlesnake rattles off his
|
|
ankle, and he wondered how he had escaped cramp so long without the
|
|
protection of this mysterious charm. He did not venture again until he
|
|
had found it, and by that time the other boys were tired and ready to
|
|
rest. They gradually wandered apart, dropped into the "dumps," and fell
|
|
to gazing longingly across the wide river to where the village lay
|
|
drowsing in the sun. Tom found himself writing "BECKY" in the sand with
|
|
his big toe; he scratched it out, and was angry with himself for his
|
|
weakness. But he wrote it again, nevertheless; he could not help it. He
|
|
erased it once more and then took himself out of temptation by driving
|
|
the other boys together and joining them.
|
|
|
|
But Joe's spirits had gone down almost beyond resurrection. He was so
|
|
homesick that he could hardly endure the misery of it. The tears lay
|
|
very near the surface. Huck was melancholy, too. Tom was downhearted,
|
|
but tried hard not to show it. He had a secret which he was not ready
|
|
to tell, yet, but if this mutinous depression was not broken up soon,
|
|
he would have to bring it out. He said, with a great show of
|
|
cheerfulness:
|
|
|
|
"I bet there's been pirates on this island before, boys. We'll explore
|
|
it again. They've hid treasures here somewhere. How'd you feel to light
|
|
on a rotten chest full of gold and silver--hey?"
|
|
|
|
But it roused only faint enthusiasm, which faded out, with no reply.
|
|
Tom tried one or two other seductions; but they failed, too. It was
|
|
discouraging work. Joe sat poking up the sand with a stick and looking
|
|
very gloomy. Finally he said:
|
|
|
|
"Oh, boys, let's give it up. I want to go home. It's so lonesome."
|
|
|
|
"Oh no, Joe, you'll feel better by and by," said Tom. "Just think of
|
|
the fishing that's here."
|
|
|
|
"I don't care for fishing. I want to go home."
|
|
|
|
"But, Joe, there ain't such another swimming-place anywhere."
|
|
|
|
"Swimming's no good. I don't seem to care for it, somehow, when there
|
|
ain't anybody to say I sha'n't go in. I mean to go home."
|
|
|
|
"Oh, shucks! Baby! You want to see your mother, I reckon."
|
|
|
|
"Yes, I DO want to see my mother--and you would, too, if you had one.
|
|
I ain't any more baby than you are." And Joe snuffled a little.
|
|
|
|
"Well, we'll let the cry-baby go home to his mother, won't we, Huck?
|
|
Poor thing--does it want to see its mother? And so it shall. You like
|
|
it here, don't you, Huck? We'll stay, won't we?"
|
|
|
|
Huck said, "Y-e-s"--without any heart in it.
|
|
|
|
"I'll never speak to you again as long as I live," said Joe, rising.
|
|
"There now!" And he moved moodily away and began to dress himself.
|
|
|
|
"Who cares!" said Tom. "Nobody wants you to. Go 'long home and get
|
|
laughed at. Oh, you're a nice pirate. Huck and me ain't cry-babies.
|
|
We'll stay, won't we, Huck? Let him go if he wants to. I reckon we can
|
|
get along without him, per'aps."
|
|
|
|
But Tom was uneasy, nevertheless, and was alarmed to see Joe go
|
|
sullenly on with his dressing. And then it was discomforting to see
|
|
Huck eying Joe's preparations so wistfully, and keeping up such an
|
|
ominous silence. Presently, without a parting word, Joe began to wade
|
|
off toward the Illinois shore. Tom's heart began to sink. He glanced at
|
|
Huck. Huck could not bear the look, and dropped his eyes. Then he said:
|
|
|
|
"I want to go, too, Tom. It was getting so lonesome anyway, and now
|
|
it'll be worse. Let's us go, too, Tom."
|
|
|
|
"I won't! You can all go, if you want to. I mean to stay."
|
|
|
|
"Tom, I better go."
|
|
|
|
"Well, go 'long--who's hendering you."
|
|
|
|
Huck began to pick up his scattered clothes. He said:
|
|
|
|
"Tom, I wisht you'd come, too. Now you think it over. We'll wait for
|
|
you when we get to shore."
|
|
|
|
"Well, you'll wait a blame long time, that's all."
|
|
|
|
Huck started sorrowfully away, and Tom stood looking after him, with a
|
|
strong desire tugging at his heart to yield his pride and go along too.
|
|
He hoped the boys would stop, but they still waded slowly on. It
|
|
suddenly dawned on Tom that it was become very lonely and still. He
|
|
made one final struggle with his pride, and then darted after his
|
|
comrades, yelling:
|
|
|
|
"Wait! Wait! I want to tell you something!"
|
|
|
|
They presently stopped and turned around. When he got to where they
|
|
were, he began unfolding his secret, and they listened moodily till at
|
|
last they saw the "point" he was driving at, and then they set up a
|
|
war-whoop of applause and said it was "splendid!" and said if he had
|
|
told them at first, they wouldn't have started away. He made a plausible
|
|
excuse; but his real reason had been the fear that not even the secret
|
|
would keep them with him any very great length of time, and so he had
|
|
meant to hold it in reserve as a last seduction.
|
|
|
|
The lads came gayly back and went at their sports again with a will,
|
|
chattering all the time about Tom's stupendous plan and admiring the
|
|
genius of it. After a dainty egg and fish dinner, Tom said he wanted to
|
|
learn to smoke, now. Joe caught at the idea and said he would like to
|
|
try, too. So Huck made pipes and filled them. These novices had never
|
|
smoked anything before but cigars made of grape-vine, and they "bit"
|
|
the tongue, and were not considered manly anyway.
|
|
|
|
Now they stretched themselves out on their elbows and began to puff,
|
|
charily, and with slender confidence. The smoke had an unpleasant
|
|
taste, and they gagged a little, but Tom said:
|
|
|
|
"Why, it's just as easy! If I'd a knowed this was all, I'd a learnt
|
|
long ago."
|
|
|
|
"So would I," said Joe. "It's just nothing."
|
|
|
|
"Why, many a time I've looked at people smoking, and thought well I
|
|
wish I could do that; but I never thought I could," said Tom.
|
|
|
|
"That's just the way with me, hain't it, Huck? You've heard me talk
|
|
just that way--haven't you, Huck? I'll leave it to Huck if I haven't."
|
|
|
|
"Yes--heaps of times," said Huck.
|
|
|
|
"Well, I have too," said Tom; "oh, hundreds of times. Once down by the
|
|
slaughter-house. Don't you remember, Huck? Bob Tanner was there, and
|
|
Johnny Miller, and Jeff Thatcher, when I said it. Don't you remember,
|
|
Huck, 'bout me saying that?"
|
|
|
|
"Yes, that's so," said Huck. "That was the day after I lost a white
|
|
alley. No, 'twas the day before."
|
|
|
|
"There--I told you so," said Tom. "Huck recollects it."
|
|
|
|
"I bleeve I could smoke this pipe all day," said Joe. "I don't feel
|
|
sick."
|
|
|
|
"Neither do I," said Tom. "I could smoke it all day. But I bet you
|
|
Jeff Thatcher couldn't."
|
|
|
|
"Jeff Thatcher! Why, he'd keel over just with two draws. Just let him
|
|
try it once. HE'D see!"
|
|
|
|
"I bet he would. And Johnny Miller--I wish could see Johnny Miller
|
|
tackle it once."
|
|
|
|
"Oh, don't I!" said Joe. "Why, I bet you Johnny Miller couldn't any
|
|
more do this than nothing. Just one little snifter would fetch HIM."
|
|
|
|
"'Deed it would, Joe. Say--I wish the boys could see us now."
|
|
|
|
"So do I."
|
|
|
|
"Say--boys, don't say anything about it, and some time when they're
|
|
around, I'll come up to you and say, 'Joe, got a pipe? I want a smoke.'
|
|
And you'll say, kind of careless like, as if it warn't anything, you'll
|
|
say, 'Yes, I got my OLD pipe, and another one, but my tobacker ain't
|
|
very good.' And I'll say, 'Oh, that's all right, if it's STRONG
|
|
enough.' And then you'll out with the pipes, and we'll light up just as
|
|
ca'm, and then just see 'em look!"
|
|
|
|
"By jings, that'll be gay, Tom! I wish it was NOW!"
|
|
|
|
"So do I! And when we tell 'em we learned when we was off pirating,
|
|
won't they wish they'd been along?"
|
|
|
|
"Oh, I reckon not! I'll just BET they will!"
|
|
|
|
So the talk ran on. But presently it began to flag a trifle, and grow
|
|
disjointed. The silences widened; the expectoration marvellously
|
|
increased. Every pore inside the boys' cheeks became a spouting
|
|
fountain; they could scarcely bail out the cellars under their tongues
|
|
fast enough to prevent an inundation; little overflowings down their
|
|
throats occurred in spite of all they could do, and sudden retchings
|
|
followed every time. Both boys were looking very pale and miserable,
|
|
now. Joe's pipe dropped from his nerveless fingers. Tom's followed.
|
|
Both fountains were going furiously and both pumps bailing with might
|
|
and main. Joe said feebly:
|
|
|
|
"I've lost my knife. I reckon I better go and find it."
|
|
|
|
Tom said, with quivering lips and halting utterance:
|
|
|
|
"I'll help you. You go over that way and I'll hunt around by the
|
|
spring. No, you needn't come, Huck--we can find it."
|
|
|
|
So Huck sat down again, and waited an hour. Then he found it lonesome,
|
|
and went to find his comrades. They were wide apart in the woods, both
|
|
very pale, both fast asleep. But something informed him that if they
|
|
had had any trouble they had got rid of it.
|
|
|
|
They were not talkative at supper that night. They had a humble look,
|
|
and when Huck prepared his pipe after the meal and was going to prepare
|
|
theirs, they said no, they were not feeling very well--something they
|
|
ate at dinner had disagreed with them.
|
|
|
|
About midnight Joe awoke, and called the boys. There was a brooding
|
|
oppressiveness in the air that seemed to bode something. The boys
|
|
huddled themselves together and sought the friendly companionship of
|
|
the fire, though the dull dead heat of the breathless atmosphere was
|
|
stifling. They sat still, intent and waiting. The solemn hush
|
|
continued. Beyond the light of the fire everything was swallowed up in
|
|
the blackness of darkness. Presently there came a quivering glow that
|
|
vaguely revealed the foliage for a moment and then vanished. By and by
|
|
another came, a little stronger. Then another. Then a faint moan came
|
|
sighing through the branches of the forest and the boys felt a fleeting
|
|
breath upon their cheeks, and shuddered with the fancy that the Spirit
|
|
of the Night had gone by. There was a pause. Now a weird flash turned
|
|
night into day and showed every little grass-blade, separate and
|
|
distinct, that grew about their feet. And it showed three white,
|
|
startled faces, too. A deep peal of thunder went rolling and tumbling
|
|
down the heavens and lost itself in sullen rumblings in the distance. A
|
|
sweep of chilly air passed by, rustling all the leaves and snowing the
|
|
flaky ashes broadcast about the fire. Another fierce glare lit up the
|
|
forest and an instant crash followed that seemed to rend the tree-tops
|
|
right over the boys' heads. They clung together in terror, in the thick
|
|
gloom that followed. A few big rain-drops fell pattering upon the
|
|
leaves.
|
|
|
|
"Quick! boys, go for the tent!" exclaimed Tom.
|
|
|
|
They sprang away, stumbling over roots and among vines in the dark, no
|
|
two plunging in the same direction. A furious blast roared through the
|
|
trees, making everything sing as it went. One blinding flash after
|
|
another came, and peal on peal of deafening thunder. And now a
|
|
drenching rain poured down and the rising hurricane drove it in sheets
|
|
along the ground. The boys cried out to each other, but the roaring
|
|
wind and the booming thunder-blasts drowned their voices utterly.
|
|
However, one by one they straggled in at last and took shelter under
|
|
the tent, cold, scared, and streaming with water; but to have company
|
|
in misery seemed something to be grateful for. They could not talk, the
|
|
old sail flapped so furiously, even if the other noises would have
|
|
allowed them. The tempest rose higher and higher, and presently the
|
|
sail tore loose from its fastenings and went winging away on the blast.
|
|
The boys seized each others' hands and fled, with many tumblings and
|
|
bruises, to the shelter of a great oak that stood upon the river-bank.
|
|
Now the battle was at its highest. Under the ceaseless conflagration of
|
|
lightning that flamed in the skies, everything below stood out in
|
|
clean-cut and shadowless distinctness: the bending trees, the billowy
|
|
river, white with foam, the driving spray of spume-flakes, the dim
|
|
outlines of the high bluffs on the other side, glimpsed through the
|
|
drifting cloud-rack and the slanting veil of rain. Every little while
|
|
some giant tree yielded the fight and fell crashing through the younger
|
|
growth; and the unflagging thunder-peals came now in ear-splitting
|
|
explosive bursts, keen and sharp, and unspeakably appalling. The storm
|
|
culminated in one matchless effort that seemed likely to tear the island
|
|
to pieces, burn it up, drown it to the tree-tops, blow it away, and
|
|
deafen every creature in it, all at one and the same moment. It was a
|
|
wild night for homeless young heads to be out in.
|
|
|
|
But at last the battle was done, and the forces retired with weaker
|
|
and weaker threatenings and grumblings, and peace resumed her sway. The
|
|
boys went back to camp, a good deal awed; but they found there was
|
|
still something to be thankful for, because the great sycamore, the
|
|
shelter of their beds, was a ruin, now, blasted by the lightnings, and
|
|
they were not under it when the catastrophe happened.
|
|
|
|
Everything in camp was drenched, the camp-fire as well; for they were
|
|
but heedless lads, like their generation, and had made no provision
|
|
against rain. Here was matter for dismay, for they were soaked through
|
|
and chilled. They were eloquent in their distress; but they presently
|
|
discovered that the fire had eaten so far up under the great log it had
|
|
been built against (where it curved upward and separated itself from
|
|
the ground), that a handbreadth or so of it had escaped wetting; so
|
|
they patiently wrought until, with shreds and bark gathered from the
|
|
under sides of sheltered logs, they coaxed the fire to burn again. Then
|
|
they piled on great dead boughs till they had a roaring furnace, and
|
|
were glad-hearted once more. They dried their boiled ham and had a
|
|
feast, and after that they sat by the fire and expanded and glorified
|
|
their midnight adventure until morning, for there was not a dry spot to
|
|
sleep on, anywhere around.
|
|
|
|
As the sun began to steal in upon the boys, drowsiness came over them,
|
|
and they went out on the sandbar and lay down to sleep. They got
|
|
scorched out by and by, and drearily set about getting breakfast. After
|
|
the meal they felt rusty, and stiff-jointed, and a little homesick once
|
|
more. Tom saw the signs, and fell to cheering up the pirates as well as
|
|
he could. But they cared nothing for marbles, or circus, or swimming,
|
|
or anything. He reminded them of the imposing secret, and raised a ray
|
|
of cheer. While it lasted, he got them interested in a new device. This
|
|
was to knock off being pirates, for a while, and be Indians for a
|
|
change. They were attracted by this idea; so it was not long before
|
|
they were stripped, and striped from head to heel with black mud, like
|
|
so many zebras--all of them chiefs, of course--and then they went
|
|
tearing through the woods to attack an English settlement.
|
|
|
|
By and by they separated into three hostile tribes, and darted upon
|
|
each other from ambush with dreadful war-whoops, and killed and scalped
|
|
each other by thousands. It was a gory day. Consequently it was an
|
|
extremely satisfactory one.
|
|
|
|
They assembled in camp toward supper-time, hungry and happy; but now a
|
|
difficulty arose--hostile Indians could not break the bread of
|
|
hospitality together without first making peace, and this was a simple
|
|
impossibility without smoking a pipe of peace. There was no other
|
|
process that ever they had heard of. Two of the savages almost wished
|
|
they had remained pirates. However, there was no other way; so with
|
|
such show of cheerfulness as they could muster they called for the pipe
|
|
and took their whiff as it passed, in due form.
|
|
|
|
And behold, they were glad they had gone into savagery, for they had
|
|
gained something; they found that they could now smoke a little without
|
|
having to go and hunt for a lost knife; they did not get sick enough to
|
|
be seriously uncomfortable. They were not likely to fool away this high
|
|
promise for lack of effort. No, they practised cautiously, after
|
|
supper, with right fair success, and so they spent a jubilant evening.
|
|
They were prouder and happier in their new acquirement than they would
|
|
have been in the scalping and skinning of the Six Nations. We will
|
|
leave them to smoke and chatter and brag, since we have no further use
|
|
for them at present.
|
|
|
|
|
|
|
|
CHAPTER XVII
|
|
|
|
BUT there was no hilarity in the little town that same tranquil
|
|
Saturday afternoon. The Harpers, and Aunt Polly's family, were being
|
|
put into mourning, with great grief and many tears. An unusual quiet
|
|
possessed the village, although it was ordinarily quiet enough, in all
|
|
conscience. The villagers conducted their concerns with an absent air,
|
|
and talked little; but they sighed often. The Saturday holiday seemed a
|
|
burden to the children. They had no heart in their sports, and
|
|
gradually gave them up.
|
|
|
|
In the afternoon Becky Thatcher found herself moping about the
|
|
deserted schoolhouse yard, and feeling very melancholy. But she found
|
|
nothing there to comfort her. She soliloquized:
|
|
|
|
"Oh, if I only had a brass andiron-knob again! But I haven't got
|
|
anything now to remember him by." And she choked back a little sob.
|
|
|
|
Presently she stopped, and said to herself:
|
|
|
|
"It was right here. Oh, if it was to do over again, I wouldn't say
|
|
that--I wouldn't say it for the whole world. But he's gone now; I'll
|
|
never, never, never see him any more."
|
|
|
|
This thought broke her down, and she wandered away, with tears rolling
|
|
down her cheeks. Then quite a group of boys and girls--playmates of
|
|
Tom's and Joe's--came by, and stood looking over the paling fence and
|
|
talking in reverent tones of how Tom did so-and-so the last time they
|
|
saw him, and how Joe said this and that small trifle (pregnant with
|
|
awful prophecy, as they could easily see now!)--and each speaker
|
|
pointed out the exact spot where the lost lads stood at the time, and
|
|
then added something like "and I was a-standing just so--just as I am
|
|
now, and as if you was him--I was as close as that--and he smiled, just
|
|
this way--and then something seemed to go all over me, like--awful, you
|
|
know--and I never thought what it meant, of course, but I can see now!"
|
|
|
|
Then there was a dispute about who saw the dead boys last in life, and
|
|
many claimed that dismal distinction, and offered evidences, more or
|
|
less tampered with by the witness; and when it was ultimately decided
|
|
who DID see the departed last, and exchanged the last words with them,
|
|
the lucky parties took upon themselves a sort of sacred importance, and
|
|
were gaped at and envied by all the rest. One poor chap, who had no
|
|
other grandeur to offer, said with tolerably manifest pride in the
|
|
remembrance:
|
|
|
|
"Well, Tom Sawyer he licked me once."
|
|
|
|
But that bid for glory was a failure. Most of the boys could say that,
|
|
and so that cheapened the distinction too much. The group loitered
|
|
away, still recalling memories of the lost heroes, in awed voices.
|
|
|
|
When the Sunday-school hour was finished, the next morning, the bell
|
|
began to toll, instead of ringing in the usual way. It was a very still
|
|
Sabbath, and the mournful sound seemed in keeping with the musing hush
|
|
that lay upon nature. The villagers began to gather, loitering a moment
|
|
in the vestibule to converse in whispers about the sad event. But there
|
|
was no whispering in the house; only the funereal rustling of dresses
|
|
as the women gathered to their seats disturbed the silence there. None
|
|
could remember when the little church had been so full before. There
|
|
was finally a waiting pause, an expectant dumbness, and then Aunt Polly
|
|
entered, followed by Sid and Mary, and they by the Harper family, all
|
|
in deep black, and the whole congregation, the old minister as well,
|
|
rose reverently and stood until the mourners were seated in the front
|
|
pew. There was another communing silence, broken at intervals by
|
|
muffled sobs, and then the minister spread his hands abroad and prayed.
|
|
A moving hymn was sung, and the text followed: "I am the Resurrection
|
|
and the Life."
|
|
|
|
As the service proceeded, the clergyman drew such pictures of the
|
|
graces, the winning ways, and the rare promise of the lost lads that
|
|
every soul there, thinking he recognized these pictures, felt a pang in
|
|
remembering that he had persistently blinded himself to them always
|
|
before, and had as persistently seen only faults and flaws in the poor
|
|
boys. The minister related many a touching incident in the lives of the
|
|
departed, too, which illustrated their sweet, generous natures, and the
|
|
people could easily see, now, how noble and beautiful those episodes
|
|
were, and remembered with grief that at the time they occurred they had
|
|
seemed rank rascalities, well deserving of the cowhide. The
|
|
congregation became more and more moved, as the pathetic tale went on,
|
|
till at last the whole company broke down and joined the weeping
|
|
mourners in a chorus of anguished sobs, the preacher himself giving way
|
|
to his feelings, and crying in the pulpit.
|
|
|
|
There was a rustle in the gallery, which nobody noticed; a moment
|
|
later the church door creaked; the minister raised his streaming eyes
|
|
above his handkerchief, and stood transfixed! First one and then
|
|
another pair of eyes followed the minister's, and then almost with one
|
|
impulse the congregation rose and stared while the three dead boys came
|
|
marching up the aisle, Tom in the lead, Joe next, and Huck, a ruin of
|
|
drooping rags, sneaking sheepishly in the rear! They had been hid in
|
|
the unused gallery listening to their own funeral sermon!
|
|
|
|
Aunt Polly, Mary, and the Harpers threw themselves upon their restored
|
|
ones, smothered them with kisses and poured out thanksgivings, while
|
|
poor Huck stood abashed and uncomfortable, not knowing exactly what to
|
|
do or where to hide from so many unwelcoming eyes. He wavered, and
|
|
started to slink away, but Tom seized him and said:
|
|
|
|
"Aunt Polly, it ain't fair. Somebody's got to be glad to see Huck."
|
|
|
|
"And so they shall. I'm glad to see him, poor motherless thing!" And
|
|
the loving attentions Aunt Polly lavished upon him were the one thing
|
|
capable of making him more uncomfortable than he was before.
|
|
|
|
Suddenly the minister shouted at the top of his voice: "Praise God
|
|
from whom all blessings flow--SING!--and put your hearts in it!"
|
|
|
|
And they did. Old Hundred swelled up with a triumphant burst, and
|
|
while it shook the rafters Tom Sawyer the Pirate looked around upon the
|
|
envying juveniles about him and confessed in his heart that this was
|
|
the proudest moment of his life.
|
|
|
|
As the "sold" congregation trooped out they said they would almost be
|
|
willing to be made ridiculous again to hear Old Hundred sung like that
|
|
once more.
|
|
|
|
Tom got more cuffs and kisses that day--according to Aunt Polly's
|
|
varying moods--than he had earned before in a year; and he hardly knew
|
|
which expressed the most gratefulness to God and affection for himself.
|
|
|
|
|
|
|
|
CHAPTER XVIII
|
|
|
|
THAT was Tom's great secret--the scheme to return home with his
|
|
brother pirates and attend their own funerals. They had paddled over to
|
|
the Missouri shore on a log, at dusk on Saturday, landing five or six
|
|
miles below the village; they had slept in the woods at the edge of the
|
|
town till nearly daylight, and had then crept through back lanes and
|
|
alleys and finished their sleep in the gallery of the church among a
|
|
chaos of invalided benches.
|
|
|
|
At breakfast, Monday morning, Aunt Polly and Mary were very loving to
|
|
Tom, and very attentive to his wants. There was an unusual amount of
|
|
talk. In the course of it Aunt Polly said:
|
|
|
|
"Well, I don't say it wasn't a fine joke, Tom, to keep everybody
|
|
suffering 'most a week so you boys had a good time, but it is a pity
|
|
you could be so hard-hearted as to let me suffer so. If you could come
|
|
over on a log to go to your funeral, you could have come over and give
|
|
me a hint some way that you warn't dead, but only run off."
|
|
|
|
"Yes, you could have done that, Tom," said Mary; "and I believe you
|
|
would if you had thought of it."
|
|
|
|
"Would you, Tom?" said Aunt Polly, her face lighting wistfully. "Say,
|
|
now, would you, if you'd thought of it?"
|
|
|
|
"I--well, I don't know. 'Twould 'a' spoiled everything."
|
|
|
|
"Tom, I hoped you loved me that much," said Aunt Polly, with a grieved
|
|
tone that discomforted the boy. "It would have been something if you'd
|
|
cared enough to THINK of it, even if you didn't DO it."
|
|
|
|
"Now, auntie, that ain't any harm," pleaded Mary; "it's only Tom's
|
|
giddy way--he is always in such a rush that he never thinks of
|
|
anything."
|
|
|
|
"More's the pity. Sid would have thought. And Sid would have come and
|
|
DONE it, too. Tom, you'll look back, some day, when it's too late, and
|
|
wish you'd cared a little more for me when it would have cost you so
|
|
little."
|
|
|
|
"Now, auntie, you know I do care for you," said Tom.
|
|
|
|
"I'd know it better if you acted more like it."
|
|
|
|
"I wish now I'd thought," said Tom, with a repentant tone; "but I
|
|
dreamt about you, anyway. That's something, ain't it?"
|
|
|
|
"It ain't much--a cat does that much--but it's better than nothing.
|
|
What did you dream?"
|
|
|
|
"Why, Wednesday night I dreamt that you was sitting over there by the
|
|
bed, and Sid was sitting by the woodbox, and Mary next to him."
|
|
|
|
"Well, so we did. So we always do. I'm glad your dreams could take
|
|
even that much trouble about us."
|
|
|
|
"And I dreamt that Joe Harper's mother was here."
|
|
|
|
"Why, she was here! Did you dream any more?"
|
|
|
|
"Oh, lots. But it's so dim, now."
|
|
|
|
"Well, try to recollect--can't you?"
|
|
|
|
"Somehow it seems to me that the wind--the wind blowed the--the--"
|
|
|
|
"Try harder, Tom! The wind did blow something. Come!"
|
|
|
|
Tom pressed his fingers on his forehead an anxious minute, and then
|
|
said:
|
|
|
|
"I've got it now! I've got it now! It blowed the candle!"
|
|
|
|
"Mercy on us! Go on, Tom--go on!"
|
|
|
|
"And it seems to me that you said, 'Why, I believe that that door--'"
|
|
|
|
"Go ON, Tom!"
|
|
|
|
"Just let me study a moment--just a moment. Oh, yes--you said you
|
|
believed the door was open."
|
|
|
|
"As I'm sitting here, I did! Didn't I, Mary! Go on!"
|
|
|
|
"And then--and then--well I won't be certain, but it seems like as if
|
|
you made Sid go and--and--"
|
|
|
|
"Well? Well? What did I make him do, Tom? What did I make him do?"
|
|
|
|
"You made him--you--Oh, you made him shut it."
|
|
|
|
"Well, for the land's sake! I never heard the beat of that in all my
|
|
days! Don't tell ME there ain't anything in dreams, any more. Sereny
|
|
Harper shall know of this before I'm an hour older. I'd like to see her
|
|
get around THIS with her rubbage 'bout superstition. Go on, Tom!"
|
|
|
|
"Oh, it's all getting just as bright as day, now. Next you said I
|
|
warn't BAD, only mischeevous and harum-scarum, and not any more
|
|
responsible than--than--I think it was a colt, or something."
|
|
|
|
"And so it was! Well, goodness gracious! Go on, Tom!"
|
|
|
|
"And then you began to cry."
|
|
|
|
"So I did. So I did. Not the first time, neither. And then--"
|
|
|
|
"Then Mrs. Harper she began to cry, and said Joe was just the same,
|
|
and she wished she hadn't whipped him for taking cream when she'd
|
|
throwed it out her own self--"
|
|
|
|
"Tom! The sperrit was upon you! You was a prophesying--that's what you
|
|
was doing! Land alive, go on, Tom!"
|
|
|
|
"Then Sid he said--he said--"
|
|
|
|
"I don't think I said anything," said Sid.
|
|
|
|
"Yes you did, Sid," said Mary.
|
|
|
|
"Shut your heads and let Tom go on! What did he say, Tom?"
|
|
|
|
"He said--I THINK he said he hoped I was better off where I was gone
|
|
to, but if I'd been better sometimes--"
|
|
|
|
"THERE, d'you hear that! It was his very words!"
|
|
|
|
"And you shut him up sharp."
|
|
|
|
"I lay I did! There must 'a' been an angel there. There WAS an angel
|
|
there, somewheres!"
|
|
|
|
"And Mrs. Harper told about Joe scaring her with a firecracker, and
|
|
you told about Peter and the Painkiller--"
|
|
|
|
"Just as true as I live!"
|
|
|
|
"And then there was a whole lot of talk 'bout dragging the river for
|
|
us, and 'bout having the funeral Sunday, and then you and old Miss
|
|
Harper hugged and cried, and she went."
|
|
|
|
"It happened just so! It happened just so, as sure as I'm a-sitting in
|
|
these very tracks. Tom, you couldn't told it more like if you'd 'a'
|
|
seen it! And then what? Go on, Tom!"
|
|
|
|
"Then I thought you prayed for me--and I could see you and hear every
|
|
word you said. And you went to bed, and I was so sorry that I took and
|
|
wrote on a piece of sycamore bark, 'We ain't dead--we are only off
|
|
being pirates,' and put it on the table by the candle; and then you
|
|
looked so good, laying there asleep, that I thought I went and leaned
|
|
over and kissed you on the lips."
|
|
|
|
"Did you, Tom, DID you! I just forgive you everything for that!" And
|
|
she seized the boy in a crushing embrace that made him feel like the
|
|
guiltiest of villains.
|
|
|
|
"It was very kind, even though it was only a--dream," Sid soliloquized
|
|
just audibly.
|
|
|
|
"Shut up, Sid! A body does just the same in a dream as he'd do if he
|
|
was awake. Here's a big Milum apple I've been saving for you, Tom, if
|
|
you was ever found again--now go 'long to school. I'm thankful to the
|
|
good God and Father of us all I've got you back, that's long-suffering
|
|
and merciful to them that believe on Him and keep His word, though
|
|
goodness knows I'm unworthy of it, but if only the worthy ones got His
|
|
blessings and had His hand to help them over the rough places, there's
|
|
few enough would smile here or ever enter into His rest when the long
|
|
night comes. Go 'long Sid, Mary, Tom--take yourselves off--you've
|
|
hendered me long enough."
|
|
|
|
The children left for school, and the old lady to call on Mrs. Harper
|
|
and vanquish her realism with Tom's marvellous dream. Sid had better
|
|
judgment than to utter the thought that was in his mind as he left the
|
|
house. It was this: "Pretty thin--as long a dream as that, without any
|
|
mistakes in it!"
|
|
|
|
What a hero Tom was become, now! He did not go skipping and prancing,
|
|
but moved with a dignified swagger as became a pirate who felt that the
|
|
public eye was on him. And indeed it was; he tried not to seem to see
|
|
the looks or hear the remarks as he passed along, but they were food
|
|
and drink to him. Smaller boys than himself flocked at his heels, as
|
|
proud to be seen with him, and tolerated by him, as if he had been the
|
|
drummer at the head of a procession or the elephant leading a menagerie
|
|
into town. Boys of his own size pretended not to know he had been away
|
|
at all; but they were consuming with envy, nevertheless. They would
|
|
have given anything to have that swarthy suntanned skin of his, and his
|
|
glittering notoriety; and Tom would not have parted with either for a
|
|
circus.
|
|
|
|
At school the children made so much of him and of Joe, and delivered
|
|
such eloquent admiration from their eyes, that the two heroes were not
|
|
long in becoming insufferably "stuck-up." They began to tell their
|
|
adventures to hungry listeners--but they only began; it was not a thing
|
|
likely to have an end, with imaginations like theirs to furnish
|
|
material. And finally, when they got out their pipes and went serenely
|
|
puffing around, the very summit of glory was reached.
|
|
|
|
Tom decided that he could be independent of Becky Thatcher now. Glory
|
|
was sufficient. He would live for glory. Now that he was distinguished,
|
|
maybe she would be wanting to "make up." Well, let her--she should see
|
|
that he could be as indifferent as some other people. Presently she
|
|
arrived. Tom pretended not to see her. He moved away and joined a group
|
|
of boys and girls and began to talk. Soon he observed that she was
|
|
tripping gayly back and forth with flushed face and dancing eyes,
|
|
pretending to be busy chasing schoolmates, and screaming with laughter
|
|
when she made a capture; but he noticed that she always made her
|
|
captures in his vicinity, and that she seemed to cast a conscious eye
|
|
in his direction at such times, too. It gratified all the vicious
|
|
vanity that was in him; and so, instead of winning him, it only "set
|
|
him up" the more and made him the more diligent to avoid betraying that
|
|
he knew she was about. Presently she gave over skylarking, and moved
|
|
irresolutely about, sighing once or twice and glancing furtively and
|
|
wistfully toward Tom. Then she observed that now Tom was talking more
|
|
particularly to Amy Lawrence than to any one else. She felt a sharp
|
|
pang and grew disturbed and uneasy at once. She tried to go away, but
|
|
her feet were treacherous, and carried her to the group instead. She
|
|
said to a girl almost at Tom's elbow--with sham vivacity:
|
|
|
|
"Why, Mary Austin! you bad girl, why didn't you come to Sunday-school?"
|
|
|
|
"I did come--didn't you see me?"
|
|
|
|
"Why, no! Did you? Where did you sit?"
|
|
|
|
"I was in Miss Peters' class, where I always go. I saw YOU."
|
|
|
|
"Did you? Why, it's funny I didn't see you. I wanted to tell you about
|
|
the picnic."
|
|
|
|
"Oh, that's jolly. Who's going to give it?"
|
|
|
|
"My ma's going to let me have one."
|
|
|
|
"Oh, goody; I hope she'll let ME come."
|
|
|
|
"Well, she will. The picnic's for me. She'll let anybody come that I
|
|
want, and I want you."
|
|
|
|
"That's ever so nice. When is it going to be?"
|
|
|
|
"By and by. Maybe about vacation."
|
|
|
|
"Oh, won't it be fun! You going to have all the girls and boys?"
|
|
|
|
"Yes, every one that's friends to me--or wants to be"; and she glanced
|
|
ever so furtively at Tom, but he talked right along to Amy Lawrence
|
|
about the terrible storm on the island, and how the lightning tore the
|
|
great sycamore tree "all to flinders" while he was "standing within
|
|
three feet of it."
|
|
|
|
"Oh, may I come?" said Grace Miller.
|
|
|
|
"Yes."
|
|
|
|
"And me?" said Sally Rogers.
|
|
|
|
"Yes."
|
|
|
|
"And me, too?" said Susy Harper. "And Joe?"
|
|
|
|
"Yes."
|
|
|
|
And so on, with clapping of joyful hands till all the group had begged
|
|
for invitations but Tom and Amy. Then Tom turned coolly away, still
|
|
talking, and took Amy with him. Becky's lips trembled and the tears
|
|
came to her eyes; she hid these signs with a forced gayety and went on
|
|
chattering, but the life had gone out of the picnic, now, and out of
|
|
everything else; she got away as soon as she could and hid herself and
|
|
had what her sex call "a good cry." Then she sat moody, with wounded
|
|
pride, till the bell rang. She roused up, now, with a vindictive cast
|
|
in her eye, and gave her plaited tails a shake and said she knew what
|
|
SHE'D do.
|
|
|
|
At recess Tom continued his flirtation with Amy with jubilant
|
|
self-satisfaction. And he kept drifting about to find Becky and lacerate
|
|
her with the performance. At last he spied her, but there was a sudden
|
|
falling of his mercury. She was sitting cosily on a little bench behind
|
|
the schoolhouse looking at a picture-book with Alfred Temple--and so
|
|
absorbed were they, and their heads so close together over the book,
|
|
that they did not seem to be conscious of anything in the world besides.
|
|
Jealousy ran red-hot through Tom's veins. He began to hate himself for
|
|
throwing away the chance Becky had offered for a reconciliation. He
|
|
called himself a fool, and all the hard names he could think of. He
|
|
wanted to cry with vexation. Amy chatted happily along, as they walked,
|
|
for her heart was singing, but Tom's tongue had lost its function. He
|
|
did not hear what Amy was saying, and whenever she paused expectantly he
|
|
could only stammer an awkward assent, which was as often misplaced as
|
|
otherwise. He kept drifting to the rear of the schoolhouse, again and
|
|
again, to sear his eyeballs with the hateful spectacle there. He could
|
|
not help it. And it maddened him to see, as he thought he saw, that
|
|
Becky Thatcher never once suspected that he was even in the land of the
|
|
living. But she did see, nevertheless; and she knew she was winning her
|
|
fight, too, and was glad to see him suffer as she had suffered.
|
|
|
|
Amy's happy prattle became intolerable. Tom hinted at things he had to
|
|
attend to; things that must be done; and time was fleeting. But in
|
|
vain--the girl chirped on. Tom thought, "Oh, hang her, ain't I ever
|
|
going to get rid of her?" At last he must be attending to those
|
|
things--and she said artlessly that she would be "around" when school
|
|
let out. And he hastened away, hating her for it.
|
|
|
|
"Any other boy!" Tom thought, grating his teeth. "Any boy in the whole
|
|
town but that Saint Louis smarty that thinks he dresses so fine and is
|
|
aristocracy! Oh, all right, I licked you the first day you ever saw
|
|
this town, mister, and I'll lick you again! You just wait till I catch
|
|
you out! I'll just take and--"
|
|
|
|
And he went through the motions of thrashing an imaginary boy
|
|
--pummelling the air, and kicking and gouging. "Oh, you do, do you? You
|
|
holler 'nough, do you? Now, then, let that learn you!" And so the
|
|
imaginary flogging was finished to his satisfaction.
|
|
|
|
Tom fled home at noon. His conscience could not endure any more of
|
|
Amy's grateful happiness, and his jealousy could bear no more of the
|
|
other distress. Becky resumed her picture inspections with Alfred, but
|
|
as the minutes dragged along and no Tom came to suffer, her triumph
|
|
began to cloud and she lost interest; gravity and absent-mindedness
|
|
followed, and then melancholy; two or three times she pricked up her
|
|
ear at a footstep, but it was a false hope; no Tom came. At last she
|
|
grew entirely miserable and wished she hadn't carried it so far. When
|
|
poor Alfred, seeing that he was losing her, he did not know how, kept
|
|
exclaiming: "Oh, here's a jolly one! look at this!" she lost patience
|
|
at last, and said, "Oh, don't bother me! I don't care for them!" and
|
|
burst into tears, and got up and walked away.
|
|
|
|
Alfred dropped alongside and was going to try to comfort her, but she
|
|
said:
|
|
|
|
"Go away and leave me alone, can't you! I hate you!"
|
|
|
|
So the boy halted, wondering what he could have done--for she had said
|
|
she would look at pictures all through the nooning--and she walked on,
|
|
crying. Then Alfred went musing into the deserted schoolhouse. He was
|
|
humiliated and angry. He easily guessed his way to the truth--the girl
|
|
had simply made a convenience of him to vent her spite upon Tom Sawyer.
|
|
He was far from hating Tom the less when this thought occurred to him.
|
|
He wished there was some way to get that boy into trouble without much
|
|
risk to himself. Tom's spelling-book fell under his eye. Here was his
|
|
opportunity. He gratefully opened to the lesson for the afternoon and
|
|
poured ink upon the page.
|
|
|
|
Becky, glancing in at a window behind him at the moment, saw the act,
|
|
and moved on, without discovering herself. She started homeward, now,
|
|
intending to find Tom and tell him; Tom would be thankful and their
|
|
troubles would be healed. Before she was half way home, however, she
|
|
had changed her mind. The thought of Tom's treatment of her when she
|
|
was talking about her picnic came scorching back and filled her with
|
|
shame. She resolved to let him get whipped on the damaged
|
|
spelling-book's account, and to hate him forever, into the bargain.
|
|
|
|
|
|
|
|
CHAPTER XIX
|
|
|
|
TOM arrived at home in a dreary mood, and the first thing his aunt
|
|
said to him showed him that he had brought his sorrows to an
|
|
unpromising market:
|
|
|
|
"Tom, I've a notion to skin you alive!"
|
|
|
|
"Auntie, what have I done?"
|
|
|
|
"Well, you've done enough. Here I go over to Sereny Harper, like an
|
|
old softy, expecting I'm going to make her believe all that rubbage
|
|
about that dream, when lo and behold you she'd found out from Joe that
|
|
you was over here and heard all the talk we had that night. Tom, I
|
|
don't know what is to become of a boy that will act like that. It makes
|
|
me feel so bad to think you could let me go to Sereny Harper and make
|
|
such a fool of myself and never say a word."
|
|
|
|
This was a new aspect of the thing. His smartness of the morning had
|
|
seemed to Tom a good joke before, and very ingenious. It merely looked
|
|
mean and shabby now. He hung his head and could not think of anything
|
|
to say for a moment. Then he said:
|
|
|
|
"Auntie, I wish I hadn't done it--but I didn't think."
|
|
|
|
"Oh, child, you never think. You never think of anything but your own
|
|
selfishness. You could think to come all the way over here from
|
|
Jackson's Island in the night to laugh at our troubles, and you could
|
|
think to fool me with a lie about a dream; but you couldn't ever think
|
|
to pity us and save us from sorrow."
|
|
|
|
"Auntie, I know now it was mean, but I didn't mean to be mean. I
|
|
didn't, honest. And besides, I didn't come over here to laugh at you
|
|
that night."
|
|
|
|
"What did you come for, then?"
|
|
|
|
"It was to tell you not to be uneasy about us, because we hadn't got
|
|
drownded."
|
|
|
|
"Tom, Tom, I would be the thankfullest soul in this world if I could
|
|
believe you ever had as good a thought as that, but you know you never
|
|
did--and I know it, Tom."
|
|
|
|
"Indeed and 'deed I did, auntie--I wish I may never stir if I didn't."
|
|
|
|
"Oh, Tom, don't lie--don't do it. It only makes things a hundred times
|
|
worse."
|
|
|
|
"It ain't a lie, auntie; it's the truth. I wanted to keep you from
|
|
grieving--that was all that made me come."
|
|
|
|
"I'd give the whole world to believe that--it would cover up a power
|
|
of sins, Tom. I'd 'most be glad you'd run off and acted so bad. But it
|
|
ain't reasonable; because, why didn't you tell me, child?"
|
|
|
|
"Why, you see, when you got to talking about the funeral, I just got
|
|
all full of the idea of our coming and hiding in the church, and I
|
|
couldn't somehow bear to spoil it. So I just put the bark back in my
|
|
pocket and kept mum."
|
|
|
|
"What bark?"
|
|
|
|
"The bark I had wrote on to tell you we'd gone pirating. I wish, now,
|
|
you'd waked up when I kissed you--I do, honest."
|
|
|
|
The hard lines in his aunt's face relaxed and a sudden tenderness
|
|
dawned in her eyes.
|
|
|
|
"DID you kiss me, Tom?"
|
|
|
|
"Why, yes, I did."
|
|
|
|
"Are you sure you did, Tom?"
|
|
|
|
"Why, yes, I did, auntie--certain sure."
|
|
|
|
"What did you kiss me for, Tom?"
|
|
|
|
"Because I loved you so, and you laid there moaning and I was so sorry."
|
|
|
|
The words sounded like truth. The old lady could not hide a tremor in
|
|
her voice when she said:
|
|
|
|
"Kiss me again, Tom!--and be off with you to school, now, and don't
|
|
bother me any more."
|
|
|
|
The moment he was gone, she ran to a closet and got out the ruin of a
|
|
jacket which Tom had gone pirating in. Then she stopped, with it in her
|
|
hand, and said to herself:
|
|
|
|
"No, I don't dare. Poor boy, I reckon he's lied about it--but it's a
|
|
blessed, blessed lie, there's such a comfort come from it. I hope the
|
|
Lord--I KNOW the Lord will forgive him, because it was such
|
|
goodheartedness in him to tell it. But I don't want to find out it's a
|
|
lie. I won't look."
|
|
|
|
She put the jacket away, and stood by musing a minute. Twice she put
|
|
out her hand to take the garment again, and twice she refrained. Once
|
|
more she ventured, and this time she fortified herself with the
|
|
thought: "It's a good lie--it's a good lie--I won't let it grieve me."
|
|
So she sought the jacket pocket. A moment later she was reading Tom's
|
|
piece of bark through flowing tears and saying: "I could forgive the
|
|
boy, now, if he'd committed a million sins!"
|
|
|
|
|
|
|
|
CHAPTER XX
|
|
|
|
THERE was something about Aunt Polly's manner, when she kissed Tom,
|
|
that swept away his low spirits and made him lighthearted and happy
|
|
again. He started to school and had the luck of coming upon Becky
|
|
Thatcher at the head of Meadow Lane. His mood always determined his
|
|
manner. Without a moment's hesitation he ran to her and said:
|
|
|
|
"I acted mighty mean to-day, Becky, and I'm so sorry. I won't ever,
|
|
ever do that way again, as long as ever I live--please make up, won't
|
|
you?"
|
|
|
|
The girl stopped and looked him scornfully in the face:
|
|
|
|
"I'll thank you to keep yourself TO yourself, Mr. Thomas Sawyer. I'll
|
|
never speak to you again."
|
|
|
|
She tossed her head and passed on. Tom was so stunned that he had not
|
|
even presence of mind enough to say "Who cares, Miss Smarty?" until the
|
|
right time to say it had gone by. So he said nothing. But he was in a
|
|
fine rage, nevertheless. He moped into the schoolyard wishing she were
|
|
a boy, and imagining how he would trounce her if she were. He presently
|
|
encountered her and delivered a stinging remark as he passed. She
|
|
hurled one in return, and the angry breach was complete. It seemed to
|
|
Becky, in her hot resentment, that she could hardly wait for school to
|
|
"take in," she was so impatient to see Tom flogged for the injured
|
|
spelling-book. If she had had any lingering notion of exposing Alfred
|
|
Temple, Tom's offensive fling had driven it entirely away.
|
|
|
|
Poor girl, she did not know how fast she was nearing trouble herself.
|
|
The master, Mr. Dobbins, had reached middle age with an unsatisfied
|
|
ambition. The darling of his desires was, to be a doctor, but poverty
|
|
had decreed that he should be nothing higher than a village
|
|
schoolmaster. Every day he took a mysterious book out of his desk and
|
|
absorbed himself in it at times when no classes were reciting. He kept
|
|
that book under lock and key. There was not an urchin in school but was
|
|
perishing to have a glimpse of it, but the chance never came. Every boy
|
|
and girl had a theory about the nature of that book; but no two
|
|
theories were alike, and there was no way of getting at the facts in
|
|
the case. Now, as Becky was passing by the desk, which stood near the
|
|
door, she noticed that the key was in the lock! It was a precious
|
|
moment. She glanced around; found herself alone, and the next instant
|
|
she had the book in her hands. The title-page--Professor Somebody's
|
|
ANATOMY--carried no information to her mind; so she began to turn the
|
|
leaves. She came at once upon a handsomely engraved and colored
|
|
frontispiece--a human figure, stark naked. At that moment a shadow fell
|
|
on the page and Tom Sawyer stepped in at the door and caught a glimpse
|
|
of the picture. Becky snatched at the book to close it, and had the
|
|
hard luck to tear the pictured page half down the middle. She thrust
|
|
the volume into the desk, turned the key, and burst out crying with
|
|
shame and vexation.
|
|
|
|
"Tom Sawyer, you are just as mean as you can be, to sneak up on a
|
|
person and look at what they're looking at."
|
|
|
|
"How could I know you was looking at anything?"
|
|
|
|
"You ought to be ashamed of yourself, Tom Sawyer; you know you're
|
|
going to tell on me, and oh, what shall I do, what shall I do! I'll be
|
|
whipped, and I never was whipped in school."
|
|
|
|
Then she stamped her little foot and said:
|
|
|
|
"BE so mean if you want to! I know something that's going to happen.
|
|
You just wait and you'll see! Hateful, hateful, hateful!"--and she
|
|
flung out of the house with a new explosion of crying.
|
|
|
|
Tom stood still, rather flustered by this onslaught. Presently he said
|
|
to himself:
|
|
|
|
"What a curious kind of a fool a girl is! Never been licked in school!
|
|
Shucks! What's a licking! That's just like a girl--they're so
|
|
thin-skinned and chicken-hearted. Well, of course I ain't going to tell
|
|
old Dobbins on this little fool, because there's other ways of getting
|
|
even on her, that ain't so mean; but what of it? Old Dobbins will ask
|
|
who it was tore his book. Nobody'll answer. Then he'll do just the way
|
|
he always does--ask first one and then t'other, and when he comes to the
|
|
right girl he'll know it, without any telling. Girls' faces always tell
|
|
on them. They ain't got any backbone. She'll get licked. Well, it's a
|
|
kind of a tight place for Becky Thatcher, because there ain't any way
|
|
out of it." Tom conned the thing a moment longer, and then added: "All
|
|
right, though; she'd like to see me in just such a fix--let her sweat it
|
|
out!"
|
|
|
|
Tom joined the mob of skylarking scholars outside. In a few moments
|
|
the master arrived and school "took in." Tom did not feel a strong
|
|
interest in his studies. Every time he stole a glance at the girls'
|
|
side of the room Becky's face troubled him. Considering all things, he
|
|
did not want to pity her, and yet it was all he could do to help it. He
|
|
could get up no exultation that was really worthy the name. Presently
|
|
the spelling-book discovery was made, and Tom's mind was entirely full
|
|
of his own matters for a while after that. Becky roused up from her
|
|
lethargy of distress and showed good interest in the proceedings. She
|
|
did not expect that Tom could get out of his trouble by denying that he
|
|
spilt the ink on the book himself; and she was right. The denial only
|
|
seemed to make the thing worse for Tom. Becky supposed she would be
|
|
glad of that, and she tried to believe she was glad of it, but she
|
|
found she was not certain. When the worst came to the worst, she had an
|
|
impulse to get up and tell on Alfred Temple, but she made an effort and
|
|
forced herself to keep still--because, said she to herself, "he'll tell
|
|
about me tearing the picture sure. I wouldn't say a word, not to save
|
|
his life!"
|
|
|
|
Tom took his whipping and went back to his seat not at all
|
|
broken-hearted, for he thought it was possible that he had unknowingly
|
|
upset the ink on the spelling-book himself, in some skylarking bout--he
|
|
had denied it for form's sake and because it was custom, and had stuck
|
|
to the denial from principle.
|
|
|
|
A whole hour drifted by, the master sat nodding in his throne, the air
|
|
was drowsy with the hum of study. By and by, Mr. Dobbins straightened
|
|
himself up, yawned, then unlocked his desk, and reached for his book,
|
|
but seemed undecided whether to take it out or leave it. Most of the
|
|
pupils glanced up languidly, but there were two among them that watched
|
|
his movements with intent eyes. Mr. Dobbins fingered his book absently
|
|
for a while, then took it out and settled himself in his chair to read!
|
|
Tom shot a glance at Becky. He had seen a hunted and helpless rabbit
|
|
look as she did, with a gun levelled at its head. Instantly he forgot
|
|
his quarrel with her. Quick--something must be done! done in a flash,
|
|
too! But the very imminence of the emergency paralyzed his invention.
|
|
Good!--he had an inspiration! He would run and snatch the book, spring
|
|
through the door and fly. But his resolution shook for one little
|
|
instant, and the chance was lost--the master opened the volume. If Tom
|
|
only had the wasted opportunity back again! Too late. There was no help
|
|
for Becky now, he said. The next moment the master faced the school.
|
|
Every eye sank under his gaze. There was that in it which smote even
|
|
the innocent with fear. There was silence while one might count ten
|
|
--the master was gathering his wrath. Then he spoke: "Who tore this book?"
|
|
|
|
There was not a sound. One could have heard a pin drop. The stillness
|
|
continued; the master searched face after face for signs of guilt.
|
|
|
|
"Benjamin Rogers, did you tear this book?"
|
|
|
|
A denial. Another pause.
|
|
|
|
"Joseph Harper, did you?"
|
|
|
|
Another denial. Tom's uneasiness grew more and more intense under the
|
|
slow torture of these proceedings. The master scanned the ranks of
|
|
boys--considered a while, then turned to the girls:
|
|
|
|
"Amy Lawrence?"
|
|
|
|
A shake of the head.
|
|
|
|
"Gracie Miller?"
|
|
|
|
The same sign.
|
|
|
|
"Susan Harper, did you do this?"
|
|
|
|
Another negative. The next girl was Becky Thatcher. Tom was trembling
|
|
from head to foot with excitement and a sense of the hopelessness of
|
|
the situation.
|
|
|
|
"Rebecca Thatcher" [Tom glanced at her face--it was white with terror]
|
|
--"did you tear--no, look me in the face" [her hands rose in appeal]
|
|
--"did you tear this book?"
|
|
|
|
A thought shot like lightning through Tom's brain. He sprang to his
|
|
feet and shouted--"I done it!"
|
|
|
|
The school stared in perplexity at this incredible folly. Tom stood a
|
|
moment, to gather his dismembered faculties; and when he stepped
|
|
forward to go to his punishment the surprise, the gratitude, the
|
|
adoration that shone upon him out of poor Becky's eyes seemed pay
|
|
enough for a hundred floggings. Inspired by the splendor of his own
|
|
act, he took without an outcry the most merciless flaying that even Mr.
|
|
Dobbins had ever administered; and also received with indifference the
|
|
added cruelty of a command to remain two hours after school should be
|
|
dismissed--for he knew who would wait for him outside till his
|
|
captivity was done, and not count the tedious time as loss, either.
|
|
|
|
Tom went to bed that night planning vengeance against Alfred Temple;
|
|
for with shame and repentance Becky had told him all, not forgetting
|
|
her own treachery; but even the longing for vengeance had to give way,
|
|
soon, to pleasanter musings, and he fell asleep at last with Becky's
|
|
latest words lingering dreamily in his ear--
|
|
|
|
"Tom, how COULD you be so noble!"
|
|
|
|
|
|
|
|
CHAPTER XXI
|
|
|
|
VACATION was approaching. The schoolmaster, always severe, grew
|
|
severer and more exacting than ever, for he wanted the school to make a
|
|
good showing on "Examination" day. His rod and his ferule were seldom
|
|
idle now--at least among the smaller pupils. Only the biggest boys, and
|
|
young ladies of eighteen and twenty, escaped lashing. Mr. Dobbins'
|
|
lashings were very vigorous ones, too; for although he carried, under
|
|
his wig, a perfectly bald and shiny head, he had only reached middle
|
|
age, and there was no sign of feebleness in his muscle. As the great
|
|
day approached, all the tyranny that was in him came to the surface; he
|
|
seemed to take a vindictive pleasure in punishing the least
|
|
shortcomings. The consequence was, that the smaller boys spent their
|
|
days in terror and suffering and their nights in plotting revenge. They
|
|
threw away no opportunity to do the master a mischief. But he kept
|
|
ahead all the time. The retribution that followed every vengeful
|
|
success was so sweeping and majestic that the boys always retired from
|
|
the field badly worsted. At last they conspired together and hit upon a
|
|
plan that promised a dazzling victory. They swore in the sign-painter's
|
|
boy, told him the scheme, and asked his help. He had his own reasons
|
|
for being delighted, for the master boarded in his father's family and
|
|
had given the boy ample cause to hate him. The master's wife would go
|
|
on a visit to the country in a few days, and there would be nothing to
|
|
interfere with the plan; the master always prepared himself for great
|
|
occasions by getting pretty well fuddled, and the sign-painter's boy
|
|
said that when the dominie had reached the proper condition on
|
|
Examination Evening he would "manage the thing" while he napped in his
|
|
chair; then he would have him awakened at the right time and hurried
|
|
away to school.
|
|
|
|
In the fulness of time the interesting occasion arrived. At eight in
|
|
the evening the schoolhouse was brilliantly lighted, and adorned with
|
|
wreaths and festoons of foliage and flowers. The master sat throned in
|
|
his great chair upon a raised platform, with his blackboard behind him.
|
|
He was looking tolerably mellow. Three rows of benches on each side and
|
|
six rows in front of him were occupied by the dignitaries of the town
|
|
and by the parents of the pupils. To his left, back of the rows of
|
|
citizens, was a spacious temporary platform upon which were seated the
|
|
scholars who were to take part in the exercises of the evening; rows of
|
|
small boys, washed and dressed to an intolerable state of discomfort;
|
|
rows of gawky big boys; snowbanks of girls and young ladies clad in
|
|
lawn and muslin and conspicuously conscious of their bare arms, their
|
|
grandmothers' ancient trinkets, their bits of pink and blue ribbon and
|
|
the flowers in their hair. All the rest of the house was filled with
|
|
non-participating scholars.
|
|
|
|
The exercises began. A very little boy stood up and sheepishly
|
|
recited, "You'd scarce expect one of my age to speak in public on the
|
|
stage," etc.--accompanying himself with the painfully exact and
|
|
spasmodic gestures which a machine might have used--supposing the
|
|
machine to be a trifle out of order. But he got through safely, though
|
|
cruelly scared, and got a fine round of applause when he made his
|
|
manufactured bow and retired.
|
|
|
|
A little shamefaced girl lisped, "Mary had a little lamb," etc.,
|
|
performed a compassion-inspiring curtsy, got her meed of applause, and
|
|
sat down flushed and happy.
|
|
|
|
Tom Sawyer stepped forward with conceited confidence and soared into
|
|
the unquenchable and indestructible "Give me liberty or give me death"
|
|
speech, with fine fury and frantic gesticulation, and broke down in the
|
|
middle of it. A ghastly stage-fright seized him, his legs quaked under
|
|
him and he was like to choke. True, he had the manifest sympathy of the
|
|
house but he had the house's silence, too, which was even worse than
|
|
its sympathy. The master frowned, and this completed the disaster. Tom
|
|
struggled awhile and then retired, utterly defeated. There was a weak
|
|
attempt at applause, but it died early.
|
|
|
|
"The Boy Stood on the Burning Deck" followed; also "The Assyrian Came
|
|
Down," and other declamatory gems. Then there were reading exercises,
|
|
and a spelling fight. The meagre Latin class recited with honor. The
|
|
prime feature of the evening was in order, now--original "compositions"
|
|
by the young ladies. Each in her turn stepped forward to the edge of
|
|
the platform, cleared her throat, held up her manuscript (tied with
|
|
dainty ribbon), and proceeded to read, with labored attention to
|
|
"expression" and punctuation. The themes were the same that had been
|
|
illuminated upon similar occasions by their mothers before them, their
|
|
grandmothers, and doubtless all their ancestors in the female line
|
|
clear back to the Crusades. "Friendship" was one; "Memories of Other
|
|
Days"; "Religion in History"; "Dream Land"; "The Advantages of
|
|
Culture"; "Forms of Political Government Compared and Contrasted";
|
|
"Melancholy"; "Filial Love"; "Heart Longings," etc., etc.
|
|
|
|
A prevalent feature in these compositions was a nursed and petted
|
|
melancholy; another was a wasteful and opulent gush of "fine language";
|
|
another was a tendency to lug in by the ears particularly prized words
|
|
and phrases until they were worn entirely out; and a peculiarity that
|
|
conspicuously marked and marred them was the inveterate and intolerable
|
|
sermon that wagged its crippled tail at the end of each and every one
|
|
of them. No matter what the subject might be, a brain-racking effort
|
|
was made to squirm it into some aspect or other that the moral and
|
|
religious mind could contemplate with edification. The glaring
|
|
insincerity of these sermons was not sufficient to compass the
|
|
banishment of the fashion from the schools, and it is not sufficient
|
|
to-day; it never will be sufficient while the world stands, perhaps.
|
|
There is no school in all our land where the young ladies do not feel
|
|
obliged to close their compositions with a sermon; and you will find
|
|
that the sermon of the most frivolous and the least religious girl in
|
|
the school is always the longest and the most relentlessly pious. But
|
|
enough of this. Homely truth is unpalatable.
|
|
|
|
Let us return to the "Examination." The first composition that was
|
|
read was one entitled "Is this, then, Life?" Perhaps the reader can
|
|
endure an extract from it:
|
|
|
|
"In the common walks of life, with what delightful
|
|
emotions does the youthful mind look forward to some
|
|
anticipated scene of festivity! Imagination is busy
|
|
sketching rose-tinted pictures of joy. In fancy, the
|
|
voluptuous votary of fashion sees herself amid the
|
|
festive throng, 'the observed of all observers.' Her
|
|
graceful form, arrayed in snowy robes, is whirling
|
|
through the mazes of the joyous dance; her eye is
|
|
brightest, her step is lightest in the gay assembly.
|
|
|
|
"In such delicious fancies time quickly glides by,
|
|
and the welcome hour arrives for her entrance into
|
|
the Elysian world, of which she has had such bright
|
|
dreams. How fairy-like does everything appear to
|
|
her enchanted vision! Each new scene is more charming
|
|
than the last. But after a while she finds that
|
|
beneath this goodly exterior, all is vanity, the
|
|
flattery which once charmed her soul, now grates
|
|
harshly upon her ear; the ball-room has lost its
|
|
charms; and with wasted health and imbittered heart,
|
|
she turns away with the conviction that earthly
|
|
pleasures cannot satisfy the longings of the soul!"
|
|
|
|
And so forth and so on. There was a buzz of gratification from time to
|
|
time during the reading, accompanied by whispered ejaculations of "How
|
|
sweet!" "How eloquent!" "So true!" etc., and after the thing had closed
|
|
with a peculiarly afflicting sermon the applause was enthusiastic.
|
|
|
|
Then arose a slim, melancholy girl, whose face had the "interesting"
|
|
paleness that comes of pills and indigestion, and read a "poem." Two
|
|
stanzas of it will do:
|
|
|
|
"A MISSOURI MAIDEN'S FAREWELL TO ALABAMA
|
|
|
|
"Alabama, good-bye! I love thee well!
|
|
But yet for a while do I leave thee now!
|
|
Sad, yes, sad thoughts of thee my heart doth swell,
|
|
And burning recollections throng my brow!
|
|
For I have wandered through thy flowery woods;
|
|
Have roamed and read near Tallapoosa's stream;
|
|
Have listened to Tallassee's warring floods,
|
|
And wooed on Coosa's side Aurora's beam.
|
|
|
|
"Yet shame I not to bear an o'er-full heart,
|
|
Nor blush to turn behind my tearful eyes;
|
|
'Tis from no stranger land I now must part,
|
|
'Tis to no strangers left I yield these sighs.
|
|
Welcome and home were mine within this State,
|
|
Whose vales I leave--whose spires fade fast from me
|
|
And cold must be mine eyes, and heart, and tete,
|
|
When, dear Alabama! they turn cold on thee!"
|
|
|
|
There were very few there who knew what "tete" meant, but the poem was
|
|
very satisfactory, nevertheless.
|
|
|
|
Next appeared a dark-complexioned, black-eyed, black-haired young
|
|
lady, who paused an impressive moment, assumed a tragic expression, and
|
|
began to read in a measured, solemn tone:
|
|
|
|
"A VISION
|
|
|
|
"Dark and tempestuous was night. Around the
|
|
throne on high not a single star quivered; but
|
|
the deep intonations of the heavy thunder
|
|
constantly vibrated upon the ear; whilst the
|
|
terrific lightning revelled in angry mood
|
|
through the cloudy chambers of heaven, seeming
|
|
to scorn the power exerted over its terror by
|
|
the illustrious Franklin! Even the boisterous
|
|
winds unanimously came forth from their mystic
|
|
homes, and blustered about as if to enhance by
|
|
their aid the wildness of the scene.
|
|
|
|
"At such a time, so dark, so dreary, for human
|
|
sympathy my very spirit sighed; but instead thereof,
|
|
|
|
"'My dearest friend, my counsellor, my comforter
|
|
and guide--My joy in grief, my second bliss
|
|
in joy,' came to my side. She moved like one of
|
|
those bright beings pictured in the sunny walks
|
|
of fancy's Eden by the romantic and young, a
|
|
queen of beauty unadorned save by her own
|
|
transcendent loveliness. So soft was her step, it
|
|
failed to make even a sound, and but for the
|
|
magical thrill imparted by her genial touch, as
|
|
other unobtrusive beauties, she would have glided
|
|
away un-perceived--unsought. A strange sadness
|
|
rested upon her features, like icy tears upon
|
|
the robe of December, as she pointed to the
|
|
contending elements without, and bade me contemplate
|
|
the two beings presented."
|
|
|
|
This nightmare occupied some ten pages of manuscript and wound up with
|
|
a sermon so destructive of all hope to non-Presbyterians that it took
|
|
the first prize. This composition was considered to be the very finest
|
|
effort of the evening. The mayor of the village, in delivering the
|
|
prize to the author of it, made a warm speech in which he said that it
|
|
was by far the most "eloquent" thing he had ever listened to, and that
|
|
Daniel Webster himself might well be proud of it.
|
|
|
|
It may be remarked, in passing, that the number of compositions in
|
|
which the word "beauteous" was over-fondled, and human experience
|
|
referred to as "life's page," was up to the usual average.
|
|
|
|
Now the master, mellow almost to the verge of geniality, put his chair
|
|
aside, turned his back to the audience, and began to draw a map of
|
|
America on the blackboard, to exercise the geography class upon. But he
|
|
made a sad business of it with his unsteady hand, and a smothered
|
|
titter rippled over the house. He knew what the matter was, and set
|
|
himself to right it. He sponged out lines and remade them; but he only
|
|
distorted them more than ever, and the tittering was more pronounced.
|
|
He threw his entire attention upon his work, now, as if determined not
|
|
to be put down by the mirth. He felt that all eyes were fastened upon
|
|
him; he imagined he was succeeding, and yet the tittering continued; it
|
|
even manifestly increased. And well it might. There was a garret above,
|
|
pierced with a scuttle over his head; and down through this scuttle
|
|
came a cat, suspended around the haunches by a string; she had a rag
|
|
tied about her head and jaws to keep her from mewing; as she slowly
|
|
descended she curved upward and clawed at the string, she swung
|
|
downward and clawed at the intangible air. The tittering rose higher
|
|
and higher--the cat was within six inches of the absorbed teacher's
|
|
head--down, down, a little lower, and she grabbed his wig with her
|
|
desperate claws, clung to it, and was snatched up into the garret in an
|
|
instant with her trophy still in her possession! And how the light did
|
|
blaze abroad from the master's bald pate--for the sign-painter's boy
|
|
had GILDED it!
|
|
|
|
That broke up the meeting. The boys were avenged. Vacation had come.
|
|
|
|
NOTE:--The pretended "compositions" quoted in
|
|
this chapter are taken without alteration from a
|
|
volume entitled "Prose and Poetry, by a Western
|
|
Lady"--but they are exactly and precisely after
|
|
the schoolgirl pattern, and hence are much
|
|
happier than any mere imitations could be.
|
|
|
|
|
|
|
|
CHAPTER XXII
|
|
|
|
TOM joined the new order of Cadets of Temperance, being attracted by
|
|
the showy character of their "regalia." He promised to abstain from
|
|
smoking, chewing, and profanity as long as he remained a member. Now he
|
|
found out a new thing--namely, that to promise not to do a thing is the
|
|
surest way in the world to make a body want to go and do that very
|
|
thing. Tom soon found himself tormented with a desire to drink and
|
|
swear; the desire grew to be so intense that nothing but the hope of a
|
|
chance to display himself in his red sash kept him from withdrawing
|
|
from the order. Fourth of July was coming; but he soon gave that up
|
|
--gave it up before he had worn his shackles over forty-eight hours--and
|
|
fixed his hopes upon old Judge Frazer, justice of the peace, who was
|
|
apparently on his deathbed and would have a big public funeral, since
|
|
he was so high an official. During three days Tom was deeply concerned
|
|
about the Judge's condition and hungry for news of it. Sometimes his
|
|
hopes ran high--so high that he would venture to get out his regalia
|
|
and practise before the looking-glass. But the Judge had a most
|
|
discouraging way of fluctuating. At last he was pronounced upon the
|
|
mend--and then convalescent. Tom was disgusted; and felt a sense of
|
|
injury, too. He handed in his resignation at once--and that night the
|
|
Judge suffered a relapse and died. Tom resolved that he would never
|
|
trust a man like that again.
|
|
|
|
The funeral was a fine thing. The Cadets paraded in a style calculated
|
|
to kill the late member with envy. Tom was a free boy again, however
|
|
--there was something in that. He could drink and swear, now--but found
|
|
to his surprise that he did not want to. The simple fact that he could,
|
|
took the desire away, and the charm of it.
|
|
|
|
Tom presently wondered to find that his coveted vacation was beginning
|
|
to hang a little heavily on his hands.
|
|
|
|
He attempted a diary--but nothing happened during three days, and so
|
|
he abandoned it.
|
|
|
|
The first of all the negro minstrel shows came to town, and made a
|
|
sensation. Tom and Joe Harper got up a band of performers and were
|
|
happy for two days.
|
|
|
|
Even the Glorious Fourth was in some sense a failure, for it rained
|
|
hard, there was no procession in consequence, and the greatest man in
|
|
the world (as Tom supposed), Mr. Benton, an actual United States
|
|
Senator, proved an overwhelming disappointment--for he was not
|
|
twenty-five feet high, nor even anywhere in the neighborhood of it.
|
|
|
|
A circus came. The boys played circus for three days afterward in
|
|
tents made of rag carpeting--admission, three pins for boys, two for
|
|
girls--and then circusing was abandoned.
|
|
|
|
A phrenologist and a mesmerizer came--and went again and left the
|
|
village duller and drearier than ever.
|
|
|
|
There were some boys-and-girls' parties, but they were so few and so
|
|
delightful that they only made the aching voids between ache the harder.
|
|
|
|
Becky Thatcher was gone to her Constantinople home to stay with her
|
|
parents during vacation--so there was no bright side to life anywhere.
|
|
|
|
The dreadful secret of the murder was a chronic misery. It was a very
|
|
cancer for permanency and pain.
|
|
|
|
Then came the measles.
|
|
|
|
During two long weeks Tom lay a prisoner, dead to the world and its
|
|
happenings. He was very ill, he was interested in nothing. When he got
|
|
upon his feet at last and moved feebly down-town, a melancholy change
|
|
had come over everything and every creature. There had been a
|
|
"revival," and everybody had "got religion," not only the adults, but
|
|
even the boys and girls. Tom went about, hoping against hope for the
|
|
sight of one blessed sinful face, but disappointment crossed him
|
|
everywhere. He found Joe Harper studying a Testament, and turned sadly
|
|
away from the depressing spectacle. He sought Ben Rogers, and found him
|
|
visiting the poor with a basket of tracts. He hunted up Jim Hollis, who
|
|
called his attention to the precious blessing of his late measles as a
|
|
warning. Every boy he encountered added another ton to his depression;
|
|
and when, in desperation, he flew for refuge at last to the bosom of
|
|
Huckleberry Finn and was received with a Scriptural quotation, his
|
|
heart broke and he crept home and to bed realizing that he alone of all
|
|
the town was lost, forever and forever.
|
|
|
|
And that night there came on a terrific storm, with driving rain,
|
|
awful claps of thunder and blinding sheets of lightning. He covered his
|
|
head with the bedclothes and waited in a horror of suspense for his
|
|
doom; for he had not the shadow of a doubt that all this hubbub was
|
|
about him. He believed he had taxed the forbearance of the powers above
|
|
to the extremity of endurance and that this was the result. It might
|
|
have seemed to him a waste of pomp and ammunition to kill a bug with a
|
|
battery of artillery, but there seemed nothing incongruous about the
|
|
getting up such an expensive thunderstorm as this to knock the turf
|
|
from under an insect like himself.
|
|
|
|
By and by the tempest spent itself and died without accomplishing its
|
|
object. The boy's first impulse was to be grateful, and reform. His
|
|
second was to wait--for there might not be any more storms.
|
|
|
|
The next day the doctors were back; Tom had relapsed. The three weeks
|
|
he spent on his back this time seemed an entire age. When he got abroad
|
|
at last he was hardly grateful that he had been spared, remembering how
|
|
lonely was his estate, how companionless and forlorn he was. He drifted
|
|
listlessly down the street and found Jim Hollis acting as judge in a
|
|
juvenile court that was trying a cat for murder, in the presence of her
|
|
victim, a bird. He found Joe Harper and Huck Finn up an alley eating a
|
|
stolen melon. Poor lads! they--like Tom--had suffered a relapse.
|
|
|
|
|
|
|
|
CHAPTER XXIII
|
|
|
|
AT last the sleepy atmosphere was stirred--and vigorously: the murder
|
|
trial came on in the court. It became the absorbing topic of village
|
|
talk immediately. Tom could not get away from it. Every reference to
|
|
the murder sent a shudder to his heart, for his troubled conscience and
|
|
fears almost persuaded him that these remarks were put forth in his
|
|
hearing as "feelers"; he did not see how he could be suspected of
|
|
knowing anything about the murder, but still he could not be
|
|
comfortable in the midst of this gossip. It kept him in a cold shiver
|
|
all the time. He took Huck to a lonely place to have a talk with him.
|
|
It would be some relief to unseal his tongue for a little while; to
|
|
divide his burden of distress with another sufferer. Moreover, he
|
|
wanted to assure himself that Huck had remained discreet.
|
|
|
|
"Huck, have you ever told anybody about--that?"
|
|
|
|
"'Bout what?"
|
|
|
|
"You know what."
|
|
|
|
"Oh--'course I haven't."
|
|
|
|
"Never a word?"
|
|
|
|
"Never a solitary word, so help me. What makes you ask?"
|
|
|
|
"Well, I was afeard."
|
|
|
|
"Why, Tom Sawyer, we wouldn't be alive two days if that got found out.
|
|
YOU know that."
|
|
|
|
Tom felt more comfortable. After a pause:
|
|
|
|
"Huck, they couldn't anybody get you to tell, could they?"
|
|
|
|
"Get me to tell? Why, if I wanted that half-breed devil to drownd me
|
|
they could get me to tell. They ain't no different way."
|
|
|
|
"Well, that's all right, then. I reckon we're safe as long as we keep
|
|
mum. But let's swear again, anyway. It's more surer."
|
|
|
|
"I'm agreed."
|
|
|
|
So they swore again with dread solemnities.
|
|
|
|
"What is the talk around, Huck? I've heard a power of it."
|
|
|
|
"Talk? Well, it's just Muff Potter, Muff Potter, Muff Potter all the
|
|
time. It keeps me in a sweat, constant, so's I want to hide som'ers."
|
|
|
|
"That's just the same way they go on round me. I reckon he's a goner.
|
|
Don't you feel sorry for him, sometimes?"
|
|
|
|
"Most always--most always. He ain't no account; but then he hain't
|
|
ever done anything to hurt anybody. Just fishes a little, to get money
|
|
to get drunk on--and loafs around considerable; but lord, we all do
|
|
that--leastways most of us--preachers and such like. But he's kind of
|
|
good--he give me half a fish, once, when there warn't enough for two;
|
|
and lots of times he's kind of stood by me when I was out of luck."
|
|
|
|
"Well, he's mended kites for me, Huck, and knitted hooks on to my
|
|
line. I wish we could get him out of there."
|
|
|
|
"My! we couldn't get him out, Tom. And besides, 'twouldn't do any
|
|
good; they'd ketch him again."
|
|
|
|
"Yes--so they would. But I hate to hear 'em abuse him so like the
|
|
dickens when he never done--that."
|
|
|
|
"I do too, Tom. Lord, I hear 'em say he's the bloodiest looking
|
|
villain in this country, and they wonder he wasn't ever hung before."
|
|
|
|
"Yes, they talk like that, all the time. I've heard 'em say that if he
|
|
was to get free they'd lynch him."
|
|
|
|
"And they'd do it, too."
|
|
|
|
The boys had a long talk, but it brought them little comfort. As the
|
|
twilight drew on, they found themselves hanging about the neighborhood
|
|
of the little isolated jail, perhaps with an undefined hope that
|
|
something would happen that might clear away their difficulties. But
|
|
nothing happened; there seemed to be no angels or fairies interested in
|
|
this luckless captive.
|
|
|
|
The boys did as they had often done before--went to the cell grating
|
|
and gave Potter some tobacco and matches. He was on the ground floor
|
|
and there were no guards.
|
|
|
|
His gratitude for their gifts had always smote their consciences
|
|
before--it cut deeper than ever, this time. They felt cowardly and
|
|
treacherous to the last degree when Potter said:
|
|
|
|
"You've been mighty good to me, boys--better'n anybody else in this
|
|
town. And I don't forget it, I don't. Often I says to myself, says I,
|
|
'I used to mend all the boys' kites and things, and show 'em where the
|
|
good fishin' places was, and befriend 'em what I could, and now they've
|
|
all forgot old Muff when he's in trouble; but Tom don't, and Huck
|
|
don't--THEY don't forget him, says I, 'and I don't forget them.' Well,
|
|
boys, I done an awful thing--drunk and crazy at the time--that's the
|
|
only way I account for it--and now I got to swing for it, and it's
|
|
right. Right, and BEST, too, I reckon--hope so, anyway. Well, we won't
|
|
talk about that. I don't want to make YOU feel bad; you've befriended
|
|
me. But what I want to say, is, don't YOU ever get drunk--then you won't
|
|
ever get here. Stand a litter furder west--so--that's it; it's a prime
|
|
comfort to see faces that's friendly when a body's in such a muck of
|
|
trouble, and there don't none come here but yourn. Good friendly
|
|
faces--good friendly faces. Git up on one another's backs and let me
|
|
touch 'em. That's it. Shake hands--yourn'll come through the bars, but
|
|
mine's too big. Little hands, and weak--but they've helped Muff Potter
|
|
a power, and they'd help him more if they could."
|
|
|
|
Tom went home miserable, and his dreams that night were full of
|
|
horrors. The next day and the day after, he hung about the court-room,
|
|
drawn by an almost irresistible impulse to go in, but forcing himself
|
|
to stay out. Huck was having the same experience. They studiously
|
|
avoided each other. Each wandered away, from time to time, but the same
|
|
dismal fascination always brought them back presently. Tom kept his
|
|
ears open when idlers sauntered out of the court-room, but invariably
|
|
heard distressing news--the toils were closing more and more
|
|
relentlessly around poor Potter. At the end of the second day the
|
|
village talk was to the effect that Injun Joe's evidence stood firm and
|
|
unshaken, and that there was not the slightest question as to what the
|
|
jury's verdict would be.
|
|
|
|
Tom was out late, that night, and came to bed through the window. He
|
|
was in a tremendous state of excitement. It was hours before he got to
|
|
sleep. All the village flocked to the court-house the next morning, for
|
|
this was to be the great day. Both sexes were about equally represented
|
|
in the packed audience. After a long wait the jury filed in and took
|
|
their places; shortly afterward, Potter, pale and haggard, timid and
|
|
hopeless, was brought in, with chains upon him, and seated where all
|
|
the curious eyes could stare at him; no less conspicuous was Injun Joe,
|
|
stolid as ever. There was another pause, and then the judge arrived and
|
|
the sheriff proclaimed the opening of the court. The usual whisperings
|
|
among the lawyers and gathering together of papers followed. These
|
|
details and accompanying delays worked up an atmosphere of preparation
|
|
that was as impressive as it was fascinating.
|
|
|
|
Now a witness was called who testified that he found Muff Potter
|
|
washing in the brook, at an early hour of the morning that the murder
|
|
was discovered, and that he immediately sneaked away. After some
|
|
further questioning, counsel for the prosecution said:
|
|
|
|
"Take the witness."
|
|
|
|
The prisoner raised his eyes for a moment, but dropped them again when
|
|
his own counsel said:
|
|
|
|
"I have no questions to ask him."
|
|
|
|
The next witness proved the finding of the knife near the corpse.
|
|
Counsel for the prosecution said:
|
|
|
|
"Take the witness."
|
|
|
|
"I have no questions to ask him," Potter's lawyer replied.
|
|
|
|
A third witness swore he had often seen the knife in Potter's
|
|
possession.
|
|
|
|
"Take the witness."
|
|
|
|
Counsel for Potter declined to question him. The faces of the audience
|
|
began to betray annoyance. Did this attorney mean to throw away his
|
|
client's life without an effort?
|
|
|
|
Several witnesses deposed concerning Potter's guilty behavior when
|
|
brought to the scene of the murder. They were allowed to leave the
|
|
stand without being cross-questioned.
|
|
|
|
Every detail of the damaging circumstances that occurred in the
|
|
graveyard upon that morning which all present remembered so well was
|
|
brought out by credible witnesses, but none of them were cross-examined
|
|
by Potter's lawyer. The perplexity and dissatisfaction of the house
|
|
expressed itself in murmurs and provoked a reproof from the bench.
|
|
Counsel for the prosecution now said:
|
|
|
|
"By the oaths of citizens whose simple word is above suspicion, we
|
|
have fastened this awful crime, beyond all possibility of question,
|
|
upon the unhappy prisoner at the bar. We rest our case here."
|
|
|
|
A groan escaped from poor Potter, and he put his face in his hands and
|
|
rocked his body softly to and fro, while a painful silence reigned in
|
|
the court-room. Many men were moved, and many women's compassion
|
|
testified itself in tears. Counsel for the defence rose and said:
|
|
|
|
"Your honor, in our remarks at the opening of this trial, we
|
|
foreshadowed our purpose to prove that our client did this fearful deed
|
|
while under the influence of a blind and irresponsible delirium
|
|
produced by drink. We have changed our mind. We shall not offer that
|
|
plea." [Then to the clerk:] "Call Thomas Sawyer!"
|
|
|
|
A puzzled amazement awoke in every face in the house, not even
|
|
excepting Potter's. Every eye fastened itself with wondering interest
|
|
upon Tom as he rose and took his place upon the stand. The boy looked
|
|
wild enough, for he was badly scared. The oath was administered.
|
|
|
|
"Thomas Sawyer, where were you on the seventeenth of June, about the
|
|
hour of midnight?"
|
|
|
|
Tom glanced at Injun Joe's iron face and his tongue failed him. The
|
|
audience listened breathless, but the words refused to come. After a
|
|
few moments, however, the boy got a little of his strength back, and
|
|
managed to put enough of it into his voice to make part of the house
|
|
hear:
|
|
|
|
"In the graveyard!"
|
|
|
|
"A little bit louder, please. Don't be afraid. You were--"
|
|
|
|
"In the graveyard."
|
|
|
|
A contemptuous smile flitted across Injun Joe's face.
|
|
|
|
"Were you anywhere near Horse Williams' grave?"
|
|
|
|
"Yes, sir."
|
|
|
|
"Speak up--just a trifle louder. How near were you?"
|
|
|
|
"Near as I am to you."
|
|
|
|
"Were you hidden, or not?"
|
|
|
|
"I was hid."
|
|
|
|
"Where?"
|
|
|
|
"Behind the elms that's on the edge of the grave."
|
|
|
|
Injun Joe gave a barely perceptible start.
|
|
|
|
"Any one with you?"
|
|
|
|
"Yes, sir. I went there with--"
|
|
|
|
"Wait--wait a moment. Never mind mentioning your companion's name. We
|
|
will produce him at the proper time. Did you carry anything there with
|
|
you."
|
|
|
|
Tom hesitated and looked confused.
|
|
|
|
"Speak out, my boy--don't be diffident. The truth is always
|
|
respectable. What did you take there?"
|
|
|
|
"Only a--a--dead cat."
|
|
|
|
There was a ripple of mirth, which the court checked.
|
|
|
|
"We will produce the skeleton of that cat. Now, my boy, tell us
|
|
everything that occurred--tell it in your own way--don't skip anything,
|
|
and don't be afraid."
|
|
|
|
Tom began--hesitatingly at first, but as he warmed to his subject his
|
|
words flowed more and more easily; in a little while every sound ceased
|
|
but his own voice; every eye fixed itself upon him; with parted lips
|
|
and bated breath the audience hung upon his words, taking no note of
|
|
time, rapt in the ghastly fascinations of the tale. The strain upon
|
|
pent emotion reached its climax when the boy said:
|
|
|
|
"--and as the doctor fetched the board around and Muff Potter fell,
|
|
Injun Joe jumped with the knife and--"
|
|
|
|
Crash! Quick as lightning the half-breed sprang for a window, tore his
|
|
way through all opposers, and was gone!
|
|
|
|
|
|
|
|
CHAPTER XXIV
|
|
|
|
TOM was a glittering hero once more--the pet of the old, the envy of
|
|
the young. His name even went into immortal print, for the village
|
|
paper magnified him. There were some that believed he would be
|
|
President, yet, if he escaped hanging.
|
|
|
|
As usual, the fickle, unreasoning world took Muff Potter to its bosom
|
|
and fondled him as lavishly as it had abused him before. But that sort
|
|
of conduct is to the world's credit; therefore it is not well to find
|
|
fault with it.
|
|
|
|
Tom's days were days of splendor and exultation to him, but his nights
|
|
were seasons of horror. Injun Joe infested all his dreams, and always
|
|
with doom in his eye. Hardly any temptation could persuade the boy to
|
|
stir abroad after nightfall. Poor Huck was in the same state of
|
|
wretchedness and terror, for Tom had told the whole story to the lawyer
|
|
the night before the great day of the trial, and Huck was sore afraid
|
|
that his share in the business might leak out, yet, notwithstanding
|
|
Injun Joe's flight had saved him the suffering of testifying in court.
|
|
The poor fellow had got the attorney to promise secrecy, but what of
|
|
that? Since Tom's harassed conscience had managed to drive him to the
|
|
lawyer's house by night and wring a dread tale from lips that had been
|
|
sealed with the dismalest and most formidable of oaths, Huck's
|
|
confidence in the human race was well-nigh obliterated.
|
|
|
|
Daily Muff Potter's gratitude made Tom glad he had spoken; but nightly
|
|
he wished he had sealed up his tongue.
|
|
|
|
Half the time Tom was afraid Injun Joe would never be captured; the
|
|
other half he was afraid he would be. He felt sure he never could draw
|
|
a safe breath again until that man was dead and he had seen the corpse.
|
|
|
|
Rewards had been offered, the country had been scoured, but no Injun
|
|
Joe was found. One of those omniscient and awe-inspiring marvels, a
|
|
detective, came up from St. Louis, moused around, shook his head,
|
|
looked wise, and made that sort of astounding success which members of
|
|
that craft usually achieve. That is to say, he "found a clew." But you
|
|
can't hang a "clew" for murder, and so after that detective had got
|
|
through and gone home, Tom felt just as insecure as he was before.
|
|
|
|
The slow days drifted on, and each left behind it a slightly lightened
|
|
weight of apprehension.
|
|
|
|
|
|
|
|
CHAPTER XXV
|
|
|
|
THERE comes a time in every rightly-constructed boy's life when he has
|
|
a raging desire to go somewhere and dig for hidden treasure. This
|
|
desire suddenly came upon Tom one day. He sallied out to find Joe
|
|
Harper, but failed of success. Next he sought Ben Rogers; he had gone
|
|
fishing. Presently he stumbled upon Huck Finn the Red-Handed. Huck
|
|
would answer. Tom took him to a private place and opened the matter to
|
|
him confidentially. Huck was willing. Huck was always willing to take a
|
|
hand in any enterprise that offered entertainment and required no
|
|
capital, for he had a troublesome superabundance of that sort of time
|
|
which is not money. "Where'll we dig?" said Huck.
|
|
|
|
"Oh, most anywhere."
|
|
|
|
"Why, is it hid all around?"
|
|
|
|
"No, indeed it ain't. It's hid in mighty particular places, Huck
|
|
--sometimes on islands, sometimes in rotten chests under the end of a
|
|
limb of an old dead tree, just where the shadow falls at midnight; but
|
|
mostly under the floor in ha'nted houses."
|
|
|
|
"Who hides it?"
|
|
|
|
"Why, robbers, of course--who'd you reckon? Sunday-school
|
|
sup'rintendents?"
|
|
|
|
"I don't know. If 'twas mine I wouldn't hide it; I'd spend it and have
|
|
a good time."
|
|
|
|
"So would I. But robbers don't do that way. They always hide it and
|
|
leave it there."
|
|
|
|
"Don't they come after it any more?"
|
|
|
|
"No, they think they will, but they generally forget the marks, or
|
|
else they die. Anyway, it lays there a long time and gets rusty; and by
|
|
and by somebody finds an old yellow paper that tells how to find the
|
|
marks--a paper that's got to be ciphered over about a week because it's
|
|
mostly signs and hy'roglyphics."
|
|
|
|
"Hyro--which?"
|
|
|
|
"Hy'roglyphics--pictures and things, you know, that don't seem to mean
|
|
anything."
|
|
|
|
"Have you got one of them papers, Tom?"
|
|
|
|
"No."
|
|
|
|
"Well then, how you going to find the marks?"
|
|
|
|
"I don't want any marks. They always bury it under a ha'nted house or
|
|
on an island, or under a dead tree that's got one limb sticking out.
|
|
Well, we've tried Jackson's Island a little, and we can try it again
|
|
some time; and there's the old ha'nted house up the Still-House branch,
|
|
and there's lots of dead-limb trees--dead loads of 'em."
|
|
|
|
"Is it under all of them?"
|
|
|
|
"How you talk! No!"
|
|
|
|
"Then how you going to know which one to go for?"
|
|
|
|
"Go for all of 'em!"
|
|
|
|
"Why, Tom, it'll take all summer."
|
|
|
|
"Well, what of that? Suppose you find a brass pot with a hundred
|
|
dollars in it, all rusty and gray, or rotten chest full of di'monds.
|
|
How's that?"
|
|
|
|
Huck's eyes glowed.
|
|
|
|
"That's bully. Plenty bully enough for me. Just you gimme the hundred
|
|
dollars and I don't want no di'monds."
|
|
|
|
"All right. But I bet you I ain't going to throw off on di'monds. Some
|
|
of 'em's worth twenty dollars apiece--there ain't any, hardly, but's
|
|
worth six bits or a dollar."
|
|
|
|
"No! Is that so?"
|
|
|
|
"Cert'nly--anybody'll tell you so. Hain't you ever seen one, Huck?"
|
|
|
|
"Not as I remember."
|
|
|
|
"Oh, kings have slathers of them."
|
|
|
|
"Well, I don' know no kings, Tom."
|
|
|
|
"I reckon you don't. But if you was to go to Europe you'd see a raft
|
|
of 'em hopping around."
|
|
|
|
"Do they hop?"
|
|
|
|
"Hop?--your granny! No!"
|
|
|
|
"Well, what did you say they did, for?"
|
|
|
|
"Shucks, I only meant you'd SEE 'em--not hopping, of course--what do
|
|
they want to hop for?--but I mean you'd just see 'em--scattered around,
|
|
you know, in a kind of a general way. Like that old humpbacked Richard."
|
|
|
|
"Richard? What's his other name?"
|
|
|
|
"He didn't have any other name. Kings don't have any but a given name."
|
|
|
|
"No?"
|
|
|
|
"But they don't."
|
|
|
|
"Well, if they like it, Tom, all right; but I don't want to be a king
|
|
and have only just a given name, like a nigger. But say--where you
|
|
going to dig first?"
|
|
|
|
"Well, I don't know. S'pose we tackle that old dead-limb tree on the
|
|
hill t'other side of Still-House branch?"
|
|
|
|
"I'm agreed."
|
|
|
|
So they got a crippled pick and a shovel, and set out on their
|
|
three-mile tramp. They arrived hot and panting, and threw themselves
|
|
down in the shade of a neighboring elm to rest and have a smoke.
|
|
|
|
"I like this," said Tom.
|
|
|
|
"So do I."
|
|
|
|
"Say, Huck, if we find a treasure here, what you going to do with your
|
|
share?"
|
|
|
|
"Well, I'll have pie and a glass of soda every day, and I'll go to
|
|
every circus that comes along. I bet I'll have a gay time."
|
|
|
|
"Well, ain't you going to save any of it?"
|
|
|
|
"Save it? What for?"
|
|
|
|
"Why, so as to have something to live on, by and by."
|
|
|
|
"Oh, that ain't any use. Pap would come back to thish-yer town some
|
|
day and get his claws on it if I didn't hurry up, and I tell you he'd
|
|
clean it out pretty quick. What you going to do with yourn, Tom?"
|
|
|
|
"I'm going to buy a new drum, and a sure-'nough sword, and a red
|
|
necktie and a bull pup, and get married."
|
|
|
|
"Married!"
|
|
|
|
"That's it."
|
|
|
|
"Tom, you--why, you ain't in your right mind."
|
|
|
|
"Wait--you'll see."
|
|
|
|
"Well, that's the foolishest thing you could do. Look at pap and my
|
|
mother. Fight! Why, they used to fight all the time. I remember, mighty
|
|
well."
|
|
|
|
"That ain't anything. The girl I'm going to marry won't fight."
|
|
|
|
"Tom, I reckon they're all alike. They'll all comb a body. Now you
|
|
better think 'bout this awhile. I tell you you better. What's the name
|
|
of the gal?"
|
|
|
|
"It ain't a gal at all--it's a girl."
|
|
|
|
"It's all the same, I reckon; some says gal, some says girl--both's
|
|
right, like enough. Anyway, what's her name, Tom?"
|
|
|
|
"I'll tell you some time--not now."
|
|
|
|
"All right--that'll do. Only if you get married I'll be more lonesomer
|
|
than ever."
|
|
|
|
"No you won't. You'll come and live with me. Now stir out of this and
|
|
we'll go to digging."
|
|
|
|
They worked and sweated for half an hour. No result. They toiled
|
|
another half-hour. Still no result. Huck said:
|
|
|
|
"Do they always bury it as deep as this?"
|
|
|
|
"Sometimes--not always. Not generally. I reckon we haven't got the
|
|
right place."
|
|
|
|
So they chose a new spot and began again. The labor dragged a little,
|
|
but still they made progress. They pegged away in silence for some
|
|
time. Finally Huck leaned on his shovel, swabbed the beaded drops from
|
|
his brow with his sleeve, and said:
|
|
|
|
"Where you going to dig next, after we get this one?"
|
|
|
|
"I reckon maybe we'll tackle the old tree that's over yonder on
|
|
Cardiff Hill back of the widow's."
|
|
|
|
"I reckon that'll be a good one. But won't the widow take it away from
|
|
us, Tom? It's on her land."
|
|
|
|
"SHE take it away! Maybe she'd like to try it once. Whoever finds one
|
|
of these hid treasures, it belongs to him. It don't make any difference
|
|
whose land it's on."
|
|
|
|
That was satisfactory. The work went on. By and by Huck said:
|
|
|
|
"Blame it, we must be in the wrong place again. What do you think?"
|
|
|
|
"It is mighty curious, Huck. I don't understand it. Sometimes witches
|
|
interfere. I reckon maybe that's what's the trouble now."
|
|
|
|
"Shucks! Witches ain't got no power in the daytime."
|
|
|
|
"Well, that's so. I didn't think of that. Oh, I know what the matter
|
|
is! What a blamed lot of fools we are! You got to find out where the
|
|
shadow of the limb falls at midnight, and that's where you dig!"
|
|
|
|
"Then consound it, we've fooled away all this work for nothing. Now
|
|
hang it all, we got to come back in the night. It's an awful long way.
|
|
Can you get out?"
|
|
|
|
"I bet I will. We've got to do it to-night, too, because if somebody
|
|
sees these holes they'll know in a minute what's here and they'll go
|
|
for it."
|
|
|
|
"Well, I'll come around and maow to-night."
|
|
|
|
"All right. Let's hide the tools in the bushes."
|
|
|
|
The boys were there that night, about the appointed time. They sat in
|
|
the shadow waiting. It was a lonely place, and an hour made solemn by
|
|
old traditions. Spirits whispered in the rustling leaves, ghosts lurked
|
|
in the murky nooks, the deep baying of a hound floated up out of the
|
|
distance, an owl answered with his sepulchral note. The boys were
|
|
subdued by these solemnities, and talked little. By and by they judged
|
|
that twelve had come; they marked where the shadow fell, and began to
|
|
dig. Their hopes commenced to rise. Their interest grew stronger, and
|
|
their industry kept pace with it. The hole deepened and still deepened,
|
|
but every time their hearts jumped to hear the pick strike upon
|
|
something, they only suffered a new disappointment. It was only a stone
|
|
or a chunk. At last Tom said:
|
|
|
|
"It ain't any use, Huck, we're wrong again."
|
|
|
|
"Well, but we CAN'T be wrong. We spotted the shadder to a dot."
|
|
|
|
"I know it, but then there's another thing."
|
|
|
|
"What's that?".
|
|
|
|
"Why, we only guessed at the time. Like enough it was too late or too
|
|
early."
|
|
|
|
Huck dropped his shovel.
|
|
|
|
"That's it," said he. "That's the very trouble. We got to give this
|
|
one up. We can't ever tell the right time, and besides this kind of
|
|
thing's too awful, here this time of night with witches and ghosts
|
|
a-fluttering around so. I feel as if something's behind me all the time;
|
|
and I'm afeard to turn around, becuz maybe there's others in front
|
|
a-waiting for a chance. I been creeping all over, ever since I got here."
|
|
|
|
"Well, I've been pretty much so, too, Huck. They most always put in a
|
|
dead man when they bury a treasure under a tree, to look out for it."
|
|
|
|
"Lordy!"
|
|
|
|
"Yes, they do. I've always heard that."
|
|
|
|
"Tom, I don't like to fool around much where there's dead people. A
|
|
body's bound to get into trouble with 'em, sure."
|
|
|
|
"I don't like to stir 'em up, either. S'pose this one here was to
|
|
stick his skull out and say something!"
|
|
|
|
"Don't Tom! It's awful."
|
|
|
|
"Well, it just is. Huck, I don't feel comfortable a bit."
|
|
|
|
"Say, Tom, let's give this place up, and try somewheres else."
|
|
|
|
"All right, I reckon we better."
|
|
|
|
"What'll it be?"
|
|
|
|
Tom considered awhile; and then said:
|
|
|
|
"The ha'nted house. That's it!"
|
|
|
|
"Blame it, I don't like ha'nted houses, Tom. Why, they're a dern sight
|
|
worse'n dead people. Dead people might talk, maybe, but they don't come
|
|
sliding around in a shroud, when you ain't noticing, and peep over your
|
|
shoulder all of a sudden and grit their teeth, the way a ghost does. I
|
|
couldn't stand such a thing as that, Tom--nobody could."
|
|
|
|
"Yes, but, Huck, ghosts don't travel around only at night. They won't
|
|
hender us from digging there in the daytime."
|
|
|
|
"Well, that's so. But you know mighty well people don't go about that
|
|
ha'nted house in the day nor the night."
|
|
|
|
"Well, that's mostly because they don't like to go where a man's been
|
|
murdered, anyway--but nothing's ever been seen around that house except
|
|
in the night--just some blue lights slipping by the windows--no regular
|
|
ghosts."
|
|
|
|
"Well, where you see one of them blue lights flickering around, Tom,
|
|
you can bet there's a ghost mighty close behind it. It stands to
|
|
reason. Becuz you know that they don't anybody but ghosts use 'em."
|
|
|
|
"Yes, that's so. But anyway they don't come around in the daytime, so
|
|
what's the use of our being afeard?"
|
|
|
|
"Well, all right. We'll tackle the ha'nted house if you say so--but I
|
|
reckon it's taking chances."
|
|
|
|
They had started down the hill by this time. There in the middle of
|
|
the moonlit valley below them stood the "ha'nted" house, utterly
|
|
isolated, its fences gone long ago, rank weeds smothering the very
|
|
doorsteps, the chimney crumbled to ruin, the window-sashes vacant, a
|
|
corner of the roof caved in. The boys gazed awhile, half expecting to
|
|
see a blue light flit past a window; then talking in a low tone, as
|
|
befitted the time and the circumstances, they struck far off to the
|
|
right, to give the haunted house a wide berth, and took their way
|
|
homeward through the woods that adorned the rearward side of Cardiff
|
|
Hill.
|
|
|
|
|
|
|
|
CHAPTER XXVI
|
|
|
|
ABOUT noon the next day the boys arrived at the dead tree; they had
|
|
come for their tools. Tom was impatient to go to the haunted house;
|
|
Huck was measurably so, also--but suddenly said:
|
|
|
|
"Lookyhere, Tom, do you know what day it is?"
|
|
|
|
Tom mentally ran over the days of the week, and then quickly lifted
|
|
his eyes with a startled look in them--
|
|
|
|
"My! I never once thought of it, Huck!"
|
|
|
|
"Well, I didn't neither, but all at once it popped onto me that it was
|
|
Friday."
|
|
|
|
"Blame it, a body can't be too careful, Huck. We might 'a' got into an
|
|
awful scrape, tackling such a thing on a Friday."
|
|
|
|
"MIGHT! Better say we WOULD! There's some lucky days, maybe, but
|
|
Friday ain't."
|
|
|
|
"Any fool knows that. I don't reckon YOU was the first that found it
|
|
out, Huck."
|
|
|
|
"Well, I never said I was, did I? And Friday ain't all, neither. I had
|
|
a rotten bad dream last night--dreampt about rats."
|
|
|
|
"No! Sure sign of trouble. Did they fight?"
|
|
|
|
"No."
|
|
|
|
"Well, that's good, Huck. When they don't fight it's only a sign that
|
|
there's trouble around, you know. All we got to do is to look mighty
|
|
sharp and keep out of it. We'll drop this thing for to-day, and play.
|
|
Do you know Robin Hood, Huck?"
|
|
|
|
"No. Who's Robin Hood?"
|
|
|
|
"Why, he was one of the greatest men that was ever in England--and the
|
|
best. He was a robber."
|
|
|
|
"Cracky, I wisht I was. Who did he rob?"
|
|
|
|
"Only sheriffs and bishops and rich people and kings, and such like.
|
|
But he never bothered the poor. He loved 'em. He always divided up with
|
|
'em perfectly square."
|
|
|
|
"Well, he must 'a' been a brick."
|
|
|
|
"I bet you he was, Huck. Oh, he was the noblest man that ever was.
|
|
They ain't any such men now, I can tell you. He could lick any man in
|
|
England, with one hand tied behind him; and he could take his yew bow
|
|
and plug a ten-cent piece every time, a mile and a half."
|
|
|
|
"What's a YEW bow?"
|
|
|
|
"I don't know. It's some kind of a bow, of course. And if he hit that
|
|
dime only on the edge he would set down and cry--and curse. But we'll
|
|
play Robin Hood--it's nobby fun. I'll learn you."
|
|
|
|
"I'm agreed."
|
|
|
|
So they played Robin Hood all the afternoon, now and then casting a
|
|
yearning eye down upon the haunted house and passing a remark about the
|
|
morrow's prospects and possibilities there. As the sun began to sink
|
|
into the west they took their way homeward athwart the long shadows of
|
|
the trees and soon were buried from sight in the forests of Cardiff
|
|
Hill.
|
|
|
|
On Saturday, shortly after noon, the boys were at the dead tree again.
|
|
They had a smoke and a chat in the shade, and then dug a little in
|
|
their last hole, not with great hope, but merely because Tom said there
|
|
were so many cases where people had given up a treasure after getting
|
|
down within six inches of it, and then somebody else had come along and
|
|
turned it up with a single thrust of a shovel. The thing failed this
|
|
time, however, so the boys shouldered their tools and went away feeling
|
|
that they had not trifled with fortune, but had fulfilled all the
|
|
requirements that belong to the business of treasure-hunting.
|
|
|
|
When they reached the haunted house there was something so weird and
|
|
grisly about the dead silence that reigned there under the baking sun,
|
|
and something so depressing about the loneliness and desolation of the
|
|
place, that they were afraid, for a moment, to venture in. Then they
|
|
crept to the door and took a trembling peep. They saw a weed-grown,
|
|
floorless room, unplastered, an ancient fireplace, vacant windows, a
|
|
ruinous staircase; and here, there, and everywhere hung ragged and
|
|
abandoned cobwebs. They presently entered, softly, with quickened
|
|
pulses, talking in whispers, ears alert to catch the slightest sound,
|
|
and muscles tense and ready for instant retreat.
|
|
|
|
In a little while familiarity modified their fears and they gave the
|
|
place a critical and interested examination, rather admiring their own
|
|
boldness, and wondering at it, too. Next they wanted to look up-stairs.
|
|
This was something like cutting off retreat, but they got to daring
|
|
each other, and of course there could be but one result--they threw
|
|
their tools into a corner and made the ascent. Up there were the same
|
|
signs of decay. In one corner they found a closet that promised
|
|
mystery, but the promise was a fraud--there was nothing in it. Their
|
|
courage was up now and well in hand. They were about to go down and
|
|
begin work when--
|
|
|
|
"Sh!" said Tom.
|
|
|
|
"What is it?" whispered Huck, blanching with fright.
|
|
|
|
"Sh!... There!... Hear it?"
|
|
|
|
"Yes!... Oh, my! Let's run!"
|
|
|
|
"Keep still! Don't you budge! They're coming right toward the door."
|
|
|
|
The boys stretched themselves upon the floor with their eyes to
|
|
knot-holes in the planking, and lay waiting, in a misery of fear.
|
|
|
|
"They've stopped.... No--coming.... Here they are. Don't whisper
|
|
another word, Huck. My goodness, I wish I was out of this!"
|
|
|
|
Two men entered. Each boy said to himself: "There's the old deaf and
|
|
dumb Spaniard that's been about town once or twice lately--never saw
|
|
t'other man before."
|
|
|
|
"T'other" was a ragged, unkempt creature, with nothing very pleasant
|
|
in his face. The Spaniard was wrapped in a serape; he had bushy white
|
|
whiskers; long white hair flowed from under his sombrero, and he wore
|
|
green goggles. When they came in, "t'other" was talking in a low voice;
|
|
they sat down on the ground, facing the door, with their backs to the
|
|
wall, and the speaker continued his remarks. His manner became less
|
|
guarded and his words more distinct as he proceeded:
|
|
|
|
"No," said he, "I've thought it all over, and I don't like it. It's
|
|
dangerous."
|
|
|
|
"Dangerous!" grunted the "deaf and dumb" Spaniard--to the vast
|
|
surprise of the boys. "Milksop!"
|
|
|
|
This voice made the boys gasp and quake. It was Injun Joe's! There was
|
|
silence for some time. Then Joe said:
|
|
|
|
"What's any more dangerous than that job up yonder--but nothing's come
|
|
of it."
|
|
|
|
"That's different. Away up the river so, and not another house about.
|
|
'Twon't ever be known that we tried, anyway, long as we didn't succeed."
|
|
|
|
"Well, what's more dangerous than coming here in the daytime!--anybody
|
|
would suspicion us that saw us."
|
|
|
|
"I know that. But there warn't any other place as handy after that
|
|
fool of a job. I want to quit this shanty. I wanted to yesterday, only
|
|
it warn't any use trying to stir out of here, with those infernal boys
|
|
playing over there on the hill right in full view."
|
|
|
|
"Those infernal boys" quaked again under the inspiration of this
|
|
remark, and thought how lucky it was that they had remembered it was
|
|
Friday and concluded to wait a day. They wished in their hearts they
|
|
had waited a year.
|
|
|
|
The two men got out some food and made a luncheon. After a long and
|
|
thoughtful silence, Injun Joe said:
|
|
|
|
"Look here, lad--you go back up the river where you belong. Wait there
|
|
till you hear from me. I'll take the chances on dropping into this town
|
|
just once more, for a look. We'll do that 'dangerous' job after I've
|
|
spied around a little and think things look well for it. Then for
|
|
Texas! We'll leg it together!"
|
|
|
|
This was satisfactory. Both men presently fell to yawning, and Injun
|
|
Joe said:
|
|
|
|
"I'm dead for sleep! It's your turn to watch."
|
|
|
|
He curled down in the weeds and soon began to snore. His comrade
|
|
stirred him once or twice and he became quiet. Presently the watcher
|
|
began to nod; his head drooped lower and lower, both men began to snore
|
|
now.
|
|
|
|
The boys drew a long, grateful breath. Tom whispered:
|
|
|
|
"Now's our chance--come!"
|
|
|
|
Huck said:
|
|
|
|
"I can't--I'd die if they was to wake."
|
|
|
|
Tom urged--Huck held back. At last Tom rose slowly and softly, and
|
|
started alone. But the first step he made wrung such a hideous creak
|
|
from the crazy floor that he sank down almost dead with fright. He
|
|
never made a second attempt. The boys lay there counting the dragging
|
|
moments till it seemed to them that time must be done and eternity
|
|
growing gray; and then they were grateful to note that at last the sun
|
|
was setting.
|
|
|
|
Now one snore ceased. Injun Joe sat up, stared around--smiled grimly
|
|
upon his comrade, whose head was drooping upon his knees--stirred him
|
|
up with his foot and said:
|
|
|
|
"Here! YOU'RE a watchman, ain't you! All right, though--nothing's
|
|
happened."
|
|
|
|
"My! have I been asleep?"
|
|
|
|
"Oh, partly, partly. Nearly time for us to be moving, pard. What'll we
|
|
do with what little swag we've got left?"
|
|
|
|
"I don't know--leave it here as we've always done, I reckon. No use to
|
|
take it away till we start south. Six hundred and fifty in silver's
|
|
something to carry."
|
|
|
|
"Well--all right--it won't matter to come here once more."
|
|
|
|
"No--but I'd say come in the night as we used to do--it's better."
|
|
|
|
"Yes: but look here; it may be a good while before I get the right
|
|
chance at that job; accidents might happen; 'tain't in such a very good
|
|
place; we'll just regularly bury it--and bury it deep."
|
|
|
|
"Good idea," said the comrade, who walked across the room, knelt down,
|
|
raised one of the rearward hearth-stones and took out a bag that
|
|
jingled pleasantly. He subtracted from it twenty or thirty dollars for
|
|
himself and as much for Injun Joe, and passed the bag to the latter,
|
|
who was on his knees in the corner, now, digging with his bowie-knife.
|
|
|
|
The boys forgot all their fears, all their miseries in an instant.
|
|
With gloating eyes they watched every movement. Luck!--the splendor of
|
|
it was beyond all imagination! Six hundred dollars was money enough to
|
|
make half a dozen boys rich! Here was treasure-hunting under the
|
|
happiest auspices--there would not be any bothersome uncertainty as to
|
|
where to dig. They nudged each other every moment--eloquent nudges and
|
|
easily understood, for they simply meant--"Oh, but ain't you glad NOW
|
|
we're here!"
|
|
|
|
Joe's knife struck upon something.
|
|
|
|
"Hello!" said he.
|
|
|
|
"What is it?" said his comrade.
|
|
|
|
"Half-rotten plank--no, it's a box, I believe. Here--bear a hand and
|
|
we'll see what it's here for. Never mind, I've broke a hole."
|
|
|
|
He reached his hand in and drew it out--
|
|
|
|
"Man, it's money!"
|
|
|
|
The two men examined the handful of coins. They were gold. The boys
|
|
above were as excited as themselves, and as delighted.
|
|
|
|
Joe's comrade said:
|
|
|
|
"We'll make quick work of this. There's an old rusty pick over amongst
|
|
the weeds in the corner the other side of the fireplace--I saw it a
|
|
minute ago."
|
|
|
|
He ran and brought the boys' pick and shovel. Injun Joe took the pick,
|
|
looked it over critically, shook his head, muttered something to
|
|
himself, and then began to use it. The box was soon unearthed. It was
|
|
not very large; it was iron bound and had been very strong before the
|
|
slow years had injured it. The men contemplated the treasure awhile in
|
|
blissful silence.
|
|
|
|
"Pard, there's thousands of dollars here," said Injun Joe.
|
|
|
|
"'Twas always said that Murrel's gang used to be around here one
|
|
summer," the stranger observed.
|
|
|
|
"I know it," said Injun Joe; "and this looks like it, I should say."
|
|
|
|
"Now you won't need to do that job."
|
|
|
|
The half-breed frowned. Said he:
|
|
|
|
"You don't know me. Least you don't know all about that thing. 'Tain't
|
|
robbery altogether--it's REVENGE!" and a wicked light flamed in his
|
|
eyes. "I'll need your help in it. When it's finished--then Texas. Go
|
|
home to your Nance and your kids, and stand by till you hear from me."
|
|
|
|
"Well--if you say so; what'll we do with this--bury it again?"
|
|
|
|
"Yes. [Ravishing delight overhead.] NO! by the great Sachem, no!
|
|
[Profound distress overhead.] I'd nearly forgot. That pick had fresh
|
|
earth on it! [The boys were sick with terror in a moment.] What
|
|
business has a pick and a shovel here? What business with fresh earth
|
|
on them? Who brought them here--and where are they gone? Have you heard
|
|
anybody?--seen anybody? What! bury it again and leave them to come and
|
|
see the ground disturbed? Not exactly--not exactly. We'll take it to my
|
|
den."
|
|
|
|
"Why, of course! Might have thought of that before. You mean Number
|
|
One?"
|
|
|
|
"No--Number Two--under the cross. The other place is bad--too common."
|
|
|
|
"All right. It's nearly dark enough to start."
|
|
|
|
Injun Joe got up and went about from window to window cautiously
|
|
peeping out. Presently he said:
|
|
|
|
"Who could have brought those tools here? Do you reckon they can be
|
|
up-stairs?"
|
|
|
|
The boys' breath forsook them. Injun Joe put his hand on his knife,
|
|
halted a moment, undecided, and then turned toward the stairway. The
|
|
boys thought of the closet, but their strength was gone. The steps came
|
|
creaking up the stairs--the intolerable distress of the situation woke
|
|
the stricken resolution of the lads--they were about to spring for the
|
|
closet, when there was a crash of rotten timbers and Injun Joe landed
|
|
on the ground amid the debris of the ruined stairway. He gathered
|
|
himself up cursing, and his comrade said:
|
|
|
|
"Now what's the use of all that? If it's anybody, and they're up
|
|
there, let them STAY there--who cares? If they want to jump down, now,
|
|
and get into trouble, who objects? It will be dark in fifteen minutes
|
|
--and then let them follow us if they want to. I'm willing. In my
|
|
opinion, whoever hove those things in here caught a sight of us and
|
|
took us for ghosts or devils or something. I'll bet they're running
|
|
yet."
|
|
|
|
Joe grumbled awhile; then he agreed with his friend that what daylight
|
|
was left ought to be economized in getting things ready for leaving.
|
|
Shortly afterward they slipped out of the house in the deepening
|
|
twilight, and moved toward the river with their precious box.
|
|
|
|
Tom and Huck rose up, weak but vastly relieved, and stared after them
|
|
through the chinks between the logs of the house. Follow? Not they.
|
|
They were content to reach ground again without broken necks, and take
|
|
the townward track over the hill. They did not talk much. They were too
|
|
much absorbed in hating themselves--hating the ill luck that made them
|
|
take the spade and the pick there. But for that, Injun Joe never would
|
|
have suspected. He would have hidden the silver with the gold to wait
|
|
there till his "revenge" was satisfied, and then he would have had the
|
|
misfortune to find that money turn up missing. Bitter, bitter luck that
|
|
the tools were ever brought there!
|
|
|
|
They resolved to keep a lookout for that Spaniard when he should come
|
|
to town spying out for chances to do his revengeful job, and follow him
|
|
to "Number Two," wherever that might be. Then a ghastly thought
|
|
occurred to Tom.
|
|
|
|
"Revenge? What if he means US, Huck!"
|
|
|
|
"Oh, don't!" said Huck, nearly fainting.
|
|
|
|
They talked it all over, and as they entered town they agreed to
|
|
believe that he might possibly mean somebody else--at least that he
|
|
might at least mean nobody but Tom, since only Tom had testified.
|
|
|
|
Very, very small comfort it was to Tom to be alone in danger! Company
|
|
would be a palpable improvement, he thought.
|
|
|
|
|
|
|
|
CHAPTER XXVII
|
|
|
|
THE adventure of the day mightily tormented Tom's dreams that night.
|
|
Four times he had his hands on that rich treasure and four times it
|
|
wasted to nothingness in his fingers as sleep forsook him and
|
|
wakefulness brought back the hard reality of his misfortune. As he lay
|
|
in the early morning recalling the incidents of his great adventure, he
|
|
noticed that they seemed curiously subdued and far away--somewhat as if
|
|
they had happened in another world, or in a time long gone by. Then it
|
|
occurred to him that the great adventure itself must be a dream! There
|
|
was one very strong argument in favor of this idea--namely, that the
|
|
quantity of coin he had seen was too vast to be real. He had never seen
|
|
as much as fifty dollars in one mass before, and he was like all boys
|
|
of his age and station in life, in that he imagined that all references
|
|
to "hundreds" and "thousands" were mere fanciful forms of speech, and
|
|
that no such sums really existed in the world. He never had supposed
|
|
for a moment that so large a sum as a hundred dollars was to be found
|
|
in actual money in any one's possession. If his notions of hidden
|
|
treasure had been analyzed, they would have been found to consist of a
|
|
handful of real dimes and a bushel of vague, splendid, ungraspable
|
|
dollars.
|
|
|
|
But the incidents of his adventure grew sensibly sharper and clearer
|
|
under the attrition of thinking them over, and so he presently found
|
|
himself leaning to the impression that the thing might not have been a
|
|
dream, after all. This uncertainty must be swept away. He would snatch
|
|
a hurried breakfast and go and find Huck. Huck was sitting on the
|
|
gunwale of a flatboat, listlessly dangling his feet in the water and
|
|
looking very melancholy. Tom concluded to let Huck lead up to the
|
|
subject. If he did not do it, then the adventure would be proved to
|
|
have been only a dream.
|
|
|
|
"Hello, Huck!"
|
|
|
|
"Hello, yourself."
|
|
|
|
Silence, for a minute.
|
|
|
|
"Tom, if we'd 'a' left the blame tools at the dead tree, we'd 'a' got
|
|
the money. Oh, ain't it awful!"
|
|
|
|
"'Tain't a dream, then, 'tain't a dream! Somehow I most wish it was.
|
|
Dog'd if I don't, Huck."
|
|
|
|
"What ain't a dream?"
|
|
|
|
"Oh, that thing yesterday. I been half thinking it was."
|
|
|
|
"Dream! If them stairs hadn't broke down you'd 'a' seen how much dream
|
|
it was! I've had dreams enough all night--with that patch-eyed Spanish
|
|
devil going for me all through 'em--rot him!"
|
|
|
|
"No, not rot him. FIND him! Track the money!"
|
|
|
|
"Tom, we'll never find him. A feller don't have only one chance for
|
|
such a pile--and that one's lost. I'd feel mighty shaky if I was to see
|
|
him, anyway."
|
|
|
|
"Well, so'd I; but I'd like to see him, anyway--and track him out--to
|
|
his Number Two."
|
|
|
|
"Number Two--yes, that's it. I been thinking 'bout that. But I can't
|
|
make nothing out of it. What do you reckon it is?"
|
|
|
|
"I dono. It's too deep. Say, Huck--maybe it's the number of a house!"
|
|
|
|
"Goody!... No, Tom, that ain't it. If it is, it ain't in this
|
|
one-horse town. They ain't no numbers here."
|
|
|
|
"Well, that's so. Lemme think a minute. Here--it's the number of a
|
|
room--in a tavern, you know!"
|
|
|
|
"Oh, that's the trick! They ain't only two taverns. We can find out
|
|
quick."
|
|
|
|
"You stay here, Huck, till I come."
|
|
|
|
Tom was off at once. He did not care to have Huck's company in public
|
|
places. He was gone half an hour. He found that in the best tavern, No.
|
|
2 had long been occupied by a young lawyer, and was still so occupied.
|
|
In the less ostentatious house, No. 2 was a mystery. The
|
|
tavern-keeper's young son said it was kept locked all the time, and he
|
|
never saw anybody go into it or come out of it except at night; he did
|
|
not know any particular reason for this state of things; had had some
|
|
little curiosity, but it was rather feeble; had made the most of the
|
|
mystery by entertaining himself with the idea that that room was
|
|
"ha'nted"; had noticed that there was a light in there the night before.
|
|
|
|
"That's what I've found out, Huck. I reckon that's the very No. 2
|
|
we're after."
|
|
|
|
"I reckon it is, Tom. Now what you going to do?"
|
|
|
|
"Lemme think."
|
|
|
|
Tom thought a long time. Then he said:
|
|
|
|
"I'll tell you. The back door of that No. 2 is the door that comes out
|
|
into that little close alley between the tavern and the old rattle trap
|
|
of a brick store. Now you get hold of all the door-keys you can find,
|
|
and I'll nip all of auntie's, and the first dark night we'll go there
|
|
and try 'em. And mind you, keep a lookout for Injun Joe, because he
|
|
said he was going to drop into town and spy around once more for a
|
|
chance to get his revenge. If you see him, you just follow him; and if
|
|
he don't go to that No. 2, that ain't the place."
|
|
|
|
"Lordy, I don't want to foller him by myself!"
|
|
|
|
"Why, it'll be night, sure. He mightn't ever see you--and if he did,
|
|
maybe he'd never think anything."
|
|
|
|
"Well, if it's pretty dark I reckon I'll track him. I dono--I dono.
|
|
I'll try."
|
|
|
|
"You bet I'll follow him, if it's dark, Huck. Why, he might 'a' found
|
|
out he couldn't get his revenge, and be going right after that money."
|
|
|
|
"It's so, Tom, it's so. I'll foller him; I will, by jingoes!"
|
|
|
|
"Now you're TALKING! Don't you ever weaken, Huck, and I won't."
|
|
|
|
|
|
|
|
CHAPTER XXVIII
|
|
|
|
THAT night Tom and Huck were ready for their adventure. They hung
|
|
about the neighborhood of the tavern until after nine, one watching the
|
|
alley at a distance and the other the tavern door. Nobody entered the
|
|
alley or left it; nobody resembling the Spaniard entered or left the
|
|
tavern door. The night promised to be a fair one; so Tom went home with
|
|
the understanding that if a considerable degree of darkness came on,
|
|
Huck was to come and "maow," whereupon he would slip out and try the
|
|
keys. But the night remained clear, and Huck closed his watch and
|
|
retired to bed in an empty sugar hogshead about twelve.
|
|
|
|
Tuesday the boys had the same ill luck. Also Wednesday. But Thursday
|
|
night promised better. Tom slipped out in good season with his aunt's
|
|
old tin lantern, and a large towel to blindfold it with. He hid the
|
|
lantern in Huck's sugar hogshead and the watch began. An hour before
|
|
midnight the tavern closed up and its lights (the only ones
|
|
thereabouts) were put out. No Spaniard had been seen. Nobody had
|
|
entered or left the alley. Everything was auspicious. The blackness of
|
|
darkness reigned, the perfect stillness was interrupted only by
|
|
occasional mutterings of distant thunder.
|
|
|
|
Tom got his lantern, lit it in the hogshead, wrapped it closely in the
|
|
towel, and the two adventurers crept in the gloom toward the tavern.
|
|
Huck stood sentry and Tom felt his way into the alley. Then there was a
|
|
season of waiting anxiety that weighed upon Huck's spirits like a
|
|
mountain. He began to wish he could see a flash from the lantern--it
|
|
would frighten him, but it would at least tell him that Tom was alive
|
|
yet. It seemed hours since Tom had disappeared. Surely he must have
|
|
fainted; maybe he was dead; maybe his heart had burst under terror and
|
|
excitement. In his uneasiness Huck found himself drawing closer and
|
|
closer to the alley; fearing all sorts of dreadful things, and
|
|
momentarily expecting some catastrophe to happen that would take away
|
|
his breath. There was not much to take away, for he seemed only able to
|
|
inhale it by thimblefuls, and his heart would soon wear itself out, the
|
|
way it was beating. Suddenly there was a flash of light and Tom came
|
|
tearing by him: "Run!" said he; "run, for your life!"
|
|
|
|
He needn't have repeated it; once was enough; Huck was making thirty
|
|
or forty miles an hour before the repetition was uttered. The boys
|
|
never stopped till they reached the shed of a deserted slaughter-house
|
|
at the lower end of the village. Just as they got within its shelter
|
|
the storm burst and the rain poured down. As soon as Tom got his breath
|
|
he said:
|
|
|
|
"Huck, it was awful! I tried two of the keys, just as soft as I could;
|
|
but they seemed to make such a power of racket that I couldn't hardly
|
|
get my breath I was so scared. They wouldn't turn in the lock, either.
|
|
Well, without noticing what I was doing, I took hold of the knob, and
|
|
open comes the door! It warn't locked! I hopped in, and shook off the
|
|
towel, and, GREAT CAESAR'S GHOST!"
|
|
|
|
"What!--what'd you see, Tom?"
|
|
|
|
"Huck, I most stepped onto Injun Joe's hand!"
|
|
|
|
"No!"
|
|
|
|
"Yes! He was lying there, sound asleep on the floor, with his old
|
|
patch on his eye and his arms spread out."
|
|
|
|
"Lordy, what did you do? Did he wake up?"
|
|
|
|
"No, never budged. Drunk, I reckon. I just grabbed that towel and
|
|
started!"
|
|
|
|
"I'd never 'a' thought of the towel, I bet!"
|
|
|
|
"Well, I would. My aunt would make me mighty sick if I lost it."
|
|
|
|
"Say, Tom, did you see that box?"
|
|
|
|
"Huck, I didn't wait to look around. I didn't see the box, I didn't
|
|
see the cross. I didn't see anything but a bottle and a tin cup on the
|
|
floor by Injun Joe; yes, I saw two barrels and lots more bottles in the
|
|
room. Don't you see, now, what's the matter with that ha'nted room?"
|
|
|
|
"How?"
|
|
|
|
"Why, it's ha'nted with whiskey! Maybe ALL the Temperance Taverns have
|
|
got a ha'nted room, hey, Huck?"
|
|
|
|
"Well, I reckon maybe that's so. Who'd 'a' thought such a thing? But
|
|
say, Tom, now's a mighty good time to get that box, if Injun Joe's
|
|
drunk."
|
|
|
|
"It is, that! You try it!"
|
|
|
|
Huck shuddered.
|
|
|
|
"Well, no--I reckon not."
|
|
|
|
"And I reckon not, Huck. Only one bottle alongside of Injun Joe ain't
|
|
enough. If there'd been three, he'd be drunk enough and I'd do it."
|
|
|
|
There was a long pause for reflection, and then Tom said:
|
|
|
|
"Lookyhere, Huck, less not try that thing any more till we know Injun
|
|
Joe's not in there. It's too scary. Now, if we watch every night, we'll
|
|
be dead sure to see him go out, some time or other, and then we'll
|
|
snatch that box quicker'n lightning."
|
|
|
|
"Well, I'm agreed. I'll watch the whole night long, and I'll do it
|
|
every night, too, if you'll do the other part of the job."
|
|
|
|
"All right, I will. All you got to do is to trot up Hooper Street a
|
|
block and maow--and if I'm asleep, you throw some gravel at the window
|
|
and that'll fetch me."
|
|
|
|
"Agreed, and good as wheat!"
|
|
|
|
"Now, Huck, the storm's over, and I'll go home. It'll begin to be
|
|
daylight in a couple of hours. You go back and watch that long, will
|
|
you?"
|
|
|
|
"I said I would, Tom, and I will. I'll ha'nt that tavern every night
|
|
for a year! I'll sleep all day and I'll stand watch all night."
|
|
|
|
"That's all right. Now, where you going to sleep?"
|
|
|
|
"In Ben Rogers' hayloft. He lets me, and so does his pap's nigger man,
|
|
Uncle Jake. I tote water for Uncle Jake whenever he wants me to, and
|
|
any time I ask him he gives me a little something to eat if he can
|
|
spare it. That's a mighty good nigger, Tom. He likes me, becuz I don't
|
|
ever act as if I was above him. Sometime I've set right down and eat
|
|
WITH him. But you needn't tell that. A body's got to do things when
|
|
he's awful hungry he wouldn't want to do as a steady thing."
|
|
|
|
"Well, if I don't want you in the daytime, I'll let you sleep. I won't
|
|
come bothering around. Any time you see something's up, in the night,
|
|
just skip right around and maow."
|
|
|
|
|
|
|
|
CHAPTER XXIX
|
|
|
|
THE first thing Tom heard on Friday morning was a glad piece of news
|
|
--Judge Thatcher's family had come back to town the night before. Both
|
|
Injun Joe and the treasure sunk into secondary importance for a moment,
|
|
and Becky took the chief place in the boy's interest. He saw her and
|
|
they had an exhausting good time playing "hi-spy" and "gully-keeper"
|
|
with a crowd of their school-mates. The day was completed and crowned
|
|
in a peculiarly satisfactory way: Becky teased her mother to appoint
|
|
the next day for the long-promised and long-delayed picnic, and she
|
|
consented. The child's delight was boundless; and Tom's not more
|
|
moderate. The invitations were sent out before sunset, and straightway
|
|
the young folks of the village were thrown into a fever of preparation
|
|
and pleasurable anticipation. Tom's excitement enabled him to keep
|
|
awake until a pretty late hour, and he had good hopes of hearing Huck's
|
|
"maow," and of having his treasure to astonish Becky and the picnickers
|
|
with, next day; but he was disappointed. No signal came that night.
|
|
|
|
Morning came, eventually, and by ten or eleven o'clock a giddy and
|
|
rollicking company were gathered at Judge Thatcher's, and everything
|
|
was ready for a start. It was not the custom for elderly people to mar
|
|
the picnics with their presence. The children were considered safe
|
|
enough under the wings of a few young ladies of eighteen and a few
|
|
young gentlemen of twenty-three or thereabouts. The old steam ferryboat
|
|
was chartered for the occasion; presently the gay throng filed up the
|
|
main street laden with provision-baskets. Sid was sick and had to miss
|
|
the fun; Mary remained at home to entertain him. The last thing Mrs.
|
|
Thatcher said to Becky, was:
|
|
|
|
"You'll not get back till late. Perhaps you'd better stay all night
|
|
with some of the girls that live near the ferry-landing, child."
|
|
|
|
"Then I'll stay with Susy Harper, mamma."
|
|
|
|
"Very well. And mind and behave yourself and don't be any trouble."
|
|
|
|
Presently, as they tripped along, Tom said to Becky:
|
|
|
|
"Say--I'll tell you what we'll do. 'Stead of going to Joe Harper's
|
|
we'll climb right up the hill and stop at the Widow Douglas'. She'll
|
|
have ice-cream! She has it most every day--dead loads of it. And she'll
|
|
be awful glad to have us."
|
|
|
|
"Oh, that will be fun!"
|
|
|
|
Then Becky reflected a moment and said:
|
|
|
|
"But what will mamma say?"
|
|
|
|
"How'll she ever know?"
|
|
|
|
The girl turned the idea over in her mind, and said reluctantly:
|
|
|
|
"I reckon it's wrong--but--"
|
|
|
|
"But shucks! Your mother won't know, and so what's the harm? All she
|
|
wants is that you'll be safe; and I bet you she'd 'a' said go there if
|
|
she'd 'a' thought of it. I know she would!"
|
|
|
|
The Widow Douglas' splendid hospitality was a tempting bait. It and
|
|
Tom's persuasions presently carried the day. So it was decided to say
|
|
nothing anybody about the night's programme. Presently it occurred to
|
|
Tom that maybe Huck might come this very night and give the signal. The
|
|
thought took a deal of the spirit out of his anticipations. Still he
|
|
could not bear to give up the fun at Widow Douglas'. And why should he
|
|
give it up, he reasoned--the signal did not come the night before, so
|
|
why should it be any more likely to come to-night? The sure fun of the
|
|
evening outweighed the uncertain treasure; and, boy-like, he determined
|
|
to yield to the stronger inclination and not allow himself to think of
|
|
the box of money another time that day.
|
|
|
|
Three miles below town the ferryboat stopped at the mouth of a woody
|
|
hollow and tied up. The crowd swarmed ashore and soon the forest
|
|
distances and craggy heights echoed far and near with shoutings and
|
|
laughter. All the different ways of getting hot and tired were gone
|
|
through with, and by-and-by the rovers straggled back to camp fortified
|
|
with responsible appetites, and then the destruction of the good things
|
|
began. After the feast there was a refreshing season of rest and chat
|
|
in the shade of spreading oaks. By-and-by somebody shouted:
|
|
|
|
"Who's ready for the cave?"
|
|
|
|
Everybody was. Bundles of candles were procured, and straightway there
|
|
was a general scamper up the hill. The mouth of the cave was up the
|
|
hillside--an opening shaped like a letter A. Its massive oaken door
|
|
stood unbarred. Within was a small chamber, chilly as an ice-house, and
|
|
walled by Nature with solid limestone that was dewy with a cold sweat.
|
|
It was romantic and mysterious to stand here in the deep gloom and look
|
|
out upon the green valley shining in the sun. But the impressiveness of
|
|
the situation quickly wore off, and the romping began again. The moment
|
|
a candle was lighted there was a general rush upon the owner of it; a
|
|
struggle and a gallant defence followed, but the candle was soon
|
|
knocked down or blown out, and then there was a glad clamor of laughter
|
|
and a new chase. But all things have an end. By-and-by the procession
|
|
went filing down the steep descent of the main avenue, the flickering
|
|
rank of lights dimly revealing the lofty walls of rock almost to their
|
|
point of junction sixty feet overhead. This main avenue was not more
|
|
than eight or ten feet wide. Every few steps other lofty and still
|
|
narrower crevices branched from it on either hand--for McDougal's cave
|
|
was but a vast labyrinth of crooked aisles that ran into each other and
|
|
out again and led nowhere. It was said that one might wander days and
|
|
nights together through its intricate tangle of rifts and chasms, and
|
|
never find the end of the cave; and that he might go down, and down,
|
|
and still down, into the earth, and it was just the same--labyrinth
|
|
under labyrinth, and no end to any of them. No man "knew" the cave.
|
|
That was an impossible thing. Most of the young men knew a portion of
|
|
it, and it was not customary to venture much beyond this known portion.
|
|
Tom Sawyer knew as much of the cave as any one.
|
|
|
|
The procession moved along the main avenue some three-quarters of a
|
|
mile, and then groups and couples began to slip aside into branch
|
|
avenues, fly along the dismal corridors, and take each other by
|
|
surprise at points where the corridors joined again. Parties were able
|
|
to elude each other for the space of half an hour without going beyond
|
|
the "known" ground.
|
|
|
|
By-and-by, one group after another came straggling back to the mouth
|
|
of the cave, panting, hilarious, smeared from head to foot with tallow
|
|
drippings, daubed with clay, and entirely delighted with the success of
|
|
the day. Then they were astonished to find that they had been taking no
|
|
note of time and that night was about at hand. The clanging bell had
|
|
been calling for half an hour. However, this sort of close to the day's
|
|
adventures was romantic and therefore satisfactory. When the ferryboat
|
|
with her wild freight pushed into the stream, nobody cared sixpence for
|
|
the wasted time but the captain of the craft.
|
|
|
|
Huck was already upon his watch when the ferryboat's lights went
|
|
glinting past the wharf. He heard no noise on board, for the young
|
|
people were as subdued and still as people usually are who are nearly
|
|
tired to death. He wondered what boat it was, and why she did not stop
|
|
at the wharf--and then he dropped her out of his mind and put his
|
|
attention upon his business. The night was growing cloudy and dark. Ten
|
|
o'clock came, and the noise of vehicles ceased, scattered lights began
|
|
to wink out, all straggling foot-passengers disappeared, the village
|
|
betook itself to its slumbers and left the small watcher alone with the
|
|
silence and the ghosts. Eleven o'clock came, and the tavern lights were
|
|
put out; darkness everywhere, now. Huck waited what seemed a weary long
|
|
time, but nothing happened. His faith was weakening. Was there any use?
|
|
Was there really any use? Why not give it up and turn in?
|
|
|
|
A noise fell upon his ear. He was all attention in an instant. The
|
|
alley door closed softly. He sprang to the corner of the brick store.
|
|
The next moment two men brushed by him, and one seemed to have
|
|
something under his arm. It must be that box! So they were going to
|
|
remove the treasure. Why call Tom now? It would be absurd--the men
|
|
would get away with the box and never be found again. No, he would
|
|
stick to their wake and follow them; he would trust to the darkness for
|
|
security from discovery. So communing with himself, Huck stepped out
|
|
and glided along behind the men, cat-like, with bare feet, allowing
|
|
them to keep just far enough ahead not to be invisible.
|
|
|
|
They moved up the river street three blocks, then turned to the left
|
|
up a cross-street. They went straight ahead, then, until they came to
|
|
the path that led up Cardiff Hill; this they took. They passed by the
|
|
old Welshman's house, half-way up the hill, without hesitating, and
|
|
still climbed upward. Good, thought Huck, they will bury it in the old
|
|
quarry. But they never stopped at the quarry. They passed on, up the
|
|
summit. They plunged into the narrow path between the tall sumach
|
|
bushes, and were at once hidden in the gloom. Huck closed up and
|
|
shortened his distance, now, for they would never be able to see him.
|
|
He trotted along awhile; then slackened his pace, fearing he was
|
|
gaining too fast; moved on a piece, then stopped altogether; listened;
|
|
no sound; none, save that he seemed to hear the beating of his own
|
|
heart. The hooting of an owl came over the hill--ominous sound! But no
|
|
footsteps. Heavens, was everything lost! He was about to spring with
|
|
winged feet, when a man cleared his throat not four feet from him!
|
|
Huck's heart shot into his throat, but he swallowed it again; and then
|
|
he stood there shaking as if a dozen agues had taken charge of him at
|
|
once, and so weak that he thought he must surely fall to the ground. He
|
|
knew where he was. He knew he was within five steps of the stile
|
|
leading into Widow Douglas' grounds. Very well, he thought, let them
|
|
bury it there; it won't be hard to find.
|
|
|
|
Now there was a voice--a very low voice--Injun Joe's:
|
|
|
|
"Damn her, maybe she's got company--there's lights, late as it is."
|
|
|
|
"I can't see any."
|
|
|
|
This was that stranger's voice--the stranger of the haunted house. A
|
|
deadly chill went to Huck's heart--this, then, was the "revenge" job!
|
|
His thought was, to fly. Then he remembered that the Widow Douglas had
|
|
been kind to him more than once, and maybe these men were going to
|
|
murder her. He wished he dared venture to warn her; but he knew he
|
|
didn't dare--they might come and catch him. He thought all this and
|
|
more in the moment that elapsed between the stranger's remark and Injun
|
|
Joe's next--which was--
|
|
|
|
"Because the bush is in your way. Now--this way--now you see, don't
|
|
you?"
|
|
|
|
"Yes. Well, there IS company there, I reckon. Better give it up."
|
|
|
|
"Give it up, and I just leaving this country forever! Give it up and
|
|
maybe never have another chance. I tell you again, as I've told you
|
|
before, I don't care for her swag--you may have it. But her husband was
|
|
rough on me--many times he was rough on me--and mainly he was the
|
|
justice of the peace that jugged me for a vagrant. And that ain't all.
|
|
It ain't a millionth part of it! He had me HORSEWHIPPED!--horsewhipped
|
|
in front of the jail, like a nigger!--with all the town looking on!
|
|
HORSEWHIPPED!--do you understand? He took advantage of me and died. But
|
|
I'll take it out of HER."
|
|
|
|
"Oh, don't kill her! Don't do that!"
|
|
|
|
"Kill? Who said anything about killing? I would kill HIM if he was
|
|
here; but not her. When you want to get revenge on a woman you don't
|
|
kill her--bosh! you go for her looks. You slit her nostrils--you notch
|
|
her ears like a sow!"
|
|
|
|
"By God, that's--"
|
|
|
|
"Keep your opinion to yourself! It will be safest for you. I'll tie
|
|
her to the bed. If she bleeds to death, is that my fault? I'll not cry,
|
|
if she does. My friend, you'll help me in this thing--for MY sake
|
|
--that's why you're here--I mightn't be able alone. If you flinch, I'll
|
|
kill you. Do you understand that? And if I have to kill you, I'll kill
|
|
her--and then I reckon nobody'll ever know much about who done this
|
|
business."
|
|
|
|
"Well, if it's got to be done, let's get at it. The quicker the
|
|
better--I'm all in a shiver."
|
|
|
|
"Do it NOW? And company there? Look here--I'll get suspicious of you,
|
|
first thing you know. No--we'll wait till the lights are out--there's
|
|
no hurry."
|
|
|
|
Huck felt that a silence was going to ensue--a thing still more awful
|
|
than any amount of murderous talk; so he held his breath and stepped
|
|
gingerly back; planted his foot carefully and firmly, after balancing,
|
|
one-legged, in a precarious way and almost toppling over, first on one
|
|
side and then on the other. He took another step back, with the same
|
|
elaboration and the same risks; then another and another, and--a twig
|
|
snapped under his foot! His breath stopped and he listened. There was
|
|
no sound--the stillness was perfect. His gratitude was measureless. Now
|
|
he turned in his tracks, between the walls of sumach bushes--turned
|
|
himself as carefully as if he were a ship--and then stepped quickly but
|
|
cautiously along. When he emerged at the quarry he felt secure, and so
|
|
he picked up his nimble heels and flew. Down, down he sped, till he
|
|
reached the Welshman's. He banged at the door, and presently the heads
|
|
of the old man and his two stalwart sons were thrust from windows.
|
|
|
|
"What's the row there? Who's banging? What do you want?"
|
|
|
|
"Let me in--quick! I'll tell everything."
|
|
|
|
"Why, who are you?"
|
|
|
|
"Huckleberry Finn--quick, let me in!"
|
|
|
|
"Huckleberry Finn, indeed! It ain't a name to open many doors, I
|
|
judge! But let him in, lads, and let's see what's the trouble."
|
|
|
|
"Please don't ever tell I told you," were Huck's first words when he
|
|
got in. "Please don't--I'd be killed, sure--but the widow's been good
|
|
friends to me sometimes, and I want to tell--I WILL tell if you'll
|
|
promise you won't ever say it was me."
|
|
|
|
"By George, he HAS got something to tell, or he wouldn't act so!"
|
|
exclaimed the old man; "out with it and nobody here'll ever tell, lad."
|
|
|
|
Three minutes later the old man and his sons, well armed, were up the
|
|
hill, and just entering the sumach path on tiptoe, their weapons in
|
|
their hands. Huck accompanied them no further. He hid behind a great
|
|
bowlder and fell to listening. There was a lagging, anxious silence,
|
|
and then all of a sudden there was an explosion of firearms and a cry.
|
|
|
|
Huck waited for no particulars. He sprang away and sped down the hill
|
|
as fast as his legs could carry him.
|
|
|
|
|
|
|
|
CHAPTER XXX
|
|
|
|
AS the earliest suspicion of dawn appeared on Sunday morning, Huck
|
|
came groping up the hill and rapped gently at the old Welshman's door.
|
|
The inmates were asleep, but it was a sleep that was set on a
|
|
hair-trigger, on account of the exciting episode of the night. A call
|
|
came from a window:
|
|
|
|
"Who's there!"
|
|
|
|
Huck's scared voice answered in a low tone:
|
|
|
|
"Please let me in! It's only Huck Finn!"
|
|
|
|
"It's a name that can open this door night or day, lad!--and welcome!"
|
|
|
|
These were strange words to the vagabond boy's ears, and the
|
|
pleasantest he had ever heard. He could not recollect that the closing
|
|
word had ever been applied in his case before. The door was quickly
|
|
unlocked, and he entered. Huck was given a seat and the old man and his
|
|
brace of tall sons speedily dressed themselves.
|
|
|
|
"Now, my boy, I hope you're good and hungry, because breakfast will be
|
|
ready as soon as the sun's up, and we'll have a piping hot one, too
|
|
--make yourself easy about that! I and the boys hoped you'd turn up and
|
|
stop here last night."
|
|
|
|
"I was awful scared," said Huck, "and I run. I took out when the
|
|
pistols went off, and I didn't stop for three mile. I've come now becuz
|
|
I wanted to know about it, you know; and I come before daylight becuz I
|
|
didn't want to run across them devils, even if they was dead."
|
|
|
|
"Well, poor chap, you do look as if you'd had a hard night of it--but
|
|
there's a bed here for you when you've had your breakfast. No, they
|
|
ain't dead, lad--we are sorry enough for that. You see we knew right
|
|
where to put our hands on them, by your description; so we crept along
|
|
on tiptoe till we got within fifteen feet of them--dark as a cellar
|
|
that sumach path was--and just then I found I was going to sneeze. It
|
|
was the meanest kind of luck! I tried to keep it back, but no use
|
|
--'twas bound to come, and it did come! I was in the lead with my pistol
|
|
raised, and when the sneeze started those scoundrels a-rustling to get
|
|
out of the path, I sung out, 'Fire boys!' and blazed away at the place
|
|
where the rustling was. So did the boys. But they were off in a jiffy,
|
|
those villains, and we after them, down through the woods. I judge we
|
|
never touched them. They fired a shot apiece as they started, but their
|
|
bullets whizzed by and didn't do us any harm. As soon as we lost the
|
|
sound of their feet we quit chasing, and went down and stirred up the
|
|
constables. They got a posse together, and went off to guard the river
|
|
bank, and as soon as it is light the sheriff and a gang are going to
|
|
beat up the woods. My boys will be with them presently. I wish we had
|
|
some sort of description of those rascals--'twould help a good deal.
|
|
But you couldn't see what they were like, in the dark, lad, I suppose?"
|
|
|
|
"Oh yes; I saw them down-town and follered them."
|
|
|
|
"Splendid! Describe them--describe them, my boy!"
|
|
|
|
"One's the old deaf and dumb Spaniard that's ben around here once or
|
|
twice, and t'other's a mean-looking, ragged--"
|
|
|
|
"That's enough, lad, we know the men! Happened on them in the woods
|
|
back of the widow's one day, and they slunk away. Off with you, boys,
|
|
and tell the sheriff--get your breakfast to-morrow morning!"
|
|
|
|
The Welshman's sons departed at once. As they were leaving the room
|
|
Huck sprang up and exclaimed:
|
|
|
|
"Oh, please don't tell ANYbody it was me that blowed on them! Oh,
|
|
please!"
|
|
|
|
"All right if you say it, Huck, but you ought to have the credit of
|
|
what you did."
|
|
|
|
"Oh no, no! Please don't tell!"
|
|
|
|
When the young men were gone, the old Welshman said:
|
|
|
|
"They won't tell--and I won't. But why don't you want it known?"
|
|
|
|
Huck would not explain, further than to say that he already knew too
|
|
much about one of those men and would not have the man know that he
|
|
knew anything against him for the whole world--he would be killed for
|
|
knowing it, sure.
|
|
|
|
The old man promised secrecy once more, and said:
|
|
|
|
"How did you come to follow these fellows, lad? Were they looking
|
|
suspicious?"
|
|
|
|
Huck was silent while he framed a duly cautious reply. Then he said:
|
|
|
|
"Well, you see, I'm a kind of a hard lot,--least everybody says so,
|
|
and I don't see nothing agin it--and sometimes I can't sleep much, on
|
|
account of thinking about it and sort of trying to strike out a new way
|
|
of doing. That was the way of it last night. I couldn't sleep, and so I
|
|
come along up-street 'bout midnight, a-turning it all over, and when I
|
|
got to that old shackly brick store by the Temperance Tavern, I backed
|
|
up agin the wall to have another think. Well, just then along comes
|
|
these two chaps slipping along close by me, with something under their
|
|
arm, and I reckoned they'd stole it. One was a-smoking, and t'other one
|
|
wanted a light; so they stopped right before me and the cigars lit up
|
|
their faces and I see that the big one was the deaf and dumb Spaniard,
|
|
by his white whiskers and the patch on his eye, and t'other one was a
|
|
rusty, ragged-looking devil."
|
|
|
|
"Could you see the rags by the light of the cigars?"
|
|
|
|
This staggered Huck for a moment. Then he said:
|
|
|
|
"Well, I don't know--but somehow it seems as if I did."
|
|
|
|
"Then they went on, and you--"
|
|
|
|
"Follered 'em--yes. That was it. I wanted to see what was up--they
|
|
sneaked along so. I dogged 'em to the widder's stile, and stood in the
|
|
dark and heard the ragged one beg for the widder, and the Spaniard
|
|
swear he'd spile her looks just as I told you and your two--"
|
|
|
|
"What! The DEAF AND DUMB man said all that!"
|
|
|
|
Huck had made another terrible mistake! He was trying his best to keep
|
|
the old man from getting the faintest hint of who the Spaniard might
|
|
be, and yet his tongue seemed determined to get him into trouble in
|
|
spite of all he could do. He made several efforts to creep out of his
|
|
scrape, but the old man's eye was upon him and he made blunder after
|
|
blunder. Presently the Welshman said:
|
|
|
|
"My boy, don't be afraid of me. I wouldn't hurt a hair of your head
|
|
for all the world. No--I'd protect you--I'd protect you. This Spaniard
|
|
is not deaf and dumb; you've let that slip without intending it; you
|
|
can't cover that up now. You know something about that Spaniard that
|
|
you want to keep dark. Now trust me--tell me what it is, and trust me
|
|
--I won't betray you."
|
|
|
|
Huck looked into the old man's honest eyes a moment, then bent over
|
|
and whispered in his ear:
|
|
|
|
"'Tain't a Spaniard--it's Injun Joe!"
|
|
|
|
The Welshman almost jumped out of his chair. In a moment he said:
|
|
|
|
"It's all plain enough, now. When you talked about notching ears and
|
|
slitting noses I judged that that was your own embellishment, because
|
|
white men don't take that sort of revenge. But an Injun! That's a
|
|
different matter altogether."
|
|
|
|
During breakfast the talk went on, and in the course of it the old man
|
|
said that the last thing which he and his sons had done, before going
|
|
to bed, was to get a lantern and examine the stile and its vicinity for
|
|
marks of blood. They found none, but captured a bulky bundle of--
|
|
|
|
"Of WHAT?"
|
|
|
|
If the words had been lightning they could not have leaped with a more
|
|
stunning suddenness from Huck's blanched lips. His eyes were staring
|
|
wide, now, and his breath suspended--waiting for the answer. The
|
|
Welshman started--stared in return--three seconds--five seconds--ten
|
|
--then replied:
|
|
|
|
"Of burglar's tools. Why, what's the MATTER with you?"
|
|
|
|
Huck sank back, panting gently, but deeply, unutterably grateful. The
|
|
Welshman eyed him gravely, curiously--and presently said:
|
|
|
|
"Yes, burglar's tools. That appears to relieve you a good deal. But
|
|
what did give you that turn? What were YOU expecting we'd found?"
|
|
|
|
Huck was in a close place--the inquiring eye was upon him--he would
|
|
have given anything for material for a plausible answer--nothing
|
|
suggested itself--the inquiring eye was boring deeper and deeper--a
|
|
senseless reply offered--there was no time to weigh it, so at a venture
|
|
he uttered it--feebly:
|
|
|
|
"Sunday-school books, maybe."
|
|
|
|
Poor Huck was too distressed to smile, but the old man laughed loud
|
|
and joyously, shook up the details of his anatomy from head to foot,
|
|
and ended by saying that such a laugh was money in a-man's pocket,
|
|
because it cut down the doctor's bill like everything. Then he added:
|
|
|
|
"Poor old chap, you're white and jaded--you ain't well a bit--no
|
|
wonder you're a little flighty and off your balance. But you'll come
|
|
out of it. Rest and sleep will fetch you out all right, I hope."
|
|
|
|
Huck was irritated to think he had been such a goose and betrayed such
|
|
a suspicious excitement, for he had dropped the idea that the parcel
|
|
brought from the tavern was the treasure, as soon as he had heard the
|
|
talk at the widow's stile. He had only thought it was not the treasure,
|
|
however--he had not known that it wasn't--and so the suggestion of a
|
|
captured bundle was too much for his self-possession. But on the whole
|
|
he felt glad the little episode had happened, for now he knew beyond
|
|
all question that that bundle was not THE bundle, and so his mind was
|
|
at rest and exceedingly comfortable. In fact, everything seemed to be
|
|
drifting just in the right direction, now; the treasure must be still
|
|
in No. 2, the men would be captured and jailed that day, and he and Tom
|
|
could seize the gold that night without any trouble or any fear of
|
|
interruption.
|
|
|
|
Just as breakfast was completed there was a knock at the door. Huck
|
|
jumped for a hiding-place, for he had no mind to be connected even
|
|
remotely with the late event. The Welshman admitted several ladies and
|
|
gentlemen, among them the Widow Douglas, and noticed that groups of
|
|
citizens were climbing up the hill--to stare at the stile. So the news
|
|
had spread. The Welshman had to tell the story of the night to the
|
|
visitors. The widow's gratitude for her preservation was outspoken.
|
|
|
|
"Don't say a word about it, madam. There's another that you're more
|
|
beholden to than you are to me and my boys, maybe, but he don't allow
|
|
me to tell his name. We wouldn't have been there but for him."
|
|
|
|
Of course this excited a curiosity so vast that it almost belittled
|
|
the main matter--but the Welshman allowed it to eat into the vitals of
|
|
his visitors, and through them be transmitted to the whole town, for he
|
|
refused to part with his secret. When all else had been learned, the
|
|
widow said:
|
|
|
|
"I went to sleep reading in bed and slept straight through all that
|
|
noise. Why didn't you come and wake me?"
|
|
|
|
"We judged it warn't worth while. Those fellows warn't likely to come
|
|
again--they hadn't any tools left to work with, and what was the use of
|
|
waking you up and scaring you to death? My three negro men stood guard
|
|
at your house all the rest of the night. They've just come back."
|
|
|
|
More visitors came, and the story had to be told and retold for a
|
|
couple of hours more.
|
|
|
|
There was no Sabbath-school during day-school vacation, but everybody
|
|
was early at church. The stirring event was well canvassed. News came
|
|
that not a sign of the two villains had been yet discovered. When the
|
|
sermon was finished, Judge Thatcher's wife dropped alongside of Mrs.
|
|
Harper as she moved down the aisle with the crowd and said:
|
|
|
|
"Is my Becky going to sleep all day? I just expected she would be
|
|
tired to death."
|
|
|
|
"Your Becky?"
|
|
|
|
"Yes," with a startled look--"didn't she stay with you last night?"
|
|
|
|
"Why, no."
|
|
|
|
Mrs. Thatcher turned pale, and sank into a pew, just as Aunt Polly,
|
|
talking briskly with a friend, passed by. Aunt Polly said:
|
|
|
|
"Good-morning, Mrs. Thatcher. Good-morning, Mrs. Harper. I've got a
|
|
boy that's turned up missing. I reckon my Tom stayed at your house last
|
|
night--one of you. And now he's afraid to come to church. I've got to
|
|
settle with him."
|
|
|
|
Mrs. Thatcher shook her head feebly and turned paler than ever.
|
|
|
|
"He didn't stay with us," said Mrs. Harper, beginning to look uneasy.
|
|
A marked anxiety came into Aunt Polly's face.
|
|
|
|
"Joe Harper, have you seen my Tom this morning?"
|
|
|
|
"No'm."
|
|
|
|
"When did you see him last?"
|
|
|
|
Joe tried to remember, but was not sure he could say. The people had
|
|
stopped moving out of church. Whispers passed along, and a boding
|
|
uneasiness took possession of every countenance. Children were
|
|
anxiously questioned, and young teachers. They all said they had not
|
|
noticed whether Tom and Becky were on board the ferryboat on the
|
|
homeward trip; it was dark; no one thought of inquiring if any one was
|
|
missing. One young man finally blurted out his fear that they were
|
|
still in the cave! Mrs. Thatcher swooned away. Aunt Polly fell to
|
|
crying and wringing her hands.
|
|
|
|
The alarm swept from lip to lip, from group to group, from street to
|
|
street, and within five minutes the bells were wildly clanging and the
|
|
whole town was up! The Cardiff Hill episode sank into instant
|
|
insignificance, the burglars were forgotten, horses were saddled,
|
|
skiffs were manned, the ferryboat ordered out, and before the horror
|
|
was half an hour old, two hundred men were pouring down highroad and
|
|
river toward the cave.
|
|
|
|
All the long afternoon the village seemed empty and dead. Many women
|
|
visited Aunt Polly and Mrs. Thatcher and tried to comfort them. They
|
|
cried with them, too, and that was still better than words. All the
|
|
tedious night the town waited for news; but when the morning dawned at
|
|
last, all the word that came was, "Send more candles--and send food."
|
|
Mrs. Thatcher was almost crazed; and Aunt Polly, also. Judge Thatcher
|
|
sent messages of hope and encouragement from the cave, but they
|
|
conveyed no real cheer.
|
|
|
|
The old Welshman came home toward daylight, spattered with
|
|
candle-grease, smeared with clay, and almost worn out. He found Huck
|
|
still in the bed that had been provided for him, and delirious with
|
|
fever. The physicians were all at the cave, so the Widow Douglas came
|
|
and took charge of the patient. She said she would do her best by him,
|
|
because, whether he was good, bad, or indifferent, he was the Lord's,
|
|
and nothing that was the Lord's was a thing to be neglected. The
|
|
Welshman said Huck had good spots in him, and the widow said:
|
|
|
|
"You can depend on it. That's the Lord's mark. He don't leave it off.
|
|
He never does. Puts it somewhere on every creature that comes from his
|
|
hands."
|
|
|
|
Early in the forenoon parties of jaded men began to straggle into the
|
|
village, but the strongest of the citizens continued searching. All the
|
|
news that could be gained was that remotenesses of the cavern were
|
|
being ransacked that had never been visited before; that every corner
|
|
and crevice was going to be thoroughly searched; that wherever one
|
|
wandered through the maze of passages, lights were to be seen flitting
|
|
hither and thither in the distance, and shoutings and pistol-shots sent
|
|
their hollow reverberations to the ear down the sombre aisles. In one
|
|
place, far from the section usually traversed by tourists, the names
|
|
"BECKY & TOM" had been found traced upon the rocky wall with
|
|
candle-smoke, and near at hand a grease-soiled bit of ribbon. Mrs.
|
|
Thatcher recognized the ribbon and cried over it. She said it was the
|
|
last relic she should ever have of her child; and that no other memorial
|
|
of her could ever be so precious, because this one parted latest from
|
|
the living body before the awful death came. Some said that now and
|
|
then, in the cave, a far-away speck of light would glimmer, and then a
|
|
glorious shout would burst forth and a score of men go trooping down the
|
|
echoing aisle--and then a sickening disappointment always followed; the
|
|
children were not there; it was only a searcher's light.
|
|
|
|
Three dreadful days and nights dragged their tedious hours along, and
|
|
the village sank into a hopeless stupor. No one had heart for anything.
|
|
The accidental discovery, just made, that the proprietor of the
|
|
Temperance Tavern kept liquor on his premises, scarcely fluttered the
|
|
public pulse, tremendous as the fact was. In a lucid interval, Huck
|
|
feebly led up to the subject of taverns, and finally asked--dimly
|
|
dreading the worst--if anything had been discovered at the Temperance
|
|
Tavern since he had been ill.
|
|
|
|
"Yes," said the widow.
|
|
|
|
Huck started up in bed, wild-eyed:
|
|
|
|
"What? What was it?"
|
|
|
|
"Liquor!--and the place has been shut up. Lie down, child--what a turn
|
|
you did give me!"
|
|
|
|
"Only tell me just one thing--only just one--please! Was it Tom Sawyer
|
|
that found it?"
|
|
|
|
The widow burst into tears. "Hush, hush, child, hush! I've told you
|
|
before, you must NOT talk. You are very, very sick!"
|
|
|
|
Then nothing but liquor had been found; there would have been a great
|
|
powwow if it had been the gold. So the treasure was gone forever--gone
|
|
forever! But what could she be crying about? Curious that she should
|
|
cry.
|
|
|
|
These thoughts worked their dim way through Huck's mind, and under the
|
|
weariness they gave him he fell asleep. The widow said to herself:
|
|
|
|
"There--he's asleep, poor wreck. Tom Sawyer find it! Pity but somebody
|
|
could find Tom Sawyer! Ah, there ain't many left, now, that's got hope
|
|
enough, or strength enough, either, to go on searching."
|
|
|
|
|
|
|
|
CHAPTER XXXI
|
|
|
|
NOW to return to Tom and Becky's share in the picnic. They tripped
|
|
along the murky aisles with the rest of the company, visiting the
|
|
familiar wonders of the cave--wonders dubbed with rather
|
|
over-descriptive names, such as "The Drawing-Room," "The Cathedral,"
|
|
"Aladdin's Palace," and so on. Presently the hide-and-seek frolicking
|
|
began, and Tom and Becky engaged in it with zeal until the exertion
|
|
began to grow a trifle wearisome; then they wandered down a sinuous
|
|
avenue holding their candles aloft and reading the tangled web-work of
|
|
names, dates, post-office addresses, and mottoes with which the rocky
|
|
walls had been frescoed (in candle-smoke). Still drifting along and
|
|
talking, they scarcely noticed that they were now in a part of the cave
|
|
whose walls were not frescoed. They smoked their own names under an
|
|
overhanging shelf and moved on. Presently they came to a place where a
|
|
little stream of water, trickling over a ledge and carrying a limestone
|
|
sediment with it, had, in the slow-dragging ages, formed a laced and
|
|
ruffled Niagara in gleaming and imperishable stone. Tom squeezed his
|
|
small body behind it in order to illuminate it for Becky's
|
|
gratification. He found that it curtained a sort of steep natural
|
|
stairway which was enclosed between narrow walls, and at once the
|
|
ambition to be a discoverer seized him. Becky responded to his call,
|
|
and they made a smoke-mark for future guidance, and started upon their
|
|
quest. They wound this way and that, far down into the secret depths of
|
|
the cave, made another mark, and branched off in search of novelties to
|
|
tell the upper world about. In one place they found a spacious cavern,
|
|
from whose ceiling depended a multitude of shining stalactites of the
|
|
length and circumference of a man's leg; they walked all about it,
|
|
wondering and admiring, and presently left it by one of the numerous
|
|
passages that opened into it. This shortly brought them to a bewitching
|
|
spring, whose basin was incrusted with a frostwork of glittering
|
|
crystals; it was in the midst of a cavern whose walls were supported by
|
|
many fantastic pillars which had been formed by the joining of great
|
|
stalactites and stalagmites together, the result of the ceaseless
|
|
water-drip of centuries. Under the roof vast knots of bats had packed
|
|
themselves together, thousands in a bunch; the lights disturbed the
|
|
creatures and they came flocking down by hundreds, squeaking and
|
|
darting furiously at the candles. Tom knew their ways and the danger of
|
|
this sort of conduct. He seized Becky's hand and hurried her into the
|
|
first corridor that offered; and none too soon, for a bat struck
|
|
Becky's light out with its wing while she was passing out of the
|
|
cavern. The bats chased the children a good distance; but the fugitives
|
|
plunged into every new passage that offered, and at last got rid of the
|
|
perilous things. Tom found a subterranean lake, shortly, which
|
|
stretched its dim length away until its shape was lost in the shadows.
|
|
He wanted to explore its borders, but concluded that it would be best
|
|
to sit down and rest awhile, first. Now, for the first time, the deep
|
|
stillness of the place laid a clammy hand upon the spirits of the
|
|
children. Becky said:
|
|
|
|
"Why, I didn't notice, but it seems ever so long since I heard any of
|
|
the others."
|
|
|
|
"Come to think, Becky, we are away down below them--and I don't know
|
|
how far away north, or south, or east, or whichever it is. We couldn't
|
|
hear them here."
|
|
|
|
Becky grew apprehensive.
|
|
|
|
"I wonder how long we've been down here, Tom? We better start back."
|
|
|
|
"Yes, I reckon we better. P'raps we better."
|
|
|
|
"Can you find the way, Tom? It's all a mixed-up crookedness to me."
|
|
|
|
"I reckon I could find it--but then the bats. If they put our candles
|
|
out it will be an awful fix. Let's try some other way, so as not to go
|
|
through there."
|
|
|
|
"Well. But I hope we won't get lost. It would be so awful!" and the
|
|
girl shuddered at the thought of the dreadful possibilities.
|
|
|
|
They started through a corridor, and traversed it in silence a long
|
|
way, glancing at each new opening, to see if there was anything
|
|
familiar about the look of it; but they were all strange. Every time
|
|
Tom made an examination, Becky would watch his face for an encouraging
|
|
sign, and he would say cheerily:
|
|
|
|
"Oh, it's all right. This ain't the one, but we'll come to it right
|
|
away!"
|
|
|
|
But he felt less and less hopeful with each failure, and presently
|
|
began to turn off into diverging avenues at sheer random, in desperate
|
|
hope of finding the one that was wanted. He still said it was "all
|
|
right," but there was such a leaden dread at his heart that the words
|
|
had lost their ring and sounded just as if he had said, "All is lost!"
|
|
Becky clung to his side in an anguish of fear, and tried hard to keep
|
|
back the tears, but they would come. At last she said:
|
|
|
|
"Oh, Tom, never mind the bats, let's go back that way! We seem to get
|
|
worse and worse off all the time."
|
|
|
|
"Listen!" said he.
|
|
|
|
Profound silence; silence so deep that even their breathings were
|
|
conspicuous in the hush. Tom shouted. The call went echoing down the
|
|
empty aisles and died out in the distance in a faint sound that
|
|
resembled a ripple of mocking laughter.
|
|
|
|
"Oh, don't do it again, Tom, it is too horrid," said Becky.
|
|
|
|
"It is horrid, but I better, Becky; they might hear us, you know," and
|
|
he shouted again.
|
|
|
|
The "might" was even a chillier horror than the ghostly laughter, it
|
|
so confessed a perishing hope. The children stood still and listened;
|
|
but there was no result. Tom turned upon the back track at once, and
|
|
hurried his steps. It was but a little while before a certain
|
|
indecision in his manner revealed another fearful fact to Becky--he
|
|
could not find his way back!
|
|
|
|
"Oh, Tom, you didn't make any marks!"
|
|
|
|
"Becky, I was such a fool! Such a fool! I never thought we might want
|
|
to come back! No--I can't find the way. It's all mixed up."
|
|
|
|
"Tom, Tom, we're lost! we're lost! We never can get out of this awful
|
|
place! Oh, why DID we ever leave the others!"
|
|
|
|
She sank to the ground and burst into such a frenzy of crying that Tom
|
|
was appalled with the idea that she might die, or lose her reason. He
|
|
sat down by her and put his arms around her; she buried her face in his
|
|
bosom, she clung to him, she poured out her terrors, her unavailing
|
|
regrets, and the far echoes turned them all to jeering laughter. Tom
|
|
begged her to pluck up hope again, and she said she could not. He fell
|
|
to blaming and abusing himself for getting her into this miserable
|
|
situation; this had a better effect. She said she would try to hope
|
|
again, she would get up and follow wherever he might lead if only he
|
|
would not talk like that any more. For he was no more to blame than
|
|
she, she said.
|
|
|
|
So they moved on again--aimlessly--simply at random--all they could do
|
|
was to move, keep moving. For a little while, hope made a show of
|
|
reviving--not with any reason to back it, but only because it is its
|
|
nature to revive when the spring has not been taken out of it by age
|
|
and familiarity with failure.
|
|
|
|
By-and-by Tom took Becky's candle and blew it out. This economy meant
|
|
so much! Words were not needed. Becky understood, and her hope died
|
|
again. She knew that Tom had a whole candle and three or four pieces in
|
|
his pockets--yet he must economize.
|
|
|
|
By-and-by, fatigue began to assert its claims; the children tried to
|
|
pay attention, for it was dreadful to think of sitting down when time
|
|
was grown to be so precious, moving, in some direction, in any
|
|
direction, was at least progress and might bear fruit; but to sit down
|
|
was to invite death and shorten its pursuit.
|
|
|
|
At last Becky's frail limbs refused to carry her farther. She sat
|
|
down. Tom rested with her, and they talked of home, and the friends
|
|
there, and the comfortable beds and, above all, the light! Becky cried,
|
|
and Tom tried to think of some way of comforting her, but all his
|
|
encouragements were grown threadbare with use, and sounded like
|
|
sarcasms. Fatigue bore so heavily upon Becky that she drowsed off to
|
|
sleep. Tom was grateful. He sat looking into her drawn face and saw it
|
|
grow smooth and natural under the influence of pleasant dreams; and
|
|
by-and-by a smile dawned and rested there. The peaceful face reflected
|
|
somewhat of peace and healing into his own spirit, and his thoughts
|
|
wandered away to bygone times and dreamy memories. While he was deep in
|
|
his musings, Becky woke up with a breezy little laugh--but it was
|
|
stricken dead upon her lips, and a groan followed it.
|
|
|
|
"Oh, how COULD I sleep! I wish I never, never had waked! No! No, I
|
|
don't, Tom! Don't look so! I won't say it again."
|
|
|
|
"I'm glad you've slept, Becky; you'll feel rested, now, and we'll find
|
|
the way out."
|
|
|
|
"We can try, Tom; but I've seen such a beautiful country in my dream.
|
|
I reckon we are going there."
|
|
|
|
"Maybe not, maybe not. Cheer up, Becky, and let's go on trying."
|
|
|
|
They rose up and wandered along, hand in hand and hopeless. They tried
|
|
to estimate how long they had been in the cave, but all they knew was
|
|
that it seemed days and weeks, and yet it was plain that this could not
|
|
be, for their candles were not gone yet. A long time after this--they
|
|
could not tell how long--Tom said they must go softly and listen for
|
|
dripping water--they must find a spring. They found one presently, and
|
|
Tom said it was time to rest again. Both were cruelly tired, yet Becky
|
|
said she thought she could go a little farther. She was surprised to
|
|
hear Tom dissent. She could not understand it. They sat down, and Tom
|
|
fastened his candle to the wall in front of them with some clay.
|
|
Thought was soon busy; nothing was said for some time. Then Becky broke
|
|
the silence:
|
|
|
|
"Tom, I am so hungry!"
|
|
|
|
Tom took something out of his pocket.
|
|
|
|
"Do you remember this?" said he.
|
|
|
|
Becky almost smiled.
|
|
|
|
"It's our wedding-cake, Tom."
|
|
|
|
"Yes--I wish it was as big as a barrel, for it's all we've got."
|
|
|
|
"I saved it from the picnic for us to dream on, Tom, the way grown-up
|
|
people do with wedding-cake--but it'll be our--"
|
|
|
|
She dropped the sentence where it was. Tom divided the cake and Becky
|
|
ate with good appetite, while Tom nibbled at his moiety. There was
|
|
abundance of cold water to finish the feast with. By-and-by Becky
|
|
suggested that they move on again. Tom was silent a moment. Then he
|
|
said:
|
|
|
|
"Becky, can you bear it if I tell you something?"
|
|
|
|
Becky's face paled, but she thought she could.
|
|
|
|
"Well, then, Becky, we must stay here, where there's water to drink.
|
|
That little piece is our last candle!"
|
|
|
|
Becky gave loose to tears and wailings. Tom did what he could to
|
|
comfort her, but with little effect. At length Becky said:
|
|
|
|
"Tom!"
|
|
|
|
"Well, Becky?"
|
|
|
|
"They'll miss us and hunt for us!"
|
|
|
|
"Yes, they will! Certainly they will!"
|
|
|
|
"Maybe they're hunting for us now, Tom."
|
|
|
|
"Why, I reckon maybe they are. I hope they are."
|
|
|
|
"When would they miss us, Tom?"
|
|
|
|
"When they get back to the boat, I reckon."
|
|
|
|
"Tom, it might be dark then--would they notice we hadn't come?"
|
|
|
|
"I don't know. But anyway, your mother would miss you as soon as they
|
|
got home."
|
|
|
|
A frightened look in Becky's face brought Tom to his senses and he saw
|
|
that he had made a blunder. Becky was not to have gone home that night!
|
|
The children became silent and thoughtful. In a moment a new burst of
|
|
grief from Becky showed Tom that the thing in his mind had struck hers
|
|
also--that the Sabbath morning might be half spent before Mrs. Thatcher
|
|
discovered that Becky was not at Mrs. Harper's.
|
|
|
|
The children fastened their eyes upon their bit of candle and watched
|
|
it melt slowly and pitilessly away; saw the half inch of wick stand
|
|
alone at last; saw the feeble flame rise and fall, climb the thin
|
|
column of smoke, linger at its top a moment, and then--the horror of
|
|
utter darkness reigned!
|
|
|
|
How long afterward it was that Becky came to a slow consciousness that
|
|
she was crying in Tom's arms, neither could tell. All that they knew
|
|
was, that after what seemed a mighty stretch of time, both awoke out of
|
|
a dead stupor of sleep and resumed their miseries once more. Tom said
|
|
it might be Sunday, now--maybe Monday. He tried to get Becky to talk,
|
|
but her sorrows were too oppressive, all her hopes were gone. Tom said
|
|
that they must have been missed long ago, and no doubt the search was
|
|
going on. He would shout and maybe some one would come. He tried it;
|
|
but in the darkness the distant echoes sounded so hideously that he
|
|
tried it no more.
|
|
|
|
The hours wasted away, and hunger came to torment the captives again.
|
|
A portion of Tom's half of the cake was left; they divided and ate it.
|
|
But they seemed hungrier than before. The poor morsel of food only
|
|
whetted desire.
|
|
|
|
By-and-by Tom said:
|
|
|
|
"SH! Did you hear that?"
|
|
|
|
Both held their breath and listened. There was a sound like the
|
|
faintest, far-off shout. Instantly Tom answered it, and leading Becky
|
|
by the hand, started groping down the corridor in its direction.
|
|
Presently he listened again; again the sound was heard, and apparently
|
|
a little nearer.
|
|
|
|
"It's them!" said Tom; "they're coming! Come along, Becky--we're all
|
|
right now!"
|
|
|
|
The joy of the prisoners was almost overwhelming. Their speed was
|
|
slow, however, because pitfalls were somewhat common, and had to be
|
|
guarded against. They shortly came to one and had to stop. It might be
|
|
three feet deep, it might be a hundred--there was no passing it at any
|
|
rate. Tom got down on his breast and reached as far down as he could.
|
|
No bottom. They must stay there and wait until the searchers came. They
|
|
listened; evidently the distant shoutings were growing more distant! a
|
|
moment or two more and they had gone altogether. The heart-sinking
|
|
misery of it! Tom whooped until he was hoarse, but it was of no use. He
|
|
talked hopefully to Becky; but an age of anxious waiting passed and no
|
|
sounds came again.
|
|
|
|
The children groped their way back to the spring. The weary time
|
|
dragged on; they slept again, and awoke famished and woe-stricken. Tom
|
|
believed it must be Tuesday by this time.
|
|
|
|
Now an idea struck him. There were some side passages near at hand. It
|
|
would be better to explore some of these than bear the weight of the
|
|
heavy time in idleness. He took a kite-line from his pocket, tied it to
|
|
a projection, and he and Becky started, Tom in the lead, unwinding the
|
|
line as he groped along. At the end of twenty steps the corridor ended
|
|
in a "jumping-off place." Tom got down on his knees and felt below, and
|
|
then as far around the corner as he could reach with his hands
|
|
conveniently; he made an effort to stretch yet a little farther to the
|
|
right, and at that moment, not twenty yards away, a human hand, holding
|
|
a candle, appeared from behind a rock! Tom lifted up a glorious shout,
|
|
and instantly that hand was followed by the body it belonged to--Injun
|
|
Joe's! Tom was paralyzed; he could not move. He was vastly gratified
|
|
the next moment, to see the "Spaniard" take to his heels and get
|
|
himself out of sight. Tom wondered that Joe had not recognized his
|
|
voice and come over and killed him for testifying in court. But the
|
|
echoes must have disguised the voice. Without doubt, that was it, he
|
|
reasoned. Tom's fright weakened every muscle in his body. He said to
|
|
himself that if he had strength enough to get back to the spring he
|
|
would stay there, and nothing should tempt him to run the risk of
|
|
meeting Injun Joe again. He was careful to keep from Becky what it was
|
|
he had seen. He told her he had only shouted "for luck."
|
|
|
|
But hunger and wretchedness rise superior to fears in the long run.
|
|
Another tedious wait at the spring and another long sleep brought
|
|
changes. The children awoke tortured with a raging hunger. Tom believed
|
|
that it must be Wednesday or Thursday or even Friday or Saturday, now,
|
|
and that the search had been given over. He proposed to explore another
|
|
passage. He felt willing to risk Injun Joe and all other terrors. But
|
|
Becky was very weak. She had sunk into a dreary apathy and would not be
|
|
roused. She said she would wait, now, where she was, and die--it would
|
|
not be long. She told Tom to go with the kite-line and explore if he
|
|
chose; but she implored him to come back every little while and speak
|
|
to her; and she made him promise that when the awful time came, he
|
|
would stay by her and hold her hand until all was over.
|
|
|
|
Tom kissed her, with a choking sensation in his throat, and made a
|
|
show of being confident of finding the searchers or an escape from the
|
|
cave; then he took the kite-line in his hand and went groping down one
|
|
of the passages on his hands and knees, distressed with hunger and sick
|
|
with bodings of coming doom.
|
|
|
|
|
|
|
|
CHAPTER XXXII
|
|
|
|
TUESDAY afternoon came, and waned to the twilight. The village of St.
|
|
Petersburg still mourned. The lost children had not been found. Public
|
|
prayers had been offered up for them, and many and many a private
|
|
prayer that had the petitioner's whole heart in it; but still no good
|
|
news came from the cave. The majority of the searchers had given up the
|
|
quest and gone back to their daily avocations, saying that it was plain
|
|
the children could never be found. Mrs. Thatcher was very ill, and a
|
|
great part of the time delirious. People said it was heartbreaking to
|
|
hear her call her child, and raise her head and listen a whole minute
|
|
at a time, then lay it wearily down again with a moan. Aunt Polly had
|
|
drooped into a settled melancholy, and her gray hair had grown almost
|
|
white. The village went to its rest on Tuesday night, sad and forlorn.
|
|
|
|
Away in the middle of the night a wild peal burst from the village
|
|
bells, and in a moment the streets were swarming with frantic half-clad
|
|
people, who shouted, "Turn out! turn out! they're found! they're
|
|
found!" Tin pans and horns were added to the din, the population massed
|
|
itself and moved toward the river, met the children coming in an open
|
|
carriage drawn by shouting citizens, thronged around it, joined its
|
|
homeward march, and swept magnificently up the main street roaring
|
|
huzzah after huzzah!
|
|
|
|
The village was illuminated; nobody went to bed again; it was the
|
|
greatest night the little town had ever seen. During the first half-hour
|
|
a procession of villagers filed through Judge Thatcher's house, seized
|
|
the saved ones and kissed them, squeezed Mrs. Thatcher's hand, tried to
|
|
speak but couldn't--and drifted out raining tears all over the place.
|
|
|
|
Aunt Polly's happiness was complete, and Mrs. Thatcher's nearly so. It
|
|
would be complete, however, as soon as the messenger dispatched with
|
|
the great news to the cave should get the word to her husband. Tom lay
|
|
upon a sofa with an eager auditory about him and told the history of
|
|
the wonderful adventure, putting in many striking additions to adorn it
|
|
withal; and closed with a description of how he left Becky and went on
|
|
an exploring expedition; how he followed two avenues as far as his
|
|
kite-line would reach; how he followed a third to the fullest stretch of
|
|
the kite-line, and was about to turn back when he glimpsed a far-off
|
|
speck that looked like daylight; dropped the line and groped toward it,
|
|
pushed his head and shoulders through a small hole, and saw the broad
|
|
Mississippi rolling by! And if it had only happened to be night he would
|
|
not have seen that speck of daylight and would not have explored that
|
|
passage any more! He told how he went back for Becky and broke the good
|
|
news and she told him not to fret her with such stuff, for she was
|
|
tired, and knew she was going to die, and wanted to. He described how he
|
|
labored with her and convinced her; and how she almost died for joy when
|
|
she had groped to where she actually saw the blue speck of daylight; how
|
|
he pushed his way out at the hole and then helped her out; how they sat
|
|
there and cried for gladness; how some men came along in a skiff and Tom
|
|
hailed them and told them their situation and their famished condition;
|
|
how the men didn't believe the wild tale at first, "because," said they,
|
|
"you are five miles down the river below the valley the cave is in"
|
|
--then took them aboard, rowed to a house, gave them supper, made them
|
|
rest till two or three hours after dark and then brought them home.
|
|
|
|
Before day-dawn, Judge Thatcher and the handful of searchers with him
|
|
were tracked out, in the cave, by the twine clews they had strung
|
|
behind them, and informed of the great news.
|
|
|
|
Three days and nights of toil and hunger in the cave were not to be
|
|
shaken off at once, as Tom and Becky soon discovered. They were
|
|
bedridden all of Wednesday and Thursday, and seemed to grow more and
|
|
more tired and worn, all the time. Tom got about, a little, on
|
|
Thursday, was down-town Friday, and nearly as whole as ever Saturday;
|
|
but Becky did not leave her room until Sunday, and then she looked as
|
|
if she had passed through a wasting illness.
|
|
|
|
Tom learned of Huck's sickness and went to see him on Friday, but
|
|
could not be admitted to the bedroom; neither could he on Saturday or
|
|
Sunday. He was admitted daily after that, but was warned to keep still
|
|
about his adventure and introduce no exciting topic. The Widow Douglas
|
|
stayed by to see that he obeyed. At home Tom learned of the Cardiff
|
|
Hill event; also that the "ragged man's" body had eventually been found
|
|
in the river near the ferry-landing; he had been drowned while trying
|
|
to escape, perhaps.
|
|
|
|
About a fortnight after Tom's rescue from the cave, he started off to
|
|
visit Huck, who had grown plenty strong enough, now, to hear exciting
|
|
talk, and Tom had some that would interest him, he thought. Judge
|
|
Thatcher's house was on Tom's way, and he stopped to see Becky. The
|
|
Judge and some friends set Tom to talking, and some one asked him
|
|
ironically if he wouldn't like to go to the cave again. Tom said he
|
|
thought he wouldn't mind it. The Judge said:
|
|
|
|
"Well, there are others just like you, Tom, I've not the least doubt.
|
|
But we have taken care of that. Nobody will get lost in that cave any
|
|
more."
|
|
|
|
"Why?"
|
|
|
|
"Because I had its big door sheathed with boiler iron two weeks ago,
|
|
and triple-locked--and I've got the keys."
|
|
|
|
Tom turned as white as a sheet.
|
|
|
|
"What's the matter, boy! Here, run, somebody! Fetch a glass of water!"
|
|
|
|
The water was brought and thrown into Tom's face.
|
|
|
|
"Ah, now you're all right. What was the matter with you, Tom?"
|
|
|
|
"Oh, Judge, Injun Joe's in the cave!"
|
|
|
|
|
|
|
|
CHAPTER XXXIII
|
|
|
|
WITHIN a few minutes the news had spread, and a dozen skiff-loads of
|
|
men were on their way to McDougal's cave, and the ferryboat, well
|
|
filled with passengers, soon followed. Tom Sawyer was in the skiff that
|
|
bore Judge Thatcher.
|
|
|
|
When the cave door was unlocked, a sorrowful sight presented itself in
|
|
the dim twilight of the place. Injun Joe lay stretched upon the ground,
|
|
dead, with his face close to the crack of the door, as if his longing
|
|
eyes had been fixed, to the latest moment, upon the light and the cheer
|
|
of the free world outside. Tom was touched, for he knew by his own
|
|
experience how this wretch had suffered. His pity was moved, but
|
|
nevertheless he felt an abounding sense of relief and security, now,
|
|
which revealed to him in a degree which he had not fully appreciated
|
|
before how vast a weight of dread had been lying upon him since the day
|
|
he lifted his voice against this bloody-minded outcast.
|
|
|
|
Injun Joe's bowie-knife lay close by, its blade broken in two. The
|
|
great foundation-beam of the door had been chipped and hacked through,
|
|
with tedious labor; useless labor, too, it was, for the native rock
|
|
formed a sill outside it, and upon that stubborn material the knife had
|
|
wrought no effect; the only damage done was to the knife itself. But if
|
|
there had been no stony obstruction there the labor would have been
|
|
useless still, for if the beam had been wholly cut away Injun Joe could
|
|
not have squeezed his body under the door, and he knew it. So he had
|
|
only hacked that place in order to be doing something--in order to pass
|
|
the weary time--in order to employ his tortured faculties. Ordinarily
|
|
one could find half a dozen bits of candle stuck around in the crevices
|
|
of this vestibule, left there by tourists; but there were none now. The
|
|
prisoner had searched them out and eaten them. He had also contrived to
|
|
catch a few bats, and these, also, he had eaten, leaving only their
|
|
claws. The poor unfortunate had starved to death. In one place, near at
|
|
hand, a stalagmite had been slowly growing up from the ground for ages,
|
|
builded by the water-drip from a stalactite overhead. The captive had
|
|
broken off the stalagmite, and upon the stump had placed a stone,
|
|
wherein he had scooped a shallow hollow to catch the precious drop
|
|
that fell once in every three minutes with the dreary regularity of a
|
|
clock-tick--a dessertspoonful once in four and twenty hours. That drop
|
|
was falling when the Pyramids were new; when Troy fell; when the
|
|
foundations of Rome were laid; when Christ was crucified; when the
|
|
Conqueror created the British empire; when Columbus sailed; when the
|
|
massacre at Lexington was "news." It is falling now; it will still be
|
|
falling when all these things shall have sunk down the afternoon of
|
|
history, and the twilight of tradition, and been swallowed up in the
|
|
thick night of oblivion. Has everything a purpose and a mission? Did
|
|
this drop fall patiently during five thousand years to be ready for
|
|
this flitting human insect's need? and has it another important object
|
|
to accomplish ten thousand years to come? No matter. It is many and
|
|
many a year since the hapless half-breed scooped out the stone to catch
|
|
the priceless drops, but to this day the tourist stares longest at that
|
|
pathetic stone and that slow-dropping water when he comes to see the
|
|
wonders of McDougal's cave. Injun Joe's cup stands first in the list of
|
|
the cavern's marvels; even "Aladdin's Palace" cannot rival it.
|
|
|
|
Injun Joe was buried near the mouth of the cave; and people flocked
|
|
there in boats and wagons from the towns and from all the farms and
|
|
hamlets for seven miles around; they brought their children, and all
|
|
sorts of provisions, and confessed that they had had almost as
|
|
satisfactory a time at the funeral as they could have had at the
|
|
hanging.
|
|
|
|
This funeral stopped the further growth of one thing--the petition to
|
|
the governor for Injun Joe's pardon. The petition had been largely
|
|
signed; many tearful and eloquent meetings had been held, and a
|
|
committee of sappy women been appointed to go in deep mourning and wail
|
|
around the governor, and implore him to be a merciful ass and trample
|
|
his duty under foot. Injun Joe was believed to have killed five
|
|
citizens of the village, but what of that? If he had been Satan himself
|
|
there would have been plenty of weaklings ready to scribble their names
|
|
to a pardon-petition, and drip a tear on it from their permanently
|
|
impaired and leaky water-works.
|
|
|
|
The morning after the funeral Tom took Huck to a private place to have
|
|
an important talk. Huck had learned all about Tom's adventure from the
|
|
Welshman and the Widow Douglas, by this time, but Tom said he reckoned
|
|
there was one thing they had not told him; that thing was what he
|
|
wanted to talk about now. Huck's face saddened. He said:
|
|
|
|
"I know what it is. You got into No. 2 and never found anything but
|
|
whiskey. Nobody told me it was you; but I just knowed it must 'a' ben
|
|
you, soon as I heard 'bout that whiskey business; and I knowed you
|
|
hadn't got the money becuz you'd 'a' got at me some way or other and
|
|
told me even if you was mum to everybody else. Tom, something's always
|
|
told me we'd never get holt of that swag."
|
|
|
|
"Why, Huck, I never told on that tavern-keeper. YOU know his tavern
|
|
was all right the Saturday I went to the picnic. Don't you remember you
|
|
was to watch there that night?"
|
|
|
|
"Oh yes! Why, it seems 'bout a year ago. It was that very night that I
|
|
follered Injun Joe to the widder's."
|
|
|
|
"YOU followed him?"
|
|
|
|
"Yes--but you keep mum. I reckon Injun Joe's left friends behind him,
|
|
and I don't want 'em souring on me and doing me mean tricks. If it
|
|
hadn't ben for me he'd be down in Texas now, all right."
|
|
|
|
Then Huck told his entire adventure in confidence to Tom, who had only
|
|
heard of the Welshman's part of it before.
|
|
|
|
"Well," said Huck, presently, coming back to the main question,
|
|
"whoever nipped the whiskey in No. 2, nipped the money, too, I reckon
|
|
--anyways it's a goner for us, Tom."
|
|
|
|
"Huck, that money wasn't ever in No. 2!"
|
|
|
|
"What!" Huck searched his comrade's face keenly. "Tom, have you got on
|
|
the track of that money again?"
|
|
|
|
"Huck, it's in the cave!"
|
|
|
|
Huck's eyes blazed.
|
|
|
|
"Say it again, Tom."
|
|
|
|
"The money's in the cave!"
|
|
|
|
"Tom--honest injun, now--is it fun, or earnest?"
|
|
|
|
"Earnest, Huck--just as earnest as ever I was in my life. Will you go
|
|
in there with me and help get it out?"
|
|
|
|
"I bet I will! I will if it's where we can blaze our way to it and not
|
|
get lost."
|
|
|
|
"Huck, we can do that without the least little bit of trouble in the
|
|
world."
|
|
|
|
"Good as wheat! What makes you think the money's--"
|
|
|
|
"Huck, you just wait till we get in there. If we don't find it I'll
|
|
agree to give you my drum and every thing I've got in the world. I
|
|
will, by jings."
|
|
|
|
"All right--it's a whiz. When do you say?"
|
|
|
|
"Right now, if you say it. Are you strong enough?"
|
|
|
|
"Is it far in the cave? I ben on my pins a little, three or four days,
|
|
now, but I can't walk more'n a mile, Tom--least I don't think I could."
|
|
|
|
"It's about five mile into there the way anybody but me would go,
|
|
Huck, but there's a mighty short cut that they don't anybody but me
|
|
know about. Huck, I'll take you right to it in a skiff. I'll float the
|
|
skiff down there, and I'll pull it back again all by myself. You
|
|
needn't ever turn your hand over."
|
|
|
|
"Less start right off, Tom."
|
|
|
|
"All right. We want some bread and meat, and our pipes, and a little
|
|
bag or two, and two or three kite-strings, and some of these
|
|
new-fangled things they call lucifer matches. I tell you, many's
|
|
the time I wished I had some when I was in there before."
|
|
|
|
A trifle after noon the boys borrowed a small skiff from a citizen who
|
|
was absent, and got under way at once. When they were several miles
|
|
below "Cave Hollow," Tom said:
|
|
|
|
"Now you see this bluff here looks all alike all the way down from the
|
|
cave hollow--no houses, no wood-yards, bushes all alike. But do you see
|
|
that white place up yonder where there's been a landslide? Well, that's
|
|
one of my marks. We'll get ashore, now."
|
|
|
|
They landed.
|
|
|
|
"Now, Huck, where we're a-standing you could touch that hole I got out
|
|
of with a fishing-pole. See if you can find it."
|
|
|
|
Huck searched all the place about, and found nothing. Tom proudly
|
|
marched into a thick clump of sumach bushes and said:
|
|
|
|
"Here you are! Look at it, Huck; it's the snuggest hole in this
|
|
country. You just keep mum about it. All along I've been wanting to be
|
|
a robber, but I knew I'd got to have a thing like this, and where to
|
|
run across it was the bother. We've got it now, and we'll keep it
|
|
quiet, only we'll let Joe Harper and Ben Rogers in--because of course
|
|
there's got to be a Gang, or else there wouldn't be any style about it.
|
|
Tom Sawyer's Gang--it sounds splendid, don't it, Huck?"
|
|
|
|
"Well, it just does, Tom. And who'll we rob?"
|
|
|
|
"Oh, most anybody. Waylay people--that's mostly the way."
|
|
|
|
"And kill them?"
|
|
|
|
"No, not always. Hive them in the cave till they raise a ransom."
|
|
|
|
"What's a ransom?"
|
|
|
|
"Money. You make them raise all they can, off'n their friends; and
|
|
after you've kept them a year, if it ain't raised then you kill them.
|
|
That's the general way. Only you don't kill the women. You shut up the
|
|
women, but you don't kill them. They're always beautiful and rich, and
|
|
awfully scared. You take their watches and things, but you always take
|
|
your hat off and talk polite. They ain't anybody as polite as robbers
|
|
--you'll see that in any book. Well, the women get to loving you, and
|
|
after they've been in the cave a week or two weeks they stop crying and
|
|
after that you couldn't get them to leave. If you drove them out they'd
|
|
turn right around and come back. It's so in all the books."
|
|
|
|
"Why, it's real bully, Tom. I believe it's better'n to be a pirate."
|
|
|
|
"Yes, it's better in some ways, because it's close to home and
|
|
circuses and all that."
|
|
|
|
By this time everything was ready and the boys entered the hole, Tom
|
|
in the lead. They toiled their way to the farther end of the tunnel,
|
|
then made their spliced kite-strings fast and moved on. A few steps
|
|
brought them to the spring, and Tom felt a shudder quiver all through
|
|
him. He showed Huck the fragment of candle-wick perched on a lump of
|
|
clay against the wall, and described how he and Becky had watched the
|
|
flame struggle and expire.
|
|
|
|
The boys began to quiet down to whispers, now, for the stillness and
|
|
gloom of the place oppressed their spirits. They went on, and presently
|
|
entered and followed Tom's other corridor until they reached the
|
|
"jumping-off place." The candles revealed the fact that it was not
|
|
really a precipice, but only a steep clay hill twenty or thirty feet
|
|
high. Tom whispered:
|
|
|
|
"Now I'll show you something, Huck."
|
|
|
|
He held his candle aloft and said:
|
|
|
|
"Look as far around the corner as you can. Do you see that? There--on
|
|
the big rock over yonder--done with candle-smoke."
|
|
|
|
"Tom, it's a CROSS!"
|
|
|
|
"NOW where's your Number Two? 'UNDER THE CROSS,' hey? Right yonder's
|
|
where I saw Injun Joe poke up his candle, Huck!"
|
|
|
|
Huck stared at the mystic sign awhile, and then said with a shaky voice:
|
|
|
|
"Tom, less git out of here!"
|
|
|
|
"What! and leave the treasure?"
|
|
|
|
"Yes--leave it. Injun Joe's ghost is round about there, certain."
|
|
|
|
"No it ain't, Huck, no it ain't. It would ha'nt the place where he
|
|
died--away out at the mouth of the cave--five mile from here."
|
|
|
|
"No, Tom, it wouldn't. It would hang round the money. I know the ways
|
|
of ghosts, and so do you."
|
|
|
|
Tom began to fear that Huck was right. Misgivings gathered in his
|
|
mind. But presently an idea occurred to him--
|
|
|
|
"Lookyhere, Huck, what fools we're making of ourselves! Injun Joe's
|
|
ghost ain't a going to come around where there's a cross!"
|
|
|
|
The point was well taken. It had its effect.
|
|
|
|
"Tom, I didn't think of that. But that's so. It's luck for us, that
|
|
cross is. I reckon we'll climb down there and have a hunt for that box."
|
|
|
|
Tom went first, cutting rude steps in the clay hill as he descended.
|
|
Huck followed. Four avenues opened out of the small cavern which the
|
|
great rock stood in. The boys examined three of them with no result.
|
|
They found a small recess in the one nearest the base of the rock, with
|
|
a pallet of blankets spread down in it; also an old suspender, some
|
|
bacon rind, and the well-gnawed bones of two or three fowls. But there
|
|
was no money-box. The lads searched and researched this place, but in
|
|
vain. Tom said:
|
|
|
|
"He said UNDER the cross. Well, this comes nearest to being under the
|
|
cross. It can't be under the rock itself, because that sets solid on
|
|
the ground."
|
|
|
|
They searched everywhere once more, and then sat down discouraged.
|
|
Huck could suggest nothing. By-and-by Tom said:
|
|
|
|
"Lookyhere, Huck, there's footprints and some candle-grease on the
|
|
clay about one side of this rock, but not on the other sides. Now,
|
|
what's that for? I bet you the money IS under the rock. I'm going to
|
|
dig in the clay."
|
|
|
|
"That ain't no bad notion, Tom!" said Huck with animation.
|
|
|
|
Tom's "real Barlow" was out at once, and he had not dug four inches
|
|
before he struck wood.
|
|
|
|
"Hey, Huck!--you hear that?"
|
|
|
|
Huck began to dig and scratch now. Some boards were soon uncovered and
|
|
removed. They had concealed a natural chasm which led under the rock.
|
|
Tom got into this and held his candle as far under the rock as he
|
|
could, but said he could not see to the end of the rift. He proposed to
|
|
explore. He stooped and passed under; the narrow way descended
|
|
gradually. He followed its winding course, first to the right, then to
|
|
the left, Huck at his heels. Tom turned a short curve, by-and-by, and
|
|
exclaimed:
|
|
|
|
"My goodness, Huck, lookyhere!"
|
|
|
|
It was the treasure-box, sure enough, occupying a snug little cavern,
|
|
along with an empty powder-keg, a couple of guns in leather cases, two
|
|
or three pairs of old moccasins, a leather belt, and some other rubbish
|
|
well soaked with the water-drip.
|
|
|
|
"Got it at last!" said Huck, ploughing among the tarnished coins with
|
|
his hand. "My, but we're rich, Tom!"
|
|
|
|
"Huck, I always reckoned we'd get it. It's just too good to believe,
|
|
but we HAVE got it, sure! Say--let's not fool around here. Let's snake
|
|
it out. Lemme see if I can lift the box."
|
|
|
|
It weighed about fifty pounds. Tom could lift it, after an awkward
|
|
fashion, but could not carry it conveniently.
|
|
|
|
"I thought so," he said; "THEY carried it like it was heavy, that day
|
|
at the ha'nted house. I noticed that. I reckon I was right to think of
|
|
fetching the little bags along."
|
|
|
|
The money was soon in the bags and the boys took it up to the cross
|
|
rock.
|
|
|
|
"Now less fetch the guns and things," said Huck.
|
|
|
|
"No, Huck--leave them there. They're just the tricks to have when we
|
|
go to robbing. We'll keep them there all the time, and we'll hold our
|
|
orgies there, too. It's an awful snug place for orgies."
|
|
|
|
"What orgies?"
|
|
|
|
"I dono. But robbers always have orgies, and of course we've got to
|
|
have them, too. Come along, Huck, we've been in here a long time. It's
|
|
getting late, I reckon. I'm hungry, too. We'll eat and smoke when we
|
|
get to the skiff."
|
|
|
|
They presently emerged into the clump of sumach bushes, looked warily
|
|
out, found the coast clear, and were soon lunching and smoking in the
|
|
skiff. As the sun dipped toward the horizon they pushed out and got
|
|
under way. Tom skimmed up the shore through the long twilight, chatting
|
|
cheerily with Huck, and landed shortly after dark.
|
|
|
|
"Now, Huck," said Tom, "we'll hide the money in the loft of the
|
|
widow's woodshed, and I'll come up in the morning and we'll count it
|
|
and divide, and then we'll hunt up a place out in the woods for it
|
|
where it will be safe. Just you lay quiet here and watch the stuff till
|
|
I run and hook Benny Taylor's little wagon; I won't be gone a minute."
|
|
|
|
He disappeared, and presently returned with the wagon, put the two
|
|
small sacks into it, threw some old rags on top of them, and started
|
|
off, dragging his cargo behind him. When the boys reached the
|
|
Welshman's house, they stopped to rest. Just as they were about to move
|
|
on, the Welshman stepped out and said:
|
|
|
|
"Hallo, who's that?"
|
|
|
|
"Huck and Tom Sawyer."
|
|
|
|
"Good! Come along with me, boys, you are keeping everybody waiting.
|
|
Here--hurry up, trot ahead--I'll haul the wagon for you. Why, it's not
|
|
as light as it might be. Got bricks in it?--or old metal?"
|
|
|
|
"Old metal," said Tom.
|
|
|
|
"I judged so; the boys in this town will take more trouble and fool
|
|
away more time hunting up six bits' worth of old iron to sell to the
|
|
foundry than they would to make twice the money at regular work. But
|
|
that's human nature--hurry along, hurry along!"
|
|
|
|
The boys wanted to know what the hurry was about.
|
|
|
|
"Never mind; you'll see, when we get to the Widow Douglas'."
|
|
|
|
Huck said with some apprehension--for he was long used to being
|
|
falsely accused:
|
|
|
|
"Mr. Jones, we haven't been doing nothing."
|
|
|
|
The Welshman laughed.
|
|
|
|
"Well, I don't know, Huck, my boy. I don't know about that. Ain't you
|
|
and the widow good friends?"
|
|
|
|
"Yes. Well, she's ben good friends to me, anyway."
|
|
|
|
"All right, then. What do you want to be afraid for?"
|
|
|
|
This question was not entirely answered in Huck's slow mind before he
|
|
found himself pushed, along with Tom, into Mrs. Douglas' drawing-room.
|
|
Mr. Jones left the wagon near the door and followed.
|
|
|
|
The place was grandly lighted, and everybody that was of any
|
|
consequence in the village was there. The Thatchers were there, the
|
|
Harpers, the Rogerses, Aunt Polly, Sid, Mary, the minister, the editor,
|
|
and a great many more, and all dressed in their best. The widow
|
|
received the boys as heartily as any one could well receive two such
|
|
looking beings. They were covered with clay and candle-grease. Aunt
|
|
Polly blushed crimson with humiliation, and frowned and shook her head
|
|
at Tom. Nobody suffered half as much as the two boys did, however. Mr.
|
|
Jones said:
|
|
|
|
"Tom wasn't at home, yet, so I gave him up; but I stumbled on him and
|
|
Huck right at my door, and so I just brought them along in a hurry."
|
|
|
|
"And you did just right," said the widow. "Come with me, boys."
|
|
|
|
She took them to a bedchamber and said:
|
|
|
|
"Now wash and dress yourselves. Here are two new suits of clothes
|
|
--shirts, socks, everything complete. They're Huck's--no, no thanks,
|
|
Huck--Mr. Jones bought one and I the other. But they'll fit both of you.
|
|
Get into them. We'll wait--come down when you are slicked up enough."
|
|
|
|
Then she left.
|
|
|
|
|
|
|
|
CHAPTER XXXIV
|
|
|
|
HUCK said: "Tom, we can slope, if we can find a rope. The window ain't
|
|
high from the ground."
|
|
|
|
"Shucks! what do you want to slope for?"
|
|
|
|
"Well, I ain't used to that kind of a crowd. I can't stand it. I ain't
|
|
going down there, Tom."
|
|
|
|
"Oh, bother! It ain't anything. I don't mind it a bit. I'll take care
|
|
of you."
|
|
|
|
Sid appeared.
|
|
|
|
"Tom," said he, "auntie has been waiting for you all the afternoon.
|
|
Mary got your Sunday clothes ready, and everybody's been fretting about
|
|
you. Say--ain't this grease and clay, on your clothes?"
|
|
|
|
"Now, Mr. Siddy, you jist 'tend to your own business. What's all this
|
|
blow-out about, anyway?"
|
|
|
|
"It's one of the widow's parties that she's always having. This time
|
|
it's for the Welshman and his sons, on account of that scrape they
|
|
helped her out of the other night. And say--I can tell you something,
|
|
if you want to know."
|
|
|
|
"Well, what?"
|
|
|
|
"Why, old Mr. Jones is going to try to spring something on the people
|
|
here to-night, but I overheard him tell auntie to-day about it, as a
|
|
secret, but I reckon it's not much of a secret now. Everybody knows
|
|
--the widow, too, for all she tries to let on she don't. Mr. Jones was
|
|
bound Huck should be here--couldn't get along with his grand secret
|
|
without Huck, you know!"
|
|
|
|
"Secret about what, Sid?"
|
|
|
|
"About Huck tracking the robbers to the widow's. I reckon Mr. Jones
|
|
was going to make a grand time over his surprise, but I bet you it will
|
|
drop pretty flat."
|
|
|
|
Sid chuckled in a very contented and satisfied way.
|
|
|
|
"Sid, was it you that told?"
|
|
|
|
"Oh, never mind who it was. SOMEBODY told--that's enough."
|
|
|
|
"Sid, there's only one person in this town mean enough to do that, and
|
|
that's you. If you had been in Huck's place you'd 'a' sneaked down the
|
|
hill and never told anybody on the robbers. You can't do any but mean
|
|
things, and you can't bear to see anybody praised for doing good ones.
|
|
There--no thanks, as the widow says"--and Tom cuffed Sid's ears and
|
|
helped him to the door with several kicks. "Now go and tell auntie if
|
|
you dare--and to-morrow you'll catch it!"
|
|
|
|
Some minutes later the widow's guests were at the supper-table, and a
|
|
dozen children were propped up at little side-tables in the same room,
|
|
after the fashion of that country and that day. At the proper time Mr.
|
|
Jones made his little speech, in which he thanked the widow for the
|
|
honor she was doing himself and his sons, but said that there was
|
|
another person whose modesty--
|
|
|
|
And so forth and so on. He sprung his secret about Huck's share in the
|
|
adventure in the finest dramatic manner he was master of, but the
|
|
surprise it occasioned was largely counterfeit and not as clamorous and
|
|
effusive as it might have been under happier circumstances. However,
|
|
the widow made a pretty fair show of astonishment, and heaped so many
|
|
compliments and so much gratitude upon Huck that he almost forgot the
|
|
nearly intolerable discomfort of his new clothes in the entirely
|
|
intolerable discomfort of being set up as a target for everybody's gaze
|
|
and everybody's laudations.
|
|
|
|
The widow said she meant to give Huck a home under her roof and have
|
|
him educated; and that when she could spare the money she would start
|
|
him in business in a modest way. Tom's chance was come. He said:
|
|
|
|
"Huck don't need it. Huck's rich."
|
|
|
|
Nothing but a heavy strain upon the good manners of the company kept
|
|
back the due and proper complimentary laugh at this pleasant joke. But
|
|
the silence was a little awkward. Tom broke it:
|
|
|
|
"Huck's got money. Maybe you don't believe it, but he's got lots of
|
|
it. Oh, you needn't smile--I reckon I can show you. You just wait a
|
|
minute."
|
|
|
|
Tom ran out of doors. The company looked at each other with a
|
|
perplexed interest--and inquiringly at Huck, who was tongue-tied.
|
|
|
|
"Sid, what ails Tom?" said Aunt Polly. "He--well, there ain't ever any
|
|
making of that boy out. I never--"
|
|
|
|
Tom entered, struggling with the weight of his sacks, and Aunt Polly
|
|
did not finish her sentence. Tom poured the mass of yellow coin upon
|
|
the table and said:
|
|
|
|
"There--what did I tell you? Half of it's Huck's and half of it's mine!"
|
|
|
|
The spectacle took the general breath away. All gazed, nobody spoke
|
|
for a moment. Then there was a unanimous call for an explanation. Tom
|
|
said he could furnish it, and he did. The tale was long, but brimful of
|
|
interest. There was scarcely an interruption from any one to break the
|
|
charm of its flow. When he had finished, Mr. Jones said:
|
|
|
|
"I thought I had fixed up a little surprise for this occasion, but it
|
|
don't amount to anything now. This one makes it sing mighty small, I'm
|
|
willing to allow."
|
|
|
|
The money was counted. The sum amounted to a little over twelve
|
|
thousand dollars. It was more than any one present had ever seen at one
|
|
time before, though several persons were there who were worth
|
|
considerably more than that in property.
|
|
|
|
|
|
|
|
CHAPTER XXXV
|
|
|
|
THE reader may rest satisfied that Tom's and Huck's windfall made a
|
|
mighty stir in the poor little village of St. Petersburg. So vast a
|
|
sum, all in actual cash, seemed next to incredible. It was talked
|
|
about, gloated over, glorified, until the reason of many of the
|
|
citizens tottered under the strain of the unhealthy excitement. Every
|
|
"haunted" house in St. Petersburg and the neighboring villages was
|
|
dissected, plank by plank, and its foundations dug up and ransacked for
|
|
hidden treasure--and not by boys, but men--pretty grave, unromantic
|
|
men, too, some of them. Wherever Tom and Huck appeared they were
|
|
courted, admired, stared at. The boys were not able to remember that
|
|
their remarks had possessed weight before; but now their sayings were
|
|
treasured and repeated; everything they did seemed somehow to be
|
|
regarded as remarkable; they had evidently lost the power of doing and
|
|
saying commonplace things; moreover, their past history was raked up
|
|
and discovered to bear marks of conspicuous originality. The village
|
|
paper published biographical sketches of the boys.
|
|
|
|
The Widow Douglas put Huck's money out at six per cent., and Judge
|
|
Thatcher did the same with Tom's at Aunt Polly's request. Each lad had
|
|
an income, now, that was simply prodigious--a dollar for every week-day
|
|
in the year and half of the Sundays. It was just what the minister got
|
|
--no, it was what he was promised--he generally couldn't collect it. A
|
|
dollar and a quarter a week would board, lodge, and school a boy in
|
|
those old simple days--and clothe him and wash him, too, for that
|
|
matter.
|
|
|
|
Judge Thatcher had conceived a great opinion of Tom. He said that no
|
|
commonplace boy would ever have got his daughter out of the cave. When
|
|
Becky told her father, in strict confidence, how Tom had taken her
|
|
whipping at school, the Judge was visibly moved; and when she pleaded
|
|
grace for the mighty lie which Tom had told in order to shift that
|
|
whipping from her shoulders to his own, the Judge said with a fine
|
|
outburst that it was a noble, a generous, a magnanimous lie--a lie that
|
|
was worthy to hold up its head and march down through history breast to
|
|
breast with George Washington's lauded Truth about the hatchet! Becky
|
|
thought her father had never looked so tall and so superb as when he
|
|
walked the floor and stamped his foot and said that. She went straight
|
|
off and told Tom about it.
|
|
|
|
Judge Thatcher hoped to see Tom a great lawyer or a great soldier some
|
|
day. He said he meant to look to it that Tom should be admitted to the
|
|
National Military Academy and afterward trained in the best law school
|
|
in the country, in order that he might be ready for either career or
|
|
both.
|
|
|
|
Huck Finn's wealth and the fact that he was now under the Widow
|
|
Douglas' protection introduced him into society--no, dragged him into
|
|
it, hurled him into it--and his sufferings were almost more than he
|
|
could bear. The widow's servants kept him clean and neat, combed and
|
|
brushed, and they bedded him nightly in unsympathetic sheets that had
|
|
not one little spot or stain which he could press to his heart and know
|
|
for a friend. He had to eat with a knife and fork; he had to use
|
|
napkin, cup, and plate; he had to learn his book, he had to go to
|
|
church; he had to talk so properly that speech was become insipid in
|
|
his mouth; whithersoever he turned, the bars and shackles of
|
|
civilization shut him in and bound him hand and foot.
|
|
|
|
He bravely bore his miseries three weeks, and then one day turned up
|
|
missing. For forty-eight hours the widow hunted for him everywhere in
|
|
great distress. The public were profoundly concerned; they searched
|
|
high and low, they dragged the river for his body. Early the third
|
|
morning Tom Sawyer wisely went poking among some old empty hogsheads
|
|
down behind the abandoned slaughter-house, and in one of them he found
|
|
the refugee. Huck had slept there; he had just breakfasted upon some
|
|
stolen odds and ends of food, and was lying off, now, in comfort, with
|
|
his pipe. He was unkempt, uncombed, and clad in the same old ruin of
|
|
rags that had made him picturesque in the days when he was free and
|
|
happy. Tom routed him out, told him the trouble he had been causing,
|
|
and urged him to go home. Huck's face lost its tranquil content, and
|
|
took a melancholy cast. He said:
|
|
|
|
"Don't talk about it, Tom. I've tried it, and it don't work; it don't
|
|
work, Tom. It ain't for me; I ain't used to it. The widder's good to
|
|
me, and friendly; but I can't stand them ways. She makes me get up just
|
|
at the same time every morning; she makes me wash, they comb me all to
|
|
thunder; she won't let me sleep in the woodshed; I got to wear them
|
|
blamed clothes that just smothers me, Tom; they don't seem to any air
|
|
git through 'em, somehow; and they're so rotten nice that I can't set
|
|
down, nor lay down, nor roll around anywher's; I hain't slid on a
|
|
cellar-door for--well, it 'pears to be years; I got to go to church and
|
|
sweat and sweat--I hate them ornery sermons! I can't ketch a fly in
|
|
there, I can't chaw. I got to wear shoes all Sunday. The widder eats by
|
|
a bell; she goes to bed by a bell; she gits up by a bell--everything's
|
|
so awful reg'lar a body can't stand it."
|
|
|
|
"Well, everybody does that way, Huck."
|
|
|
|
"Tom, it don't make no difference. I ain't everybody, and I can't
|
|
STAND it. It's awful to be tied up so. And grub comes too easy--I don't
|
|
take no interest in vittles, that way. I got to ask to go a-fishing; I
|
|
got to ask to go in a-swimming--dern'd if I hain't got to ask to do
|
|
everything. Well, I'd got to talk so nice it wasn't no comfort--I'd got
|
|
to go up in the attic and rip out awhile, every day, to git a taste in
|
|
my mouth, or I'd a died, Tom. The widder wouldn't let me smoke; she
|
|
wouldn't let me yell, she wouldn't let me gape, nor stretch, nor
|
|
scratch, before folks--" [Then with a spasm of special irritation and
|
|
injury]--"And dad fetch it, she prayed all the time! I never see such a
|
|
woman! I HAD to shove, Tom--I just had to. And besides, that school's
|
|
going to open, and I'd a had to go to it--well, I wouldn't stand THAT,
|
|
Tom. Looky here, Tom, being rich ain't what it's cracked up to be. It's
|
|
just worry and worry, and sweat and sweat, and a-wishing you was dead
|
|
all the time. Now these clothes suits me, and this bar'l suits me, and
|
|
I ain't ever going to shake 'em any more. Tom, I wouldn't ever got into
|
|
all this trouble if it hadn't 'a' ben for that money; now you just take
|
|
my sheer of it along with your'n, and gimme a ten-center sometimes--not
|
|
many times, becuz I don't give a dern for a thing 'thout it's tollable
|
|
hard to git--and you go and beg off for me with the widder."
|
|
|
|
"Oh, Huck, you know I can't do that. 'Tain't fair; and besides if
|
|
you'll try this thing just a while longer you'll come to like it."
|
|
|
|
"Like it! Yes--the way I'd like a hot stove if I was to set on it long
|
|
enough. No, Tom, I won't be rich, and I won't live in them cussed
|
|
smothery houses. I like the woods, and the river, and hogsheads, and
|
|
I'll stick to 'em, too. Blame it all! just as we'd got guns, and a
|
|
cave, and all just fixed to rob, here this dern foolishness has got to
|
|
come up and spile it all!"
|
|
|
|
Tom saw his opportunity--
|
|
|
|
"Lookyhere, Huck, being rich ain't going to keep me back from turning
|
|
robber."
|
|
|
|
"No! Oh, good-licks; are you in real dead-wood earnest, Tom?"
|
|
|
|
"Just as dead earnest as I'm sitting here. But Huck, we can't let you
|
|
into the gang if you ain't respectable, you know."
|
|
|
|
Huck's joy was quenched.
|
|
|
|
"Can't let me in, Tom? Didn't you let me go for a pirate?"
|
|
|
|
"Yes, but that's different. A robber is more high-toned than what a
|
|
pirate is--as a general thing. In most countries they're awful high up
|
|
in the nobility--dukes and such."
|
|
|
|
"Now, Tom, hain't you always ben friendly to me? You wouldn't shet me
|
|
out, would you, Tom? You wouldn't do that, now, WOULD you, Tom?"
|
|
|
|
"Huck, I wouldn't want to, and I DON'T want to--but what would people
|
|
say? Why, they'd say, 'Mph! Tom Sawyer's Gang! pretty low characters in
|
|
it!' They'd mean you, Huck. You wouldn't like that, and I wouldn't."
|
|
|
|
Huck was silent for some time, engaged in a mental struggle. Finally
|
|
he said:
|
|
|
|
"Well, I'll go back to the widder for a month and tackle it and see if
|
|
I can come to stand it, if you'll let me b'long to the gang, Tom."
|
|
|
|
"All right, Huck, it's a whiz! Come along, old chap, and I'll ask the
|
|
widow to let up on you a little, Huck."
|
|
|
|
"Will you, Tom--now will you? That's good. If she'll let up on some of
|
|
the roughest things, I'll smoke private and cuss private, and crowd
|
|
through or bust. When you going to start the gang and turn robbers?"
|
|
|
|
"Oh, right off. We'll get the boys together and have the initiation
|
|
to-night, maybe."
|
|
|
|
"Have the which?"
|
|
|
|
"Have the initiation."
|
|
|
|
"What's that?"
|
|
|
|
"It's to swear to stand by one another, and never tell the gang's
|
|
secrets, even if you're chopped all to flinders, and kill anybody and
|
|
all his family that hurts one of the gang."
|
|
|
|
"That's gay--that's mighty gay, Tom, I tell you."
|
|
|
|
"Well, I bet it is. And all that swearing's got to be done at
|
|
midnight, in the lonesomest, awfulest place you can find--a ha'nted
|
|
house is the best, but they're all ripped up now."
|
|
|
|
"Well, midnight's good, anyway, Tom."
|
|
|
|
"Yes, so it is. And you've got to swear on a coffin, and sign it with
|
|
blood."
|
|
|
|
"Now, that's something LIKE! Why, it's a million times bullier than
|
|
pirating. I'll stick to the widder till I rot, Tom; and if I git to be
|
|
a reg'lar ripper of a robber, and everybody talking 'bout it, I reckon
|
|
she'll be proud she snaked me in out of the wet."
|
|
|
|
|
|
|
|
CONCLUSION
|
|
|
|
SO endeth this chronicle. It being strictly a history of a BOY, it
|
|
must stop here; the story could not go much further without becoming
|
|
the history of a MAN. When one writes a novel about grown people, he
|
|
knows exactly where to stop--that is, with a marriage; but when he
|
|
writes of juveniles, he must stop where he best can.
|
|
|
|
Most of the characters that perform in this book still live, and are
|
|
prosperous and happy. Some day it may seem worth while to take up the
|
|
story of the younger ones again and see what sort of men and women they
|
|
turned out to be; therefore it will be wisest not to reveal any of that
|
|
part of their lives at present.
|
|
|
|
|
|
|
|
|
|
|
|
End of the Project Gutenberg EBook of The Adventures of Tom Sawyer, Complete
|
|
by Mark Twain (Samuel Clemens)
|
|
|
|
*** END OF THIS PROJECT GUTENBERG EBOOK TOM SAWYER ***
|
|
|
|
***** This file should be named 74.txt or 74.zip *****
|
|
This and all associated files of various formats will be found in:
|
|
http://www.gutenberg.net/7/74/
|
|
|
|
Produced by David Widger. The previous edition was update by Jose
|
|
Menendez.
|
|
|
|
|
|
Updated editions will replace the previous one--the old editions
|
|
will be renamed.
|
|
|
|
Creating the works from public domain print editions means that no
|
|
one owns a United States copyright in these works, so the Foundation
|
|
(and you!) can copy and distribute it in the United States without
|
|
permission and without paying copyright royalties. Special rules,
|
|
set forth in the General Terms of Use part of this license, apply to
|
|
copying and distributing Project Gutenberg-tm electronic works to
|
|
protect the PROJECT GUTENBERG-tm concept and trademark. Project
|
|
Gutenberg is a registered trademark, and may not be used if you
|
|
charge for the eBooks, unless you receive specific permission. If you
|
|
do not charge anything for copies of this eBook, complying with the
|
|
rules is very easy. You may use this eBook for nearly any purpose
|
|
such as creation of derivative works, reports, performances and
|
|
research. They may be modified and printed and given away--you may do
|
|
practically ANYTHING with public domain eBooks. Redistribution is
|
|
subject to the trademark license, especially commercial
|
|
redistribution.
|
|
|
|
|
|
|
|
*** START: FULL LICENSE ***
|
|
|
|
THE FULL PROJECT GUTENBERG LICENSE
|
|
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
|
|
|
|
To protect the Project Gutenberg-tm mission of promoting the free
|
|
distribution of electronic works, by using or distributing this work
|
|
(or any other work associated in any way with the phrase "Project
|
|
Gutenberg"), you agree to comply with all the terms of the Full Project
|
|
Gutenberg-tm License (available with this file or online at
|
|
http://gutenberg.net/license).
|
|
|
|
|
|
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
|
|
electronic works
|
|
|
|
1.A. By reading or using any part of this Project Gutenberg-tm
|
|
electronic work, you indicate that you have read, understand, agree to
|
|
and accept all the terms of this license and intellectual property
|
|
(trademark/copyright) agreement. If you do not agree to abide by all
|
|
the terms of this agreement, you must cease using and return or destroy
|
|
all copies of Project Gutenberg-tm electronic works in your possession.
|
|
If you paid a fee for obtaining a copy of or access to a Project
|
|
Gutenberg-tm electronic work and you do not agree to be bound by the
|
|
terms of this agreement, you may obtain a refund from the person or
|
|
entity to whom you paid the fee as set forth in paragraph 1.E.8.
|
|
|
|
1.B. "Project Gutenberg" is a registered trademark. It may only be
|
|
used on or associated in any way with an electronic work by people who
|
|
agree to be bound by the terms of this agreement. There are a few
|
|
things that you can do with most Project Gutenberg-tm electronic works
|
|
even without complying with the full terms of this agreement. See
|
|
paragraph 1.C below. There are a lot of things you can do with Project
|
|
Gutenberg-tm electronic works if you follow the terms of this agreement
|
|
and help preserve free future access to Project Gutenberg-tm electronic
|
|
works. See paragraph 1.E below.
|
|
|
|
1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
|
|
or PGLAF), owns a compilation copyright in the collection of Project
|
|
Gutenberg-tm electronic works. Nearly all the individual works in the
|
|
collection are in the public domain in the United States. If an
|
|
individual work is in the public domain in the United States and you are
|
|
located in the United States, we do not claim a right to prevent you from
|
|
copying, distributing, performing, displaying or creating derivative
|
|
works based on the work as long as all references to Project Gutenberg
|
|
are removed. Of course, we hope that you will support the Project
|
|
Gutenberg-tm mission of promoting free access to electronic works by
|
|
freely sharing Project Gutenberg-tm works in compliance with the terms of
|
|
this agreement for keeping the Project Gutenberg-tm name associated with
|
|
the work. You can easily comply with the terms of this agreement by
|
|
keeping this work in the same format with its attached full Project
|
|
Gutenberg-tm License when you share it without charge with others.
|
|
|
|
1.D. The copyright laws of the place where you are located also govern
|
|
what you can do with this work. Copyright laws in most countries are in
|
|
a constant state of change. If you are outside the United States, check
|
|
the laws of your country in addition to the terms of this agreement
|
|
before downloading, copying, displaying, performing, distributing or
|
|
creating derivative works based on this work or any other Project
|
|
Gutenberg-tm work. The Foundation makes no representations concerning
|
|
the copyright status of any work in any country outside the United
|
|
States.
|
|
|
|
1.E. Unless you have removed all references to Project Gutenberg:
|
|
|
|
1.E.1. The following sentence, with active links to, or other immediate
|
|
access to, the full Project Gutenberg-tm License must appear prominently
|
|
whenever any copy of a Project Gutenberg-tm work (any work on which the
|
|
phrase "Project Gutenberg" appears, or with which the phrase "Project
|
|
Gutenberg" is associated) is accessed, displayed, performed, viewed,
|
|
copied or distributed:
|
|
|
|
This eBook is for the use of anyone anywhere at no cost and with
|
|
almost no restrictions whatsoever. You may copy it, give it away or
|
|
re-use it under the terms of the Project Gutenberg License included
|
|
with this eBook or online at www.gutenberg.net
|
|
|
|
1.E.2. If an individual Project Gutenberg-tm electronic work is derived
|
|
from the public domain (does not contain a notice indicating that it is
|
|
posted with permission of the copyright holder), the work can be copied
|
|
and distributed to anyone in the United States without paying any fees
|
|
or charges. If you are redistributing or providing access to a work
|
|
with the phrase "Project Gutenberg" associated with or appearing on the
|
|
work, you must comply either with the requirements of paragraphs 1.E.1
|
|
through 1.E.7 or obtain permission for the use of the work and the
|
|
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
|
|
1.E.9.
|
|
|
|
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
|
|
with the permission of the copyright holder, your use and distribution
|
|
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
|
|
terms imposed by the copyright holder. Additional terms will be linked
|
|
to the Project Gutenberg-tm License for all works posted with the
|
|
permission of the copyright holder found at the beginning of this work.
|
|
|
|
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
|
|
License terms from this work, or any files containing a part of this
|
|
work or any other work associated with Project Gutenberg-tm.
|
|
|
|
1.E.5. Do not copy, display, perform, distribute or redistribute this
|
|
electronic work, or any part of this electronic work, without
|
|
prominently displaying the sentence set forth in paragraph 1.E.1 with
|
|
active links or immediate access to the full terms of the Project
|
|
Gutenberg-tm License.
|
|
|
|
1.E.6. You may convert to and distribute this work in any binary,
|
|
compressed, marked up, nonproprietary or proprietary form, including any
|
|
word processing or hypertext form. However, if you provide access to or
|
|
distribute copies of a Project Gutenberg-tm work in a format other than
|
|
"Plain Vanilla ASCII" or other format used in the official version
|
|
posted on the official Project Gutenberg-tm web site (www.gutenberg.net),
|
|
you must, at no additional cost, fee or expense to the user, provide a
|
|
copy, a means of exporting a copy, or a means of obtaining a copy upon
|
|
request, of the work in its original "Plain Vanilla ASCII" or other
|
|
form. Any alternate format must include the full Project Gutenberg-tm
|
|
License as specified in paragraph 1.E.1.
|
|
|
|
1.E.7. Do not charge a fee for access to, viewing, displaying,
|
|
performing, copying or distributing any Project Gutenberg-tm works
|
|
unless you comply with paragraph 1.E.8 or 1.E.9.
|
|
|
|
1.E.8. You may charge a reasonable fee for copies of or providing
|
|
access to or distributing Project Gutenberg-tm electronic works provided
|
|
that
|
|
|
|
- You pay a royalty fee of 20% of the gross profits you derive from
|
|
the use of Project Gutenberg-tm works calculated using the method
|
|
you already use to calculate your applicable taxes. The fee is
|
|
owed to the owner of the Project Gutenberg-tm trademark, but he
|
|
has agreed to donate royalties under this paragraph to the
|
|
Project Gutenberg Literary Archive Foundation. Royalty payments
|
|
must be paid within 60 days following each date on which you
|
|
prepare (or are legally required to prepare) your periodic tax
|
|
returns. Royalty payments should be clearly marked as such and
|
|
sent to the Project Gutenberg Literary Archive Foundation at the
|
|
address specified in Section 4, "Information about donations to
|
|
the Project Gutenberg Literary Archive Foundation."
|
|
|
|
- You provide a full refund of any money paid by a user who notifies
|
|
you in writing (or by e-mail) within 30 days of receipt that s/he
|
|
does not agree to the terms of the full Project Gutenberg-tm
|
|
License. You must require such a user to return or
|
|
destroy all copies of the works possessed in a physical medium
|
|
and discontinue all use of and all access to other copies of
|
|
Project Gutenberg-tm works.
|
|
|
|
- You provide, in accordance with paragraph 1.F.3, a full refund of any
|
|
money paid for a work or a replacement copy, if a defect in the
|
|
electronic work is discovered and reported to you within 90 days
|
|
of receipt of the work.
|
|
|
|
- You comply with all other terms of this agreement for free
|
|
distribution of Project Gutenberg-tm works.
|
|
|
|
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
|
|
electronic work or group of works on different terms than are set
|
|
forth in this agreement, you must obtain permission in writing from
|
|
both the Project Gutenberg Literary Archive Foundation and Michael
|
|
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
|
|
Foundation as set forth in Section 3 below.
|
|
|
|
1.F.
|
|
|
|
1.F.1. Project Gutenberg volunteers and employees expend considerable
|
|
effort to identify, do copyright research on, transcribe and proofread
|
|
public domain works in creating the Project Gutenberg-tm
|
|
collection. Despite these efforts, Project Gutenberg-tm electronic
|
|
works, and the medium on which they may be stored, may contain
|
|
"Defects," such as, but not limited to, incomplete, inaccurate or
|
|
corrupt data, transcription errors, a copyright or other intellectual
|
|
property infringement, a defective or damaged disk or other medium, a
|
|
computer virus, or computer codes that damage or cannot be read by
|
|
your equipment.
|
|
|
|
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
|
|
of Replacement or Refund" described in paragraph 1.F.3, the Project
|
|
Gutenberg Literary Archive Foundation, the owner of the Project
|
|
Gutenberg-tm trademark, and any other party distributing a Project
|
|
Gutenberg-tm electronic work under this agreement, disclaim all
|
|
liability to you for damages, costs and expenses, including legal
|
|
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
|
|
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
|
|
PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
|
|
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
|
|
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
|
|
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
|
|
DAMAGE.
|
|
|
|
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
|
|
defect in this electronic work within 90 days of receiving it, you can
|
|
receive a refund of the money (if any) you paid for it by sending a
|
|
written explanation to the person you received the work from. If you
|
|
received the work on a physical medium, you must return the medium with
|
|
your written explanation. The person or entity that provided you with
|
|
the defective work may elect to provide a replacement copy in lieu of a
|
|
refund. If you received the work electronically, the person or entity
|
|
providing it to you may choose to give you a second opportunity to
|
|
receive the work electronically in lieu of a refund. If the second copy
|
|
is also defective, you may demand a refund in writing without further
|
|
opportunities to fix the problem.
|
|
|
|
1.F.4. Except for the limited right of replacement or refund set forth
|
|
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
|
|
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
|
|
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
|
|
|
|
1.F.5. Some states do not allow disclaimers of certain implied
|
|
warranties or the exclusion or limitation of certain types of damages.
|
|
If any disclaimer or limitation set forth in this agreement violates the
|
|
law of the state applicable to this agreement, the agreement shall be
|
|
interpreted to make the maximum disclaimer or limitation permitted by
|
|
the applicable state law. The invalidity or unenforceability of any
|
|
provision of this agreement shall not void the remaining provisions.
|
|
|
|
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
|
|
trademark owner, any agent or employee of the Foundation, anyone
|
|
providing copies of Project Gutenberg-tm electronic works in accordance
|
|
with this agreement, and any volunteers associated with the production,
|
|
promotion and distribution of Project Gutenberg-tm electronic works,
|
|
harmless from all liability, costs and expenses, including legal fees,
|
|
that arise directly or indirectly from any of the following which you do
|
|
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
|
|
work, (b) alteration, modification, or additions or deletions to any
|
|
Project Gutenberg-tm work, and (c) any Defect you cause.
|
|
|
|
|
|
Section 2. Information about the Mission of Project Gutenberg-tm
|
|
|
|
Project Gutenberg-tm is synonymous with the free distribution of
|
|
electronic works in formats readable by the widest variety of computers
|
|
including obsolete, old, middle-aged and new computers. It exists
|
|
because of the efforts of hundreds of volunteers and donations from
|
|
people in all walks of life.
|
|
|
|
Volunteers and financial support to provide volunteers with the
|
|
assistance they need, is critical to reaching Project Gutenberg-tm's
|
|
goals and ensuring that the Project Gutenberg-tm collection will
|
|
remain freely available for generations to come. In 2001, the Project
|
|
Gutenberg Literary Archive Foundation was created to provide a secure
|
|
and permanent future for Project Gutenberg-tm and future generations.
|
|
To learn more about the Project Gutenberg Literary Archive Foundation
|
|
and how your efforts and donations can help, see Sections 3 and 4
|
|
and the Foundation web page at http://www.pglaf.org.
|
|
|
|
|
|
Section 3. Information about the Project Gutenberg Literary Archive
|
|
Foundation
|
|
|
|
The Project Gutenberg Literary Archive Foundation is a non profit
|
|
501(c)(3) educational corporation organized under the laws of the
|
|
state of Mississippi and granted tax exempt status by the Internal
|
|
Revenue Service. The Foundation's EIN or federal tax identification
|
|
number is 64-6221541. Its 501(c)(3) letter is posted at
|
|
http://pglaf.org/fundraising. Contributions to the Project Gutenberg
|
|
Literary Archive Foundation are tax deductible to the full extent
|
|
permitted by U.S. federal laws and your state's laws.
|
|
|
|
The Foundation's principal office is located at 4557 Melan Dr. S.
|
|
Fairbanks, AK, 99712., but its volunteers and employees are scattered
|
|
throughout numerous locations. Its business office is located at
|
|
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
|
|
business@pglaf.org. Email contact links and up to date contact
|
|
information can be found at the Foundation's web site and official
|
|
page at http://pglaf.org
|
|
|
|
For additional contact information:
|
|
Dr. Gregory B. Newby
|
|
Chief Executive and Director
|
|
gbnewby@pglaf.org
|
|
|
|
|
|
Section 4. Information about Donations to the Project Gutenberg
|
|
Literary Archive Foundation
|
|
|
|
Project Gutenberg-tm depends upon and cannot survive without wide
|
|
spread public support and donations to carry out its mission of
|
|
increasing the number of public domain and licensed works that can be
|
|
freely distributed in machine readable form accessible by the widest
|
|
array of equipment including outdated equipment. Many small donations
|
|
($1 to $5,000) are particularly important to maintaining tax exempt
|
|
status with the IRS.
|
|
|
|
The Foundation is committed to complying with the laws regulating
|
|
charities and charitable donations in all 50 states of the United
|
|
States. Compliance requirements are not uniform and it takes a
|
|
considerable effort, much paperwork and many fees to meet and keep up
|
|
with these requirements. We do not solicit donations in locations
|
|
where we have not received written confirmation of compliance. To
|
|
SEND DONATIONS or determine the status of compliance for any
|
|
particular state visit http://pglaf.org
|
|
|
|
While we cannot and do not solicit contributions from states where we
|
|
have not met the solicitation requirements, we know of no prohibition
|
|
against accepting unsolicited donations from donors in such states who
|
|
approach us with offers to donate.
|
|
|
|
International donations are gratefully accepted, but we cannot make
|
|
any statements concerning tax treatment of donations received from
|
|
outside the United States. U.S. laws alone swamp our small staff.
|
|
|
|
Please check the Project Gutenberg Web pages for current donation
|
|
methods and addresses. Donations are accepted in a number of other
|
|
ways including including checks, online payments and credit card
|
|
donations. To donate, please visit: http://pglaf.org/donate
|
|
|
|
|
|
Section 5. General Information About Project Gutenberg-tm electronic
|
|
works.
|
|
|
|
Professor Michael S. Hart is the originator of the Project Gutenberg-tm
|
|
concept of a library of electronic works that could be freely shared
|
|
with anyone. For thirty years, he produced and distributed Project
|
|
Gutenberg-tm eBooks with only a loose network of volunteer support.
|
|
|
|
|
|
Project Gutenberg-tm eBooks are often created from several printed
|
|
editions, all of which are confirmed as Public Domain in the U.S.
|
|
unless a copyright notice is included. Thus, we do not necessarily
|
|
keep eBooks in compliance with any particular paper edition.
|
|
|
|
|
|
Most people start at our Web site which has the main PG search facility:
|
|
|
|
http://www.gutenberg.net
|
|
|
|
This Web site includes information about Project Gutenberg-tm,
|
|
including how to make donations to the Project Gutenberg Literary
|
|
Archive Foundation, how to help produce our new eBooks, and how to
|
|
subscribe to our email newsletter to hear about new eBooks.
|